Have a personal or library account? Click to login
Crossing Borders in Irish Drama and Theatre. Art, Artist and Sacrifice Cover

Crossing Borders in Irish Drama and Theatre. Art, Artist and Sacrifice

By: Csilla Bertha  
Open Access
|Feb 2019

References

  1. Achilles, Jochen. 2018. “Intermedial Drama and the Commodification of Irish Identities.” In Boundaries, Passages, Transitions, ed. Hedwig Schwall, 77–90. Trier: Wissenschaftlicher Verlag.
  2. Brook, Peter. 1968. The Empty Stage. London: Penguin Books.
  3. Baudrillard, Jean. 1994. Simulations and Simulacra. Trans. Sheila Faria Glaser. Ann Arbor: University of Michigan Press.
  4. Cave, Richard Allen. 1997. “Commentaries and Notes.” In W. B. Yeats. Selected Plays, ed. Richard Allen Cave, 362–389. London: Penguin Books.
  5. Dällenbach, Lucien. 1977. Le récit spéculaire: essai sur la mise en abyme. Paris: Seuil.
  6. Day, Gary. 2016. The Story of Drama. Tragedy, Comedy and Sacrifice from the Greeks to the Present. London: Bloomsbury.10.5040/9781408183281
  7. Fischer-Lichte, Erika. 2008. The Transformative Power of Performance: A New Aesthetics. Trans. Saskya Iris Jain. London: Routledge.10.4324/9780203894989
  8. Friel, Brian. 1984 [1979]. Faith Healer. In Selected Plays, 327–376. London: Faber.
  9. Fuchs, Elinor. 1996. The Death of Character: Perspectives on Theatre after Modernism. Bloomington and Indiana: Bloomington University Press.10.2307/j.ctt2005s83
  10. Heaney, Seamus. 1993. “For Liberation: Brian Friel and the Use of Memory.” In The Achievement of Brian Friel, ed. Alan J. Peacock, 229–240. Gerrards Cross: Colin Smythe.
  11. Huber, Werner. 2002. “Contemporary Drama as Meta-Cinema: Martin McDonagh and Marie Jones.” In (Dis)Continuities: Trends and Traditions in Contemporary Theatre and Drama in English, eds. Margarete Rubik and Elke Mettinger-Schertmann, 13–23. Trier: Wissenschaftlicher Verlag.
  12. Jones, Marie. 1999. Stones in His Pockets. London: Nick Hern Books.
  13. Kékesi Kun, Árpád, 1998. Tükörképek lázadása. A dráma és színház retorikája az ezredvégen. [Rebellion of Mirror-Images. The Rhetoric of Drama and Theatre at the End of Millennium.] Budapest: Kijárat.
  14. Kiberd, Declan. 2018. “Going Global?” In Boundaries, Passages, Transitions, ed. Hedwig Schwall, 13–24. Trier: Wissenschaftlicher Verlag.
  15. Lagerroth, Ulla-Britta. 1999. “Reading Musicalized Texts as Self-Reflexive Texts. Some Aspects of Interart Discourse.” In Word and Music Studies. Defining the Field, eds. Walter Bernhart, Steven Paul Scher and Werner Wolf, 205–220. Amsterdam: Rodopi.
  16. Lehmann, Hans-Thies. 2006. Postdramatic Theatre. London and New York: Routledge.10.4324/9780203088104
  17. Lojek, Helen Heusner. 2004. Contexts for McGuinness’s Drama. Washington, D.C.: The Catholic University of America Press.
  18. Lojek, Helen Heusner. 2011. The Spaces of Irish Drama. Stage and Place in Contemporary Plays. New York: Palgrave Macmillan.10.1057/9780230370418
  19. Lonergan, Patrick. 2009. Theatre and Globalization. Irish Drama in the Celtic Tiger Era. Houndsmills, Basingstoke: Palgrave Macmillan.
  20. Lyotard, Jean-François. 1984. The Postmodern Condition: A Report on Knowledge. Trans. Geoff Bennington and Brian Massumi. Manchester: Manchester University Press.10.2307/1772278
  21. McAuley, Gay. 1999. Space in Performance. Making Meaning in the Theatre. Ann Arbor: University of Michigan.10.3998/mpub.23119
  22. McGuinness, Frank. 2002 [1994]. The Bird Sanctuary. In Plays 2, 265–342. London: Faber.
  23. Murray, Christopher. 1998. “The Foundation of the Modern Irish Theatre: A Centenary Assessment.” HJEAS vol. 4, no. 1-2: 39–56.
  24. Murray, Christopher. 2010. “Joyce, Yeats and The Bird Sanctuary.” Irish University Review vol. 40, no. 1: 69–80.
  25. Murray, Christopher. 2017. “The Plays of Enda Walsh: An Interim Report.” HJEAS vol. 23, no. 1: 26–27.
  26. Pall, Shantosh. 1976. “The Dancer in Yeats.” STUDIES vol. 65, no. 258: 112–127.
  27. Pavis, Patrice. 1992. Theatre at the Crossroads of Culture. Trans. Loren Kruger. London and New York: Routledge.
  28. Roche, Anthony. 2011. Brian Friel. Theatre and Politics. Houndsmills, Basingstoke: Palgrave Macmillan.10.1057/9780230305533
  29. Russell, Richard Rankin. 2014. Modernity, Community, and Place in Brian Friel’s Drama. Syracuse, NY: Syracuse University Press.
  30. Wallace, Clare. 2006. Suspect Cultures. Narrative, Identity and Citation in 1990s New Drama. Prague: Litteraria Pragensia.
  31. Walsh, Enda. 2014. Ballyturk. London: Nick Hern Books.10.5040/9781784602581.00000002
  32. Yeats, William Butler. 1952 [1934]. The King of the Great Clock Tower. In The Collected Plays, 633–642. London: Macmillan.
Language: English, German
Page range: 7 - 23
Published on: Feb 25, 2019
In partnership with: Paradigm Publishing Services
Publication frequency: 3 issues per year

© 2019 Csilla Bertha, published by Sapientia Hungarian University of Transylvania
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.