References
- Atwood, Margaret. 2002. Negotiating with the Dead: A Writer on Writing. Cambridge: Cambridge University Press.
- 2016. Hag-Seed. The Tempest Retold. London and New York: Hogarth.
- Bartnicka, Anna Joanna. 2021. “Margaret Atwood’s Hag-Seed: Dramatic Encounters between Classic and Adaptation, Life and Art, Freedom and Imprisonment.” Roczniki Humanistyczne vol. 69, no. 11: 21–33.
- Bate, Jonathan. 2016. “Hag-Seed: The Tempest Retold by Margaret Atwood.” The Times 1 October. http://www.thetimes.co.uk/article/hag-seed-thetempestretold-by-margaret-atwood-2bpnrmx2k (Last accessed 29 May 2023).
- Cavecchi, Mariacristina. 2017. “Brave New Worlds. Shakespearean Tempests in Italian Prisons.” Altre Modernità. Rivista di studi letterari e culturali 11(Numero speciale): Will Forever Young! Shakespeare & Contemporary Culture: 1–21.
- Ciobanu, Estella. 2021. “The Play’s the Thing:” Re-imagining Shakespeare’s The Tempest in Forbidden Planet, Prospero’s Books and Hag-Seed.” University of Bucharest Review vol. 10, no. 2: 6–19.
- Deleuze, Gilles and Félix Guattari. 1987. A Thousand Plateaus. Capitalism and Schizophrenia. University of Minnesota Press.
- Genette, Gérard. 1997 [1982]. Palimpsests: Literature in the Second Degree. Trans. Channa Newman and Claude Doubinsky. Lincoln and London: University of Nebraska Press.
- Giménez Yuste, Mario. 2019. Modes of Adaptation and Appropriation in the Hogarth Shakespeare Series (Master theses). http://e-spacio.uned.es/fez/eserv/bibliuned:master-Filologia-ELyCIyPS-Mgimenez/GimenezYuste_Mario_TFM.pdf (Last accessed 29 May 2023).
- Giovannelli, Laura. 2018. Margaret Atwood’s Hag-Seed: Performing Wonders in the New Millennium. https://arpi.unipi.it/handle/11568/940470 (Last accessed 29 May 2023).
- Greenblatt, Stephen. 1990. Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Oxford: Clarendon Press.
- Hutcheon, Linda. 2006. A Theory of Adaptation. New York and London: Routledge.
- Jenkins, Henry. 1992. Textual Poachers: Television Fans & Participatory Culture. New York and London: Routledge.
- 2006. Convergence Culture: Where Old and New Media Collide. New York and London: New York University Press.
- Lanier, Douglas. 2014. “Shakespearean Rhizomatics: Adaptation, Ethics, Value.” In Shakespeare and the Ethics of Appropriation, eds. Alexa Huang and Elizabeth Rivlin, 21–40. New York: Palgrave Macmillan.
- Lehmann, Courtney. 2014. “Double Jeopardy: Shakespeare and Prison Theatre.” In Shakespeare and the Ethics of Appropriation, eds. Alexa Huang and Elizabeth Rivlin, 89–107. New York: Palgrave Macmillan.
- Maisonnat, Claude, Josiane Paccaud-Huguet, and Annie Ramel, eds. 2009. Rewriting/Reprising in Literature: The Paradoxes of Intertextuality. Cambridge Scholars Publishing.
- Muñoz-Valdivieso, Sofía. 2017. “Shakespeare Our Contemporary in 2016: Margaret Atwood’s Rewriting of The Tempest in Hag-Seed.” Sederi vol. 27: 105–129.
- Puttaiah, Venkatesh and A. Sowmya. 2021. “Reading Reflections of The Tempest: Margaret Atwood’s Hag-Seed from Postcolonial and Postmodernist Perspectives.” The Criterion: An International Journal in English vol. 12, no. 1(February): 319–335.
- https://www.the-criterion.com/V12/n1/CN01.pdf (Last accessed 29 May 2023).
- Rarenko, Nataliia. 2021. “The Theatricality of Postmodernist Literary Text: An Intermediality Perspective.” The International Journal of Literary Humanities vol. 19, no. 2: 1–8.
- Ryan, Marie-Laure. 2006. Avatars of Story. Minneapolis and London: University of Minnesota Press.
- St. Aubyn, Edward. 2017. Dunbar. London and New York: Hogarth.
- Tyler, Anne. 2016. Vinegar Girl. London and New York: Hogarth.
- Vanhaudenarde, Caroline. 2019. Duality, Theatre and Self-discovery in Margaret Atwood’s Hag-Seed and Shakespeare’s The Tempest (Master theses). http://hdl.handle.net/2078.1/thesis:21428 (Last accessed 29 May 2023).
- Ward, S. and R. Connolly. 2020. “The Play Is a Prison: The Discourse of Prison Shakespeare.” Studies in Theatre and Performance vol. 40, no. 2: 128–144.