References
- Bahar, Shamim. 1994. Khâne siâh ast [The House is Black]. Naqd-e Sinemâ vol. 1, no. 1 (Spring): 106–109.
- Balázs, Béla. 2010. Béla Balázs. Early Film Theory: Visible Man and the Spirit of Film. Edited by Erica Carter. New York: Berghahn Books.
- Coogan, Michael D. et al. eds. 2010. The New Oxford Annotated Bible: New Revised Standard Version: with the Apocrypha: an Ecumenical Study Bible. Oxford: Oxford University Press.
- Deleuze, Gilles. 1997. Cinema 1. The Movement-Image. Minneapolis: University of Minnesota Press.
- Farrokhzad, Forough. 2010. Another Birth & Other Poems. Washington: Mage Publishers.
- Farrokhzad, Forough. 2003. Majmu ‘-e âsâr-e Forough Farrokhzad [The Complete Collection of Forough Farrokhzad’s Poetry]. Tehran: Našr Negâh.
- Heidari, Gholam. 1998. Forough Farrokhzad va Sinema [Forough Farrokhzad and Cinema]. Tehran: Našr ‘Elm.
- Pahlavi, Farah. 2004. An Enduring Love: My Life with the Shah; a Memoir. New York: Miramax.
- Plantinga, Carl and Greg M. Smith, eds. 1999. Passionate Views: Film, Cognition, and Emotion. Baltimore: The Johns Hopkins University Press.
- Saffarian, Naser. 2002. Âye-hâye âh [Verses of Alas]. Tehran: Našr Ruznegar.
- Sonbol, Amira. 2005. Beyond the Exotic: Women’s Histories in Islamic Societies. New York: Syracuse University Press.
