Have a personal or library account? Click to login
Methodological reflections on the use of memories and oral sources in media-historical research in the Nordic/Baltic region: A case study on cinemagoing in Sweden
Anderson, Kathryn; Jack, Dana C. [1991] 2016. ‘Learning to Listen: Interview Techniques and Analyses’. – Robert Perks, Alistair Thomson (eds.), The Oral History Reader. [3rd edition] New York: Routledge, 179–192.
Anderson, Louise 2009. ‘Postcards from the Edge: The Untidy Realities of Working with Older Cinema Audiences, Distant Memories and Newsreels’. –Participations 6, 2, 180–198.
Anderson, Louise 2013. ‘The Porous Boundaries of Newsreel Memory Research’. – Karina Aveyard, Albert Moran (eds.), Watching Films: New Perspectives on Movie-going, Exhibition and Reception. Bristol: Intellect.
Assmann, Jan 2010. ‘Globalization, Universalism, and the Erosion of Cultural Memory’. – Aleida Assmann, Sebastian Conrad (eds.), Memory in a Global Age: Discourses, Practices and Trajectories. Houndsmills, Basingstoke: Palgrave Macmillan, 121–137.
Assmann, Aleida; Conrad, Sebastian (eds.), 2010. Memory in a Global Age: Discourses, Practices and Trajectories. Houndsmills, Basingstoke: Palgrave Macmillan.
Biltereyst, Daniël; Maltby, Richard; Meers, Philippe (eds.), 2012a. Cinema Audiences and Modernity: New Perspectives on European Cinema History. New York: Routledge.
Biltereyst, Daniël; Lotze, Kathleen; Meers, Philippe 2012b. ‘Triangulation in Historical Audience Research: Reflections and Experiences from a Multimethodological Research Project on Cinema Audiences in Flanders’. – Participations 9, 2, 690–715.
Biltereyst, Daniël; Meers, Philippe 2018. ‘Film, Cinema and Reception Studies: Revisiting Research on Audience’s Filmic and Cinematic Experiences’. – Elena Di Giovanni, Yves Gambier (eds.), Reception Studies and Audiovisual Translation. Amsterdam, Philadelphia: John Benjamins Publishing Company, 21–41.
Bolin, Göran 2016b. ‘The Rhythm of Ages: Analysing Mediatization Through the Lens of Generations Across Cultures’. – International Journal of Communication 10, 5252–5269.
Bolin, G., Kalmus, V., Figueiras, R. 2023. ‘Conducting Cross-cultural Online Audience Research with Two Generations: Methodological experiences and reflections from the pandemic context’. AoIR Selected Papers of Internet Research, 2022. [Retrieved 2024-04-04] https://doi.org/10.5210/spir.v2022i0.12977
Elsaket, Ifdal; Biltereyst, Daniël; Meers, Phillipe (eds.), 2023. Cinema in the Arab World: New Histories, New Approaches. London: Bloomsbury Academic.
Erll, Astrid 2008. ‘Cultural Memory Studies. An introduction’. – Astrid Erll, Ansgar Nünning, Sara B. Young (eds.), Cultural Memory Studies: An International and Interdisciplinary Handbook. Berlin: Walter de Gruyter.
Holmes, Alison; Conway, Martin A. 1999. ‘Generation Identity and the Reminiscence Bump: Memory for Public and Private Events’. – Journal of Adult Development 6, 1, 21–34.
Janssen, Steve M. J.; Chessa, Antonio G.; Murre, Jaap M. J. 2007. ‘Temporal Distribution of Favourite Books, Movies, and Records: Differential Encoding and Re-sampling’. – Memory, 15, 7, 755–767.
Jernudd, Åsa 2010. ‘Cinema, Memory, and Place-related Identities: Remembering Cinemagoing in the Post-Industrial Town of Fagersta, Bergslagen’. – Erik Hedling, Olle Hedling, Mats Jönsson (eds.), Regional Aesthetics: Locating Swedish Media. Stockholm: National Library of Sweden, 169–189.
Jernudd, Åsa; Lundmark, Mats 2020. ‘The Persistence of Society-Driven Engagement in Swedish Cinema: A locational analysis, 1936-2016’. – TMG Journal for Media History 23, 1–2, 1–30.
Jernudd, Åsa; Van Belle, Jono 2024. ‘Managing Constraints and Stories of Freedom: Comparing cinema memories from the 1950s and 1960s in Sweden’. –Daniela Treveri Gennari, Lies Van de Vijver, Pier Ercole (eds.), The Palgrave Handbook of Comparative New Cinema Histories, Cham: Palgrave Macmillan, 147–172.
Jõesalu, K.; Kõresaar, E. 2013. ‘Continuity or Discontinuity: On the Dynamics of Remembering “Mature Socialism” in Estonian Post-Soviet Remembrance Culture’. – Journal of Baltic Studies 44, 2, 177–203.
Kaminskaitė-Jančorienė, L.; Šalaj, J. 2021. ‘”We were released into the so-called Western world we knew absolutely nothing about”: Professional experiences of female employees in the Lithuanian Film Industry from the postcolonial point of view’. – Gender, Work & Organization 28, 6, 2026–2039.
Lotz, Amanda D. 2000. ‘Assessing Qualitative Television Audience Research: Incorporating feminist and anthropological theoretical innovation’. –Communication Theory 10, 4, 447–467.
Maltby, Richard; Stokes, Melvyn; Allen, Robert C. 2007. (eds.), Going to the Movies: Hollywood and the Social Experience of Cinema. Exeter, UK: Exeter University Press.
Maltby, Richard 2011. ‘New Cinema Histories’. –Richard Maltby, Daniël Biltereyst, Philippe Meers (eds.), Explorations in New Cinema History: Approaches and Case Studies. Malden, MA: Wiley-Blackwell, 1–40.
Maltby, Richard; Biltereyst, Daniël; Meers, Philippe (eds.), 2011. Explorations in New Cinema History: Approaches and Case Studies. Malden, MA: Wiley-Blackwell.
Meers, Philippe; Biltereyst, Daniël 2012. ‘Film Audiences in Perspective: The social practices of cinema-going’. – Helena Bilandzic, Geoffroy Patriarche, Paul J. Traudt (eds.), The Social Use of Media. Bristol: Intellect/ Chicago: University of Chicago Press, 123–140.
Meers, Philippe; Biltereyst, Daniël; Lozano, José Carlos 2018. ‘The Cultura de la Pantalla Network: Writing new cinema histories across Latin America and Europe’. –Revista Internacional de Comunicación y Desarrollo 2, 9, 161–168.
Pafort-Overduin, Clara; Lotze, Kathleen; Jernudd, Åsa; van Oort, Thunnis 2020. ‘Moving Films: Visualising film flow in three European cities in 1952’. – TMG Journal for Media History 23, 1–2, 1–49.
Pedersen, Mona 2009. ’På kino i byen och bygda. Kinominner fra Hedmark ca. 1930–1960’. –Sarah Brinch, Anne Gjelsvik (eds.), Veier tilbake. Filmhistoriske perspektiver. Kristiansand: Norweigan Academic Press.
Portelli, Alessandro [1979] 2016. ‘What Makes Oral History Different’. – Robert Perks, Alistair Thomson (eds.), The Oral History Reader. [3rd edition] New York: Routledge, 48–58.
Portelli, Alessandro [1985] 2005. ‘A Dialogical Relationship. An Approach to Oral History’. –Expressions annual, expressions_portelli-libre.pdf [Retrieved from academia.edu 2024-04-04], 1–8.
Runcis, M.; Zalkalns, L. 2018. ‘Women’s Role in the Alternative Culture Movements in Soviet Latvia, 1960–1990’. – Melanie Ilic (ed.), The Palgrave Handbook of Women and Gender in Twentieth-Century Russia and the Soviet Union. London: Palgrave Macmillan, 365–380.
Strupule, Inese 2021. Amateur Filmmaking in the Latvian Soviet Socialist Republic: Family, Nation, and Art (1955–1991). Dissertation. University College London.
Thomson, Alistair 2013. ‘Anzac memories. Putting popular memory theory into practice in Australia’ –Perks, Robert; Thomson, Alistair (eds.) 2016. The Oral History Reader. [3rd edition] New York: Routledge, 343–353.
Treveri Gennari, Daniela 2018. ‘Understanding the Cinemagoing Experience in Cultural Life: The Role of Oral History and the Formation of “Memories of Pleasure”’. – TMG. Journal of Media History 21, 1, 39–53.
Treveri Gennari, Daniela; Dibeltulo, Silvia; Hipkins, Danielle; O’Rawe, Catherine 2019. ‘Analyzing Memories through Video-interviews: A Case Study of Post-war Italian Cinemagoing’. – Daniël Biltereyst, Richard Maltby, Philippe Meers (eds.), 2019. The Routledge Companion to New Cinema History. Abingdon, Oxon: Routledge, 341–354.
Treveri Gennari, Daniela; Ercole, Pierluigi; Van de Vijver, Lies 2024. The Palgrave Handbook of Comparative New Cinema Histories. Cham: Palgrave Macmillan.
Van Belle, Jono 2019. Scenes from an Audience: The Auteur and the Film Text in Audience Experiences: Ingmar Bergman – A Case Study. Dissertation. Ghent University and Stockholm University.
Van Belle, Jono; Jernudd, Åsa 2023. ‘Remembering Television as New Media. How are Conceptual Boundaries of Different Media Crossed and Upheld in Cinema Memories?’ – Journal of Scandinavian Cinema 13, 1, 67–81.
Van de Vijver, Lies; Biltereyst, Daniël 2013. ‘Cinemagoing as a Conditional Part of Everyday Life: Memories of Cinemagoing in Ghent from the 1930s to the 1970s’. – Cultural Studies, 27, 4, 561–584.
van Oort, Thunnis; Jernudd, Åsa; Lotze, Kathleen; Pafort-Overduin, Clara; Biltereyst, Daniël; Boter, Jaap; Dibeltulo, Silvia; Ercole, Pier; Meers, Philippe; Porubcanska, Terezia; Treveri Gennari, Daniela; Van de Vijver, Lies 2020. ‘Mapping Film Programming across Post-War Europe (1952): Arts and Media’. – Research Data Journal for the Humanities and Social Sciences, 5, 2, 109–125.
Verhoeven, Deb; Bowles, Kate; Arrowsmith, Colin 2009. ‘Mapping the Movies. Reflections on the Use of Geospatial Technologies for Historical Cinema Audience Research’. – Michael Ross, Manfred Grauer, Bernd Freisleben (eds.), Digital Tools in Media Studies. Analysis and Research. An Overview. Bielefeld: Transcript Verlag.