The Object Gives Rise to Thought: Hermeneutics of Objects in Disco Elysium
References
- Abbott, Megan 2002. The Street Was mine: White Masculinity in Hardboiled Fiction and Film Noir. Palgrave Macmillan: New York.<a href="https://doi.org/10.1057/9781403970015" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">10.1057/9781403970015</a>
- Bolter, Jay David; Grusin, Richard 2000. Remediation: Understanding New Media. MIT Press: Cambridge.
- Bogost, Ian. 2012. Alien phenomenology, or What It’s Like to Be a Thing. University of Minnesota Press: Minneapolis.<a href="https://doi.org/10.5749/minnesota/9780816678976.001.0001" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">10.5749/minnesota/9780816678976.001.0001</a>
- Buryła, Slawomir 2018. Pamięć powojenna w kryminale retro. W: Buryła, S., Gąsowska, L., Ossowska, D. (red). Popkulturowe formy pamięci. IBL PAN: Warszawa, s. 97–126.
- Calleja, Gordon 2011. In-Game: From Immersion to incorporation. MIT Press: Cambridge, MA & London.<a href="https://doi.org/10.7551/mitpress/8429.001.0001" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">10.7551/mitpress/8429.001.0001</a>
- Chapman, Adam 2016. Digital Games as History: How Videogames Represent the Past and Offer Access to Historical Practice. Routledge: New York & London.
- Darska, Bernadetta 2018. ‘Pamięć jako kategoria podtrzymująca reguły gatunkowe we współczesnej powieści kryminalnej’. – Sławomir Buryła, Lidia Gąsowska, Danuta Ossowska (eds.). Popkulturowe formy pamięci. Warszawa: IBL PAN, 127–140.
- Denson, Shane; Jahn-Sudmann, Andreas 2013. ‘Digital Seriality: On the Serial Aesthetics and Practice of Digital Games’. – Eludamos: Journal for Computer Game Culture 7, 1, 1-32.<a href="https://doi.org/10.7557/23.6145" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">10.7557/23.6145</a>
- Domańska, Ewa 2008. ‘Humanistyka nie-antropocentryczna a studia nad rzeczami’. – Kultura Współczesna: teoria, interpretacje, krytyka 3, 9–21.
- Egenfeldt-Nielsen, Simon; Smith, Jonas; Tosca, Susana 2008. Understanding Video Games: The Essential Introduction. New York & London: Routledge.<a href="https://doi.org/10.4324/9780203930748" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">10.4324/9780203930748</a>
- Farca, Gerald 2018. Playing Dystopia: Nightmarish Worlds in Video Games and the Player’s Aesthetic Response. Bielefeld: Transcript.<a href="https://doi.org/10.1515/9783839445976" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">10.1515/9783839445976</a>
- Foucault, Michel 1998. The History of Sexuality. Volume 1: An Introduction. Trans. Robert Hurley. New York: Pantheon Books.
- Galloway, Alexander R. 2006. Gaming: Essays on Algorithmic Culture. Cambridge: MIT Press.
- Gandolfi, Enrico 2016. ‘Subjective temporalities at play: Temporality, subjectivity and gaming affordances in Cities: Skylines, Europa Universalis IV and Pillars of Eternity’. – Simulation & Gaming 47, 6, 720–750.<a href="https://doi.org/10.1177/1046878116670292" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">10.1177/1046878116670292</a>
- Gualeni, Stefano; Vella, Daniel 2020. Virtual Existentialism: Meaning and Subjectivity in Virtual Worlds. Cham: Palgrave Macmillan.<a href="https://doi.org/10.1007/978-3-030-38478-4" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">10.1007/978-3-030-38478-4</a>
- Hanson, Christopher 2018. Game Time. Understanding Temporality in Video Games. Bloomington: Indiana University Press.<a href="https://doi.org/10.2307/j.ctv176q4" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">10.2307/j.ctv176q4</a>
- Harman, Graham 2011. The Quadruple Object. Winchester: Zero Books.
- Harman, Graham 2017. Object-Oriented Ontology: A New Theory of Everything. Pelican.
- Heilmann, Till A. 2014. ‘“Tap, tap, flap, flap.” Ludic Seriality, Digitality, and the Finger’. – Eludamos: Journal for Computer Game Culture 8, 1, 33-46.
- Jameson, Fredric 1991. Postmodernism, or, The Cultural Logic of Late Capitalism. Durham: Duke University Press.<a href="https://doi.org/10.1215/9780822378419" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">10.1215/9780822378419</a>
- Kelly, Mark G. E. 2013. Foucault’s History of Sexuality Volume I: The Will to Knowledge. Edinburgh: Edinburgh University Press.<a href="https://doi.org/10.1515/9780748648917" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">10.1515/9780748648917</a>
- Kimmel, Michael; Milord, Christine; Kennedy, Amanda 2014. Cultural Encyclopedia of the Penis. New York & London: Rowman & Littlefield.
- Kirby, David A. 2013. ‘Forensic fictions: Science, television production, and modern storytelling’. – Studies in History and Philosophy of Biological and Biomedical Sciences 44, 92–102.
- Lacoue-Labarthe, Philippe 1989. Typography: Mimesis, Philosophy, Politics. London: Harvard University Press.
- Maclean, Paul D. 1990. The Triune Brain in Evolution: Role in Paleocerebral Functions. New York & London: Plenum Press.
- Maj, Krzysztof M. 2015. Allotopie: Topografia światów fikcjonalnych. Kraków: Universitas.
- Maj, Krzysztof M. 2019. Światotwórstwo w fantastyce: Od przedstawienia do zamieszkiwania. Kraków: Universitas.
- Mantzavinos, Chrysostomos 2005. Naturalistic Hermeneutics. Cambridge: Cambridge University Press.<a href="https://doi.org/10.1017/CBO9780511498947" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">10.1017/CBO9780511498947</a>
- Mizajewski, Linda 2004. Hardboiled and High Heeled: The Woman Detective in Popular Culture. New York & London: Routledge.<a href="https://doi.org/10.4324/9780203489789" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">10.4324/9780203489789</a>
- Mukherjee, Souvik 2017. Videogames and Postcolonialism: Empire Plays Back. Cham: Palgrave Macmillan.<a href="https://doi.org/10.1007/978-3-319-54822-7" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">10.1007/978-3-319-54822-7</a>
- Murray, Janet 1997. Hamlet on the Holodeck: The Future of Narrative in Cyberspace. The Free Press: New York.
- Pötzsch, Holger; Šisler, Vit 2019. ‘Playing Cultural Memory: Framing History in Call of Duty: Black Ops and Czechoslovakia 38-89: Assassination’. – Games and Culture 14, 1, 3–25.<a href="https://doi.org/10.1177/1555412016638603" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">10.1177/1555412016638603</a>
- Reinhard, Andrew 2018. Archeogaming: An Introduction to Archeology in and of Video Games. New York & Oxford: Berghahn.
- Ricoeur, Paul 2006. Memory, history, forgetting. Trans. Kathleen Blamey; David Pellauer. Chicago & London: University of Chicago Press.
- Ricoeur, Paul 1992. Oneself as Another. Trans. Kathleen Blamey. Chicago & London: University of Chicago Press.
- Ricoeur, Paul 1991. From Text to Action: Essays in Hermeneutics, II. Trans. Kathleen Blamey, John B. Thompson. Northwestern University Press.
- Ricoeur, Paul 1975. La metaphor vive. Paris: Éditions du Seuil.
- Ricoeur, Paul 1969. The Symbolism of Evil. Trans. Emerson Buchman. Boston: Beacon Press.
- Ricoeur, Paul 1963. ‘Le conflit des herméneutiques: épistémologie des interpretations’. – Cahiers Intemationaux de Symbolisme 1, 152–184
- Ricoeur, Paul 1960. ‘The Symbol: Food for Thought’. – Philosophy Today 4, 3, 196–207.<a href="https://doi.org/10.5840/philtoday196043/424" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">10.5840/philtoday196043/424</a>
- Ryan, Marie-Laure; Thon, Jan-Noël 2014. Storyworlds across Media. Toward a Media-Conscious Narratology. Lincoln & London: University of Nebraska Press.<a href="https://doi.org/10.2307/j.ctt1d9nkdg" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">10.2307/j.ctt1d9nkdg</a>
- Scott-Baumann, Alison 2009. Ricoeur and the Hermeneutics of Suspicion. New York: Continuum.
- Schulzke, Marcus 2014. ‘The critical power of virtual dystopias’. – Games and Culture 9, 5, 1-20.<a href="https://doi.org/10.1177/1555412014541694" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">10.1177/1555412014541694</a>
- Sendyka, Roma 2017. ‘W imię zmarłych: humanistyka forensycznej wrażliwości i publicznej prawdomówności. – Teksty Drugie 1, 81–90.<a href="https://doi.org/10.18318/td.2017.1.6" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">10.18318/td.2017.1.6</a>
- Tuszyńska, Justyna 2017. ‘Rozmyte pojęcia: Historia badania literatury kryminalnej w Polsce’. – Slavica Tergestina 19, 2, 204–223.
- Vella, Daniel 2015. The Ludic Subject and the Ludic Self: Analyzing the ‘I-in-the-Gameworld’. Copenhagen: IT University of Copenhagen.
- Wagner, E. J. 2006. The Science of Sherlock Holmes From Baskerville Hall to the Valley of Fear, the Real Forensics Behind the Great Detective’s Greatest Cases. New Jersey: Wiley.
- Zagal, José P.; Mateas, Michael 2010. ‘Time in Video Games: A Survey and Analysis’. – Simulation & Gaming 41, 6, 1–25.<a href="https://doi.org/10.1177/1046878110375594" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">10.1177/1046878110375594</a>
- ZA/UM Studio 2019. Disco Elysium. London: ZA/UM Studio.
DOI: https://doi.org/10.2478/bsmr-2021-0006 | Journal eISSN: 2346-5522
Language: English
Page range: 56 - 66
Published on: Dec 14, 2021
Published by: Tallinn University Baltic Film, Media, Arts and Communication School
In partnership with: Paradigm Publishing Services
Publication frequency: 1 times per year
Related subjects:
© 2021 Michał Kłosiński, published by Tallinn University Baltic Film, Media, Arts and Communication School
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.