References
- Adorno, Theodor W. 1994. The Curves of the Needle. In The Weimar Republic Sourcebook, eds. Anton Kaes, Martin Jay and Edward Dimendberg, 605–607. Berkeley, Los Angeles: University of California Press.
- Alexenberg, Mel. 2011. The Future of Art in a Postdigital Age: From Hellenistic to Hebraic Consciousness. Bristol and Chicago: Intellect/University of Chicago Press.10.2307/j.ctv36xvpkc
- Bridle, James. 2018. New Dark Age: Technology and the End of the Future. New York, London: Verso Books.
- Brophy, Philip. 2015. Sine Qua Son: Considering the Sine Wave Tone in Electronic Arts. In Abstract Video: The Moving Image in Contemporary Art, ed. Gabrielle Jennings, 222–236. Oakland: University of California Press.
- Cascone, Kim. 2000. The Aesthetics of Failure: “Post-Digital” Tendencies in Contemporary Computer Music. Computer Music Journal vol. 44, no. 4 (Winter): 12–18.10.1162/014892600559489
- Greenberg, Clement. 1961. Art and Culture: Critical Essays. Boston: Beacon Press.
- Hegarty, Paul. 2015. Rumour and Radiation: Sound in Video Art. New York,London: Bloomsbury Publishing.10.5040/9781501308307
- Higgins, Dick. 1984. Horizons, the Poetics and Theory of the Intermedia. Carbondale: Southern Illinois University Press.10.2307/1771942
- Keefer, Cindy. 2015. Visual Music’s Influence on Contemporary Abstraction. In Abstract Video: The Moving Image in Contemporary Art, ed. Gabrielle Jennings, 81–98. Oakland: University of California Press.
- McLuhan, Marshall. 1968. Die magischen Kanäle [The Magic Channels]. Düsseldorf,Wien: Econ.
- Menkman, Rosa. 2011. Network Notebook #04: The Glitch Moment(um). Amsterdam: Network Notebooks.
- Morse, Margaret. 1990. Video Installation Art: The Body, the Image, and the Space-in-Between. In Illuminating Video, eds. Doug Hall and Sally Jo Fifer, 153–167. New York: Aperture.
- Moritz, William. 1986. Towards an Aesthetics of Visual Music. ASIFA Canada Bulletin vol. 14, no. 3 (December): 1–3.
- Pethő, Ágnes. 2011. Cinema and Intermediality: The Passion for the In-Between. Newcastle upon Tyne: Cambridge Scholars Publishing.
- Sangild, Torben. 2004. Glitch – The Beauty of Malfunction. In Bad Music: The Music We Love to Hate, eds. Christopher Washburne and Maiken Derno, 257–268. New York, London: Routledge.10.4324/9780203309049_chapter_12
- Spielmann, Yvonne. 2001. Intermedia in Electronic Images. Leonardo vol. 34, no. 1: 55–61.10.1162/002409401300052523
- Spielmann, Yvonne. 2012. Hybrid Culture: Japanese Media Arts in Dialogue with the West. Cambridge: MIT Press.10.7551/mitpress/9358.001.0001
- Youngblood, Gene. 1970. Expanded Cinema. New York: P. Dutton & Co., Inc.