Editorial: Special Issue on Disco Elysium
By:
References
- Bakhtin, Mikhail 1984/1963. Problems of Dostoevsky’s Poetics. Minneapolis: University of Minnesota Press.
- Barad, K. M. 2007. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham: Duke University Press.10.2307/j.ctv12101zq
- Bogost, Ian 2012. Alien Phenomenology, or What It’s Like to Be a Thing. University of Minnesota Press: Minneapolis.10.5749/minnesota/9780816678976.001.0001
- Camus, Albert 2005/1942. Myth of Sisyphus. London: Penguin UK.
- Cremin, Ciara 2016. Exploring Videogames with Deleuze and Guattari. Towards an Affective Theory of Form. London: Routledge.
- Deleuze, Gilles; Guattari, Felix 2009/1980. A Thousand Plateaus. Capitalism and Schizophrenia. Minneapolis: University of Minnesota Press.
- Gault, Matthew 2019 (December 19). The 10 Best Video Games of the 2010s. Time. https://time.com/5752663/best-video-games-2010s-decade/
- Harman, Graham 2017. Object-Oriented Ontology: A New Theory of Everything. Pelican.
- Hayles, N. Katherine 1999. How we Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago: University of Chicago Press.10.7208/chicago/9780226321394.001.0001
- Kerr, Aphra 2017. Global Games: Production, Circulation and Policy in the Networked Era. New York: Routledge.10.4324/9780203704028
- Kirkland, Ewan 2013. ‘Gothic Video games, Survival Horror and the Silent Hill Series’. – Gothic Studies 14, 2, 108-122.10.7227/GS.14.2.8
- Krzywinska, Tanya 2015. ‘Gamification of Gothic’. – Mathias Fuchs (ed.), Diversity of Play. Lüneburg: Meson Press, 21-38.
- Mukherjee, Souvik 2017. ‘Re-membering and dismembering: memory and the (re) creation of identities in videogames’. – Sessões do Imaginário 22, 38, 53-63.10.15448/1980-3710.2017.2.29822
- Perron, Bernard 2018. The World of Scary Videogames: A Study in Videoludic Horror. London: Bloomsbury Academic.
- Ricoeur, Paul 1969. The Symbolism of Evil. Trans. Emerson Buchman. Boston: Beacon Press.
- Sotamaa, Olli; Švelch, Jan (eds.). 2021. Game Production Studies. Amsterdam: Amsterdam University Press.10.2307/j.ctv1hp5hqw
- Švelch, Jaroslav 2018. Gaming the Iron Curtain: How Teenagers and Amateurs in Communist Czechoslovakia Claimed the Medium of Computer Games. Cambridge: MIT Press.10.7551/mitpress/10964.001.0001
- Swalwell, Melanie 2021. Homebrew Gaming and the Beginnings of Vernacular Digitality. Cambridge: MIT Press.10.7551/mitpress/11036.001.0001
- Vella, Daniel 2016 ‘“Who am ‘I’ in the Game?”: A Typology of the Modes of Ludic Subjectivity’. In DiGRA/FDG ‘16 – Proceedings of the First International Joint Conference of DiGRA and FDG. http://www.digra.org/digital-library/publications/who-am-i-in-the-game-a-typology-ofthe-modes-of-ludic-subjectivity/
DOI: https://doi.org/10.2478/bsmr-2021-0001 | Journal eISSN: 2346-5522
Language: English
Page range: 2 - 4
Published on: Dec 14, 2021
Published by: Tallinn University Baltic Film, Media, Arts and Communication School
In partnership with: Paradigm Publishing Services
Publication frequency: 1 times per year
Related subjects:
© 2021 Tom Apperley, Anna Ozimek, published by Tallinn University Baltic Film, Media, Arts and Communication School
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.