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The Power of Close-ups and the Poetics of Silence: The House is Black by Forough Farrokhzad Cover

The Power of Close-ups and the Poetics of Silence: The House is Black by Forough Farrokhzad

By: Mona Monsefi  
Open Access
|May 2023

References

  1. Bahar, Shamim. 1994. Khâne siâh ast [The House is Black]. Naqd-e Sinemâ vol. 1, no. 1 (Spring): 106–109.
  2. Balázs, Béla. 2010. Béla Balázs. Early Film Theory: Visible Man and the Spirit of Film. Edited by Erica Carter. New York: Berghahn Books.
  3. Coogan, Michael D. et al. eds. 2010. The New Oxford Annotated Bible: New Revised Standard Version: with the Apocrypha: an Ecumenical Study Bible. Oxford: Oxford University Press.
  4. Deleuze, Gilles. 1997. Cinema 1. The Movement-Image. Minneapolis: University of Minnesota Press.
  5. Farrokhzad, Forough. 2010. Another Birth & Other Poems. Washington: Mage Publishers.
  6. Farrokhzad, Forough. 2003. Majmu ‘-e âsâr-e Forough Farrokhzad [The Complete Collection of Forough Farrokhzad’s Poetry]. Tehran: Našr Negâh.
  7. Heidari, Gholam. 1998. Forough Farrokhzad va Sinema [Forough Farrokhzad and Cinema]. Tehran: Našr ‘Elm.
  8. Pahlavi, Farah. 2004. An Enduring Love: My Life with the Shah; a Memoir. New York: Miramax.
  9. Plantinga, Carl and Greg M. Smith, eds. 1999. Passionate Views: Film, Cognition, and Emotion. Baltimore: The Johns Hopkins University Press.
  10. Saffarian, Naser. 2002. Âye-hâye âh [Verses of Alas]. Tehran: Našr Ruznegar.
  11. Sonbol, Amira. 2005. Beyond the Exotic: Women’s Histories in Islamic Societies. New York: Syracuse University Press.
Language: English
Page range: 144 - 159
Published on: May 23, 2023
In partnership with: Paradigm Publishing Services
Publication frequency: 2 issues per year

© 2023 Mona Monsefi, published by Sapientia Hungarian University of Transylvania
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.