Have a personal or library account? Click to login
Connecting the Last.fm Dataset to LyricWiki and MusicBrainz. Lyrics-based experiments in genre classification Cover

Connecting the Last.fm Dataset to LyricWiki and MusicBrainz. Lyrics-based experiments in genre classification

Open Access
|Dec 2018

References

  1. [1] C. Apté, F. Damerau, and S. M. Weiss. Toward language independent automated learning of text categorization models. In Proceedings of the 17th Annual International ACM SIGIR Conference on Research and Development in Information Retrieval, pages 23–30, Dublin, Ireland, 1994. Springer-Verlag. ⇒17110.1007/978-1-4471-2099-5_3
  2. [2] J. Atherton and B. Kaneshiro. I said it first: Topological analysis of lyrical influence networks. In ISMIR, pages 654–660, 2016. ⇒162
  3. [3] T. Bertin-Mahieux, D. P. W. Ellis, B. Whitman,and P. Lamere. The million song dataset. In A. Klapuri and C. Leider, editors, ISMIR, pages 591–596. University of Miami, 2011. ⇒159, 160
  4. [4] M. Besson, F. Faita, I. Peretz, A.-M. Bonnel, and J. Requin. Singing in the brain: Independence of lyrics and tunes. Psychological Science, 9(6):494–498, 1998. ⇒160, 16910.1111/1467-9280.00091
  5. [5] C. M. Bishop. Pattern recognition and machine learning. Springer, 2006. ⇒174
  6. [6] M. J. T. Carneiro. Towards the discovery of temporal patterns in music listening using Last.fm profiles. Master’s thesis, Faculdade de Engenharia da Universidade do Porto, 2011. ⇒170
  7. [7] O. Chapelle, B. Schölkopf, and A. Zien. Semi-Supervised Learning. The MIT Press, 2006. ⇒17810.7551/mitpress/9780262033589.001.0001
  8. [8] K. Choi, Gy. Fazekas, M. Sandler, and K. Cho. Convolutional recurrent neural networks for music classification. In ICASSP, pages 2392–2396. IEEE, 2017. ⇒16110.1109/ICASSP.2017.7952585
  9. [9] K. Choi, J. H. Lee, X. Hu, and J. S. Downie. Music subject classification based on lyrics and user interpretations. In Proceedings of the 79th ASIS&T Annual Meeting: Creating Knowledge, Enhancing Lives through Information & Technology. American Society for Information Science, 2016. ⇒161
  10. [10] H. Corona and M. P. O’Mahony. An exploration of mood classification in the million songs dataset. In 12th Sound and Music Computing Conference,Ireland, 2015. Music Technology Research Group, Department of Computer Science, Maynooth University. ⇒161
  11. [11] D. R. Cox. The regression analysis of binary sequences. Journal of the Royal Statistical Society. Series B (Methodological), 2(2):215–242, 1958. ⇒17410.1111/j.2517-6161.1958.tb00292.x
  12. [12] S. Dieleman, P. Brakel, and B. Schrauwen. Audio-based music classification with a pretrained convolutional network. In ISMIR, pages 669–674, 2011. ⇒161
  13. [13] S. Dieleman and B. Schrauwen. Multiscale approaches to music audio feature learning. In ISMIR, pages 116–121, 2013. ⇒161
  14. [14] S. Dieleman and B. Schrauwen. End-to-end learning for music audio. In ICASSP, pages 6964–6968. IEEE, 2014. ⇒16110.1109/ICASSP.2014.6854950
  15. [15] D. P. W. Ellis. Extracting information from music audio. Communications of the ACM, 49(8):32–37, 2006. ⇒16010.1145/1145287.1145310
  16. [16] R. J. Ellis, Z. Xing, J. Fang, and Y. Wang. Quantifying lexical novelty in song lyrics. In ISMIR, pages 694–700, 2015. ⇒162
  17. [17] M. Fell and C. Sporleder. Lyrics-based analysis and classification of music. In J. Hajic and J. Tsujii, editors, COLING, pages 620–631. ACL, 2014. ⇒ 159, 161, 170, 172, 174
  18. [18] J. Fürnkranz. A study using n-gram features for text categorization, 1998. ⇒171
  19. [19] W. H. Gomaa and A. A. Fahmy. A survey of text similarity approaches. International Journal of Computer Applications, 68(13):13–18, April 2013. ⇒17210.5120/11638-7118
  20. [20] S. Gupta. Music data analysis: A state-of-the-art survey. arXiv preprint arXiv:1411.5014, 2014. ⇒160
  21. [21] P. Hamel and D. Eck. Learning features from music audio with deep belief networks. In ISMIR, volume 10, pages 339–344, 2010. ⇒161
  22. [22] H. Hirjee and D. G. Brown. Using automated rhyme detection to characterize rhyming style in rap music. Empirical Musicology Review, 5(4), 2010. ⇒172, 17810.18061/1811/48548
  23. [23] D. Jurafsky and J. H. Martin. Speech and language processing. 2017. 3rd edition draft. ⇒177
  24. [24] A. Kiss. Classification of hungarian folk music from Transylvania with convolutional neural networks. Master’s thesis, Faculty of Mathematics and Computer Science,Babeş–Bolyai University, Romania, 2018. ⇒161
  25. [25] P. Knees and M. Schedl. Music Similarity and Retrieval. Springer, Berlin–Heidelberg, 2016. ⇒16010.1007/978-3-662-49722-7
  26. [26] P. Knees, M. Schedl, and G. Widmer. Multiple lyrics alignment: Automatic retrieval of song lyrics. In ISMIR, pages 564–569, 2005. ⇒160
  27. [27] D. E. Knuth. The Art of Computer Programming, Vol. 3: Sorting and Searching. Addison-Wesley, Reading, MA, 1973. ⇒172
  28. [28] Q. Le and T. Mikolov. Distributed representations of sentences and documents. In Proceedings of The 31st International Conference on Machine Learning, pages 1188–1196, 2014. ⇒178
  29. [29] V. I. Levenshtein. Binary codes capable of correcting deletions, insertions, and reversals. Soviet physics doklady, 10(8):707–710, 1966. ⇒172
  30. [30] T. L. H. Li, A. B. Chan,and A. Chun. Automatic musical pattern feature extraction using convolutional neural network. In Proc. Int. Conf. Data Mining and Applications, 2010. ⇒161
  31. [31] D. Liang,H.Gu, and B. O’Connor. Music genre classification with the million song dataset. Technical report, Machine Learning Department, CMU, 2011. ⇒161, 170
  32. [32] J. P. G. Mahedero, A. Martinez, P. Cano, M. Koppenberger, and F. Gouyon. Natural language processing of lyrics. In ACM Multimedia, pages 475–478. ACM, 2005. ⇒17010.1145/1101149.1101255
  33. [33] R. Malheiro, R. Panda, P. Gomes, and R. Paiva. Classification and regression of music lyrics: Emotionally-significant features. In 8th International Conference on Knowledge Discovery and Information Retrieval, Porto, Portugal, 2016. ⇒16110.5220/0006037400450055
  34. [34] C. D. Manning, P. Raghavan,and H. Schütze. Introduction to information retrieval. Cambridge University Press, 2008. ⇒17410.1017/CBO9780511809071
  35. [35] M. Mauch, R. M. MacCallum, M. Levy, and A. M. Leroi. The evolution of popular music: USA 1960–2010. Royal Society Open Science, 2(5), 2015. ⇒16310.1098/rsos.150081445325326064663
  36. [36] R. Mayer, R. Neumayer, and A. Rauber. Rhyme and style features for musical genre classification by song lyrics. In J. P. Bello, E. Chew, and D. Turnbull, editors, ISMIR, pages 337–342, 2008. ⇒161, 170, 173, 174
  37. [37] R. Mayer and A. Rauber. Music genre classification by ensembles of audio and lyrics features. In A. Klapuri and C. Leider, editors, ISMIR, pages 675–680. University of Miami, 2011. ⇒159
  38. [38] C. McKay and I. Fujinaga. Musical genre classification: Is it worth pursuing and how can it be improved? In ISMIR, pages 101–106, 2006. ⇒161, 169, 170
  39. [39] J.-B. Michel, Y. K. Shen, A. P. Aiden, A. Veres, M. K. Gray, J. P. Pickett, D. Hoiberg,D.Clancy, P. Norvig,J.Orwant, S. Pinker, M. A. Nowak,and E. Lieberman Aiden. Quantitative analysis of culture using millions of digitized books. Science, 331:176–182, 2011. ⇒17810.1126/science.1199644327974221163965
  40. [40] T. Mikolov, K. Chen, G. Corrado,and J. Dean. Efficient estimation of word representations in vector space. arXiv preprint arXiv:1301.3781, 2013. ⇒178
  41. [41] T. Mikolov, I. Sutskever, K. Chen, G. S. Corrado,and J. Dean. Distributed representations of words and phrases and their compositionality. In Advances in Neural Information Processing Systems, pages 3111–3119, 2013. ⇒178
  42. [42] L. Németh. Automatic non-standard hyphenation in OpenOffice.org. TUGboat, 27(1):32–37, 2006. ⇒172
  43. [43] F. Pachet and D. Cazaly. A taxonomy of musical genres. In J.-J. Mariani and D. Harman, editors, RIAO, pages 1238–1245. CID, 2000. ⇒170
  44. [44] J. Pennington, R. Socher,and C. Manning. GloVe: Global vectors for word representation. In EMNLP, pages 1532–1543, 2014. ⇒17810.3115/v1/D14-1162
  45. [45] L. Philips. Hanging on the metaphone. Computer Language Magazine, 7(12):38, December 1990. ⇒178
  46. [46] L. Philips. The double metaphone search algorithm. C/C++ Users Journal, 18(6), June 2000. ⇒178
  47. [47] J. Pons, T. Lidy,and X. Serra. Experimenting with musically motivated convolutional neural networks. In CBMI, pages 1–6. IEEE, 2016. ⇒16110.1109/CBMI.2016.7500246
  48. [48] R. Priedhorsky, J. Chen, S. T. K. Lam, K. Panciera, L. Terveen,and J. Riedl. Creating, destroying, and restoring value in Wikipedia. In Proceedings of the 2007 international ACM conference on Supporting group work, pages 259–268. ACM, 2007. ⇒16010.1145/1316624.1316663
  49. [49] S. Reddy and K. Knight. Unsupervised discovery of rhyme schemes. In ACL (Short Papers), pages 77–82. The Association for Computer Linguistics, 2011. ⇒172
  50. [50] G. Salton, A. Wong, and A. C. S. Yang. A vector space model for automatic indexing. Communications of the ACM, 18:229–237, 1975. ⇒159, 17110.1145/361219.361220
  51. [51] H. Schreiber. Improving genre annotations for the million song dataset. In M. Müller and F. Wiering, editors, ISMIR, pages 241–247, 2015. ⇒170
  52. [52] F. Sebastiani. Machine learning in automated text categorization. ACM Computing Surveys, 34(1):1–47, 2002. ⇒17410.1145/505282.505283
  53. [53] S. Sigtia and S. Dixon. Improved music feature learning with deep neural networks. In ICASSP, pages 6959–6963. IEEE, 2014. ⇒16110.1109/ICASSP.2014.6854949
  54. [54] A. Singhi and D. G. Brown. Are poetry and lyrics all that different? In H.-M. Wang, Y.-H. Yang, and J. H. Lee, editors, Proceedings of the 15th International Society for Music Information Retrieval Conference, ISMIR 2014, Taipei, Taiwan, October 27–31, 2014, pages 471–476, 2014. ⇒161
  55. [55] B. L. Sturm. An analysis of the gtzan music genre dataset. In Proceedings of the second international ACM workshop on Music information retrieval with user-centered and multimodal strategies, pages 7–12. ACM, 2012. ⇒16010.1145/2390848.2390851
  56. [56] B. L. Sturm. A survey of evaluation in music genre recognition. In International Workshop on Adaptive Multimedia Retrieval, pages 29–66. Springer, 2012. ⇒16110.1007/978-3-319-12093-5_2
  57. [57] A. Swartz. MusicBrainz: a semantic Web service. IEEE Intelligent Systems, 17(1):76–77, 2002. ⇒16410.1109/5254.988466
  58. [58] A. Tsaptsinos. Lyrics-based music genre classification using a hierarchical attention network. In ISMIR, pages 694–701, 2017. ⇒162
  59. [59] G. Tzanetakis and P. Cook. Musical genre classification of audio signals. IEEE Transactions on speech and audio processing, 10(5):293–302, 2002. ⇒16010.1109/TSA.2002.800560
  60. [60] E. Zangerle, M. Tschuggnall, S. Wurzinger, and G. Specht. Alf-200k: Towards extensive multimodal analyses of music tracks and playlists. In European Conference on Information Retrieval, pages 584–590. Springer, 2018. ⇒16210.1007/978-3-319-76941-7_48
Language: English
Page range: 158 - 182
Submitted on: Sep 7, 2018
|
Published on: Dec 31, 2018
In partnership with: Paradigm Publishing Services
Publication frequency: 2 issues per year

© 2018 Zalán Bodó, Eszter Szilágyi, published by Sapientia Hungarian University of Transylvania
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.