References
- Acland, Charles R. 2012. The Crack in the Electric Window. Cinema Journal vol. 51, no. 2: 167–71.10.1353/cj.2012.0007
- Agamben, Giorgio. 2000 [1992]. Notes on Gesture. In Means without End. Notes on Politics, 49–60. Minneapolis: University of Minnesota Press.
- Agamben, Giorgio. 2000 [1991]. Kommerell, or On Gesture. In Potentialities. Collected Essays in Philosophy, 77–85. Stanford: Stanford University Press.10.1515/9780804764070
- Balme, Christopher. 2004. Intermediality: Rethinking the Relationship between Theatre and Media. https://epub.ub.uni-muenchen.de/13098/1/Balme_13098.pdf. Last accessed 17. 03. 2019.
- Becker, Carol. 2014. Here Comes the Sun. Art in America no. 24: https://www.artinamericamagazine.com/news-features/magazines/here-comes-the-sun/. Last accessed 17. 03. 2019.
- Bennett, Jill. 2007. Aesthetics of Intermediality. Art History vol. 30, no. 3: 432–450.10.1111/j.1467-8365.2007.00554.x
- Bennett, Jane. 2010. The Agency of Assemblages in Vibrant Matter. Durham, London: Duke University Press.
- Bremner, Paul, Anthony G. Pipe, Chris Melhuish, Mike Fraser and Sriram Subramanian. 2011. The Effects of Robot-Performed Co-Verbal Gesture on Listener Behavior. Proc. 11th IEEE-RAS International Conference on Humanoid Robots11 (October): 458–465.10.1109/Humanoids.2011.6100810
- Bruno, Giuliana. 2014. Surface: Matters of Aesthetics, Materiality, and Media. China: The University of Chicago Press.10.7208/chicago/9780226114835.001.0001
- Cassetti, Francesco. 2016. The Relocation of Cinema. In Post-Cinema: Theorizing 21st-Century Film. Falmer: REFRAME Books. http://reframe.sussex.ac.uk/post-cinema/introduction/. Last accessed 17. 03. 2019.
- Chippendale, Paul. 2006. Towards automatic body language annotation. FGR ’06 Proceedings of the 7th International Conference on Automatic Face and Gesture Recognition (April): 487–92.
- Clüver, Claus. 2007. Intermedia and Interart Studies. In Changing Borders: Contemporary Positions in Intermediality, eds. Jens Arvidson, Mikael Askander, Jørgen Bruhn and Heidrun Führer. Intermedia Studies Press.
- Darwin, Charles. 1965 [1872]. The Expression of Emotions in Man and Animals. Chicago: University of Chicago Press.10.7208/chicago/9780226220802.001.0001
- Deleuze, Gilles and Felix Guattari. 2017 [1980]. A Thousand Plateaus: Capitalism and Schizophrenia. Chennai, India: Bloomsbury.
- Eibl-Eibesfeldt, Irenäus. 1972. Similarities and Differences between Cultures in Expressive Movements. In Non-verbal Communication, ed. R. A. Hinde, 297–314. London: Cambridge University Press.
- Elleström, Lars. 2010. The Modalities of Media: A Model or Understanding Intermedial Relationship. In Media Borders, Multimodality and Intermediality, ed. Lars Elleström, 11–48. London: Palgrave Macmillan.10.1057/9780230275201_2
- Forrest, Nicholas. 2015. Interview: John Gerrard on his “Slippery” Sims at Thomas Dane Gallery. In Blouin Artinfo, February 16. http://uk.blouinartinfo.com/news/story/1103413/interview-john-gerrard-on-his-slippery-sims-at-thomas-dane. Last accessed 17. 03. 2019.
- Friedberg, Anne. 2006. The Virtual Window: From Alberti to Microsoft. Spain: MIT Press.
- Groom, Simon. 2010. John Gerrard and Simon Groom in conversation at the Scottish National Gallery of Modern Art. In John Gerrard. Madrid: IvoryPress.
- Grusin, Richard. 2010. Premediation: Affect and Mediality after 9/11. New York: Palgrave Macmillan.10.1057/9780230275270
- Gunning, Tom. 2006 [1986]. The Cinema of Attraction[s]: Early Film, Its Spectator and the Avant-Garde. In Cinema of Attractions Reloaded, ed. Wanda Strauven, 381–88. Amsterdam: Amsterdam University Press.
- Higgins, Dick. 2001 [1981]. Intermedia. Leonardo vol. 34, no. 1 (February): 49–54.10.1162/002409401300052514
- Huang, Chien-Ming and Bilge Mutlu. 2013. Modeling and Evaluating Narrative Gestures for Humanlike Robots. In Proceedings of the 2013 Robotics: Science and Systems Conference.10.15607/RSS.2013.IX.026
- (RSS’13). http://www.roboticsproceedings.org/rss09/p26.pdf. Last accessed 19. 07. 2019.
- Huhtamo, Erkki. 2012. Screen Tests: Why Do We Need an Archaeology of the Screen? Cinema Journal vol. 51, no. 2: 144–48.10.1353/cj.2012.0011
- Jenkins, Henry. 2006. Convergence Culture. Where Old and New Media Collide. New York, London: New York University Press.
- Krueger, Myron W., Thomas Gionfriddo and Katrin Hinrichsen. 1985. VIDEOPLACE–an artificial reality. ACM SIGCHI Bulletin vol. 16, no. 4: 35–40.10.1145/1165385.317463
- LaFrance, Marianne and Clara Mayo. 1978. Cultural Aspects of Nonverbal Communication. International Journal of Intercultural Relations vol. 2, no. 1 (Spring): 71–89.10.1016/0147-1767(78)90029-9
- Langford, Michelle. 2006. Allegorical Images: Tableau, Time and Gesture in the Cinema of Werner Schroeter. Bristol: Intellect.
- Laurel, Brenda. 1991. Computer as Theatre. Reading, Mass.: Addison-Wesley Publications.
- Lindsay, Vachel. 1915. The Art of the Moving Picture. New York: Macmillan.
- Lippit, Akira Mizuta. 2008. Digesture: Gesture and Inscription in Experimental Cinema. In Migrations of Gesture, eds. Carrie Noland and Sally Ann Ness, 113–132. Minneapolis: University of Minnesota Press.
- Lord, Susan, and Janine Marchessault, eds. 2007. Fluid Screens, Expanded Cinema. Toronto: University of Toronto Press.10.3138/9781442684355
- Manovich, Lev. 1998. Towards an Archaeology of the Computer Screen. In Cain, Abel or Cable? The Screen Arts in the Digital Age, eds. Thomas Elsaesser and Kay Hoffmann, 27–43. Amsterdam: Amsterdam University Press.
- Massumi, Brian. 2002. Parables of the Virtual. Durham, NC: Duke University Press.10.1215/9780822383574
- Metz, Christian. 1982. Psychoanalysis and Cinema: The Imaginary Signifier. London: Macmillan.10.1007/978-1-349-05103-8
- Mitchell, W. J. T. 2015. Screening nature (and the nature of the screen). New Review of Film and Television Studies vol. 13, no. 3: 231–46.10.1080/17400309.2015.1058141
- Mondloch, Kate. 2010. Screens: Viewing Media Installation Art. Minneapolis : University of Minnesota Press.10.5749/minnesota/9780816665211.001.0001
- Müller, Jürgen E. 2010. Intermediality and Media Historiography in the Digital Era. Acta Universitatis Sapientiae: Film And Media Studies vol. 2: 15–38.
- Mulvey, Laura. 1999 [1975]. Visual Pleasure and Narrative Cinema. In Film Theory and Criticism: Introductory Readings, eds. Leo Braudy and Marshall Cohen, 833–44. New York: Oxford UP.10.1515/9781474473224-009
- Munster, Anna. 2006. Materializing New Media: Embodiment in Information Aesthetics. Lebanon, USA: Dartmouth College Press.
- Munster, Anna. 2016. Into ‘Inter’: the Between in Interacting. Rivista di estetica vol. 63: 56–67.10.4000/estetica.1261
- Noland, Carrie. 2008. Introduction. In Migrations of Gesture, eds. Carrie Noland and Sally Ann Ness, ix–xxviii. Minneapolis: University of Minnesota Press.
- Paech, Joachim. 2014. Intermediate Images. Acta Universitatis Sapientiae: Film And Media Studies vol. 9: 31–49.10.1515/ausfm-2015-0002
- Paul, Christiane. 2015. Mediations of Light: Screens as Information Surfaces. In Digital Light, eds. Sean Cubitt, Daniel Palmer and Nathaniel Tkacz, 179–92. London: Open Humanities Press.
- Pethő, Ágnes. 2014. The Garden of Intermedial Delights. Screen vol. 55, no. 4: 471–489.10.1093/screen/hju036
- Pisters, Patricia. 2015. Image as Gesture: Notes on Aernout Mik’s Communitas and the Modern Political Film. Journal for Cultural Research vol. 19, no. 1: 69–81.10.1080/14797585.2014.920186
- Rajewsky, Irina. 2005. Intermediality, Intertextuality, and Remediation. Intermédialités no. 6 (Autumn): 43–64.
- Shaw, Jeffrey and Peter Weibel, eds. 2003. Future Cinema: The Cinematic Imaginary after Film. Cambridge, Mass.; London, England: MIT Press.
- Spielmann, Yvonne. 2001. Intermedia in Electronic Images. Leonardo vol. 34, no. 1: 55–61.10.1162/002409401300052523
- Stern, Lesley. 2008. Ghosting: The Performance and Migration of Cinematic Gesture, Focusing on Hou Hsiao-Hsien’s Good Men, Good Women. In Migrations of Gesture, eds. Carrie Noland and Sally Ann Ness, 185–216. Minneapolis: University of Minnesota Press.
- Trodd, Tamara, ed. 2011. Screen/Space. The Projected Image in Contemporary Art. Manchester: Manchester University Press.
- Verhoeff, Nanna. 2012. Mobile Screens: The Visual Regime of Navigation. Amsterdam: Amsterdam University Press.10.1515/9789048515264
- Youngblood, Gene. 1970. Expanded Cinema. New York: Dutton.
- Zapp, Andrea and Martin Rieser, eds. 2002. New Screen Media: Cinema/Art/Narrative. London, Karlsruhe: British Film Institute and Zentrum für Kunst und Medientechnologie Karlsruhe.