Have a personal or library account? Click to login
Pandora’s Myth and Cultural Trauma in Alex Garland’s Ex Machina Cover

Pandora’s Myth and Cultural Trauma in Alex Garland’s Ex Machina

Open Access
|Dec 2023

References

  1. Akkan, Goksu. 2021. Audiovisual Representations of Artificial Intelligence in Dystopian Tech Societies: Scaremongering or Reality? The Cases of Black Mirror (Charlie Brooker, 2011), Ex Machina (Alex Garland, 2017) and Her (Spike Jonze, 2014). Doctoral dissertation, Universitat Ramon Llull. Departament d’Humanitats i Ciències Socials, Barcelona, Spain. http://hdl.handle.net/10803/671832. Last accessed 07. 09. 2023.
  2. Aksit, O. Onur and Asli Favaro. 2019. Pygmalion Myth and Artificial Women in Contemporary Science Fiction Films. International Mediterranean Social Sciences Congress (MECAS), Congress Proceedings Series vol. 3, no. 6: 169–176.
  3. Alexander, Jeffrey C. 2004. Towards a Theory of Cultural Trauma. In Cultural Trauma and Collective Identity, eds. Alexander, Jeffrey C., Ron Eyerman, Bernhard Giesen, Neil J. Smelser, and Piotr Sztompka, 1–31. London: California University Press.
  4. Alvares, Jean and Patricia Salzman-Mitchell. 2019. The Succession Myth and the Rebellious AI Creation: Classical Narratives in the 2015 Film Ex Machina. Arethusa vol. 52, no. 2 (Spring): 181–202.
  5. Cixous, Hélène and Catherine Clément. 1986. The Newly Born Woman. Minneapolis: Minnesota Press.
  6. Eliade, Mircea. 1963. The Sacred and the Profane. New York: Harcourt, Brace & World, Inc.
  7. Ercan, Aslı. 2014. From Mother-Goddess to the Pandora’s Box: Glass Ceiling Myth. European Journal of Research on Education, 2 (2): 37–44.
  8. Freud, Sigmund. [1919] 2003. The Uncanny. London: Penguin Classics.
  9. Gilarek, Anna. 2012. Marginalization of “the Other:” Gender Discrimination in Dystopian Visions by Feminist Science Fiction Authors. Text Matters vol. 2, no. 2: 221–238.
  10. Haraway, Donna J. 2016. Manifestly Haraway, Minneapolis: University of Minnesota Press.
  11. Hesiod. 1993. Theogeny. Indianapolis: Hackett Publishing Company.
  12. Hesiod. 2015. Hessiod’s Theogeny . Newburyport: Focus Classical Library.
  13. Hollinger, Veronica. 2003. Feminist Theory and Science Fiction. In The Cambridge Companion to Science Fiction, eds. James, Edward and Farah Mendlesohn, 125–136. Cambridge: Cambridge University Press.
  14. Johnston, Paul G. 2019. Rethinking Medea and the Deus ex Machina. Classical Philology, 114(1): 125–135.
  15. Mayor, Adrienne. 2018. Gods and Robots: Myths, Machines, and Ancient Dreams of Technology . Princeton: Princeton University Press.
  16. Ovid. [8 CE] 2010. Metamorphoses . Indianapolis: Hackett Publishing Company.
  17. Phan, Theo. 2023. Programming gender: surveillance, identity, and paranoia in Ex Machina, Cultural Studies 37.1: 46–64.
  18. Rein, Valerie. 2019. Patriarchy Stress Disorder: The Invisible Inner Barrier to Women’s Happiness and Fulfillment. Austin: Lioncrest Publishing.
  19. Seaman-Grant, Zoe E. 2017. Constructing Womanhood and the Female Cyborg: A Feminist Reading of Ex Machina and Westworld. Honors Theses. 202. https://scarab.bates.edu/honorstheses/202. Last accessed 07. 09. 2023.
  20. Szabó, György. 1973. Mediterrán mítoszok és mondák: Mitológiai kislexikon. [Mediterranean Myths and Legends: a mythological Cyclopedia], Bukarest: Kriterion.
  21. Winkler, Martin M. (ed.). 2001. Classical Myth & Culture in the Cinema. Oxford: Oxford University Press.
  22. Winkler, Martin M. 1985. Classical Mythology and the Western Film. Comparative Literature Studies vol. 22, no. 4 (Winter): 516–540.
  23. Winkler, Martin M. 2009. Cinema and Classical Texts. Cambridge: Cambridge University Press.
  24. Wittgenstein, Ludwig. 1958. The Blue and Brown Books. Oxford: Basil Blackwell.
Language: English
Page range: 203 - 216
Published on: Dec 6, 2023
In partnership with: Paradigm Publishing Services
Publication frequency: 2 issues per year

© 2023 Boglárka Farkas, published by Sapientia Hungarian University of Transylvania
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.