Have a personal or library account? Click to login
Dracula – Hybridity and Metafiction Cover

References

  1. Arata, Stephen D. 1990. “The Occidental Tourist: Dracula and the Anxiety of Reverse Colonization.” Victorian Studies, vol. 33, no. 4: 621–645.
  2. Ashcroft, Bill, Gareth Griffiths and Helen Tiffin, eds. 1995. The Postcolonial Studies Reader. London: Routledge.
  3. Bender, John. 2012. “Chapter 5. The Novel as Modern Myth: Robinson Crusoe, Frankenstein, Dracula.” In Ends of Enlightenment, 95–109. Stanford: Stanford University Press.
  4. Beresford, Matthew. 2008. From Demons to Dracula: The Creation of the Modern Vampire Myth. London: Reaktion Books.
  5. Bhabha, Homi K. 1994. “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” In The Location of Culture, 121–132. London: Routledge.
  6. Brantlinger, Patrick. 2011. “Shadows of the Coming Race.” In Taming Cannibals: Race and Victorians, 180–203. Ithaca: Cornell University Press.10.7591/cornell/9780801450198.003.0008
  7. Childs, Peter and R. J. Patrick Williams. 1997. An Introduction to Post-Colonial Theory. London: Routledge.
  8. Forman, Robert G. 2016. “A Parasite for Sore Eyes: Rereading Infection Metaphors in Bram Stoker’s Dracula.” Victorian Literature & Culture, vol. 44, no. 4 (Dec.): 925–944.10.1017/S1060150316000280
  9. Garcia, Anca O. 2017. Writing into Existence: Rethinking History through Literature in Beowulf, Dracula by Bram Stoker, and The Enchantress of Florence by Salman Rushdie, Master’s Thesis, Valdosta State University, UMI 2002.
  10. Garrett, Peter K. 2012. “Sensations: Gothic, Horror, Crime Fiction, Detective Fiction.” In The Cambridge History of the English Novel, eds. Robert L. Caserio and Clement Hawes, 469–485. Cambridge: Cambridge University Press.10.1017/CHOL9780521194952.031
  11. Harford, Carolyn. 2012. “Violation and the Inscription of Opposites in The Homeric Hymn to Demeter and Bram Stoker’s Dracula.” Journal for Studies in Humanities & Social Sciences, vol. 1, issue 2 (Sept.): 49–56.
  12. Hillis Miller, J. 1979. “The Critic as Host.” In Deconstruction and Criticism, ed. Harold Bloom, 217–255. Michigan: Seabury.
  13. Hondrila, Iulius. 2009. “The Persistence of the Imago-Myth: Bram Stoker’s Dracula.” Studia Imagologica vol. 15: 87–103.10.1163/9789042029071_008
  14. Hughes, William and Andrew Smith. 2003. “Introduction: Defining the Relationship between Gothic and the Postcolonial.” Gothic Studies vol. 5, no. 2 (Nov): 1–6.10.7227/GS.5.2.1
  15. Ingelbien, Raphaël. 2003. “Gothic Genealogies: Dracula, Bowen’s Court, and Anglo-Irish Psychology.” ELH vol. 79, no. 4 (Winter): 1089–1195.10.1353/elh.2004.0005
  16. Kaye, Richard. 2012. “Clamors of Eros.” In The Cambridge History of the English Novel, eds. Robert L. Caserio and Clement Hawes, 437–451. Cambridge: Cambridge University Press.10.1017/CHOL9780521194952.029
  17. Keogh, Calvin W. 2014. “The Critic’s Count: Revisions of Dracula and the Postcolonial Irish Gothic.” Cambridge Studies of Postcolonial Literary Inquiry vol. 1, no. 2 (September):189–206.10.1017/pli.2014.8
  18. Killeen, Jarlath. 2009. “Chapter 2: The Horror of Childhood.” In History of the Gothic: Gothic Literature 1825-1914, 60–91. Cardiff: University of Wales Press.
  19. Lucendo, Santiago. 2009. “Return Ticket to Transylvania: Relations between Historical Reality and Vampire Fiction.” In Draculas, Vampires, and Other Undead Forms: Essays on Gender, Race and Culture, eds. Edgar John Browning and Caroline Joan (Kay), 115–127. London: The Scarecrow Press.
  20. McDonald, Beth E. 2010. “Recreating the World: The Sacred and the Profane in Bram Stoker’s Dracula.” In Dracula, ed. Jack Lynch, 87–138. Hackensack: Salem Press.
  21. Propp, Vladimir. 1958. “The Functions of Dramatic Personae.” Morphology of the Folktale. Spec. issue of International Journal of American Linguistics, trans. Laurence Scott. vol. 24, no. 4: 24–60.
  22. Ramsden, Maureen A. 2015. “Chapter 3: The Story of History / History as Story.” In Crossing Borders: The Interrelation of Fact and Fiction in Historical Works, Travel Tales, Autobiography and Reportage, 52–65. Oxford: Peter Lang Ltd.
  23. Riquelme, John Paul. 2008. “Introduction. Dark Modernity from Mary Shelley to Samuel Beckett: Gothic History, the Gothic Tradition, and Modernism.” In Gothic and Modernism: Essaying Dark Literary Modernity, ed. John Paul Riquelme, 1–25. Baltimore: The John Hopkins University Press.
  24. Smart, Robert A. and Michael Hutcheson. 2007. “Suspect Grounds: Temporal and Spatial Paradoxes in Bram Stoker’s Dracula: A Postcolonial Reading.” Postcolonial Text vol. 3, no. 3: n/a.
  25. Smart, Robert A. 2013. “Postcolonial Dread and the Gothic: Refashioning Identity in Sheridan Le Fanu’s Carmilla and Bram Stoker’s Dracula.” In Transnational and Postcolonial Vampires, eds. Tabish Khair and Johan Höglund, 10–46. London: Palgrave Macmillan.10.1057/9781137272621_2
  26. Smith, Andrew. 2003. “Demonizing the Americans: Bram Stoker’s Postcolonial Gothic.” Gothic Studies vol. 5, no. 2 (Nov): 20–32.10.7227/GS.5.2.3
  27. Stoker, Bram. 1978. Dracula. New York: Signet Classics.
  28. Valente, Joseph. 2008. “Chapter 2. ‘Double Born’: Bram Stoker and the Metrocolonial Gothic.” Gothic and Modernism: Essaying Dark Literary Modernity, ed. John Paul Riquelme, 46–59. Baltimore: The John Hopkins University Press.
  29. Vrbančić, Mario. 2007. “Globalization, Empire, and the Vampire.” CLCWeb: Comparative Literature and Culture vol. 9, no. 2 (June): 1–9.10.7771/1481-4374.1218
  30. Wynne, Catherine. 2013. “Stoker, Melodrama, and the Gothic.” In Bram Stoker, Dracula, and the Victorian Gothic Stage, 12–41. London: Palgrave Mcmillan.10.1057/9781137298997_2
  31. Yu, Eric Kwan-Wai. 2006. “Productive Fear: Labor, Sexuality, and Mimicry in Bram Stoker’s Dracula.” Texas Studies in Literature and Language vol. 48, no. 2: 145–170. Austin: University of Texas Press.10.1353/tsl.2006.0009
Language: English, German
Page range: 53 - 74
Published on: Feb 25, 2019
In partnership with: Paradigm Publishing Services
Publication frequency: 3 issues per year

© 2019 Anca Andriescu Garcia, published by Sapientia Hungarian University of Transylvania
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.