References
- Artaud, Antonin. 1961. Manifeste pour un théâtre avorté [Manifesto for a Theatre that Failed]. In Ouevres Complètes [Collected Works], vol. II, 22–25. Paris: Gallimard.
- Antonin Artaud 1988 [1976]. Manifesto for a Theatre That Failed. In Antonin Artaud: Selected Writings, ed. Susan Sontag, 159–162. Berkeley: University of California Press.
- Conley, John. 1985. Preface. In The Mirror of Everyman’s Salvation: a prose translation of the original Everyman, eds. John Conley, Guido de Baere, H. J. C. Schaap, and W. H. Toppen, 7–13. Amsterdam: Rodopi.
- Davidson, Clifford. 1989. Visualizing the Moral Life: Medieval Iconography and the Macro Morality Plays. New York: AMS Press.
- Davidson, Clifford, Martin W. Walsh, and Ton J. Broos, eds. 2007. Everyman and Its Dutch Original, Elckerlijc. Kalamazoo, MI: Medieval Institute Publications.
- Flavell, M. Kay. 1988. George Grosz: A Biography. New Haven: Yale University Press.
- Goebel, Stefan 2008. Great War and Medieval Memory: War, Remembrance, and Medievalism in Britain and Germany, 1914–1940. Cambridge: Cambridge University Press.
- Henze, Wolfgang. 2007. The Sculptures of Kirchner, Scherer, Müller, and Wiegers. In Ernst Ludwig Kirchner and Friends: Expressionism from the Swiss Mountains, eds. Beat Stutzer, Samuel Vitali, Han Steenbruggen, and Matthias Frehner, 142–169. Zürich: Scheidegger & Spiess.
- Hofmannsthal, Hugo von. 1957. Jedermann: Das Spiel vom Sterben des Reichen Mannes. In Gesammelte Werke: Dramen III [Collected Works: Plays III] 7–93. Frankfurt: S. Fischer.
- Kaiser, Georg. 1919. Von morgens bis mitternachts [From Morning to Midnight]. Berlin: S. Fischer.
- Kasten, Jurgen. 2003. On Karl Heinz Martin’s From Morn to Midnight. In Expressionist Film: New Perspectives, ed. Dietrich Scheunemann, 157–172. New York: Camden House.
- King, Pamela. 2008. Morality Plays. In The Cambridge Companion to Medieval English Theatre, eds. Richard Beadle and Alan J. Fletcher, 235–262. Cambridge: Cambridge University Press.
- Lambert, Carole Jane. 1986. Anti-Rationalism in Symbolist Drama: Medieval Themes, Circumstances, and Symbols in the Plays of Maurice Maeterlinck, Paul Claudel, August Strindberg, and Georg Kaiser. Unpublished PhD dissertation, comparative literature, University of California, Berkeley.
- Martin, Karl Heinz, dir. 1920. Von morgens bis mitternachts. https://www.youtube.com/watch?v=87JUKRcXsFA. Last accessed 27. 04. 2018.
- Maurer, Charles. 1971. Call to Revolution: The Mystical Anarchism of Gustav Landauer. Detroit: Wayne State University Press.
- McCormick, Richard W. 2001. Gender and Sexuality in Weimar Modernity: Film, Literature, and “New Objectivity.” New York: Palgrave.
- Potter, Robert. 1975. The English Morality Play: Origins, History and Influence of a Dramatic Tradition. London and Boston: Routledge & Kegan Paul.
- Ritchie, J. M., ed. 1971. From Morning to Midnight. In Five Plays: Georg Kaiser, 17–73. London: Calder and Boyars.
- Schreiber, Earl G. 1975. Everyman in America. Comparative Drama vol. 9, no. 2: 99–115.
- Schueler, H. J. 1984. The Symbolism of Paradise in Georg Kaiser’s Von Morgens bis Mitternachts. Neophilologus no. 68: 98–104.
- Speaight, Robert. 1954. William Poel and the Elizabethan Revival. Melbourne, London, and Toronto: William Heinemann Ltd.
- Stevens, Martin. 1973. The Reshaping of Everyman: Hofmannsthal at Salzburg. The Germanic Review vol. 48, no. 2: 117–131.
- Walk, Cynthia. 2007. Cross-Media Exchange in Weimar Culture: Von morgens bis mitternachts. Monatshefte vol. 99, no. 2: 177–193.
- Williams, Rhys. 1988. Culture and Anarchy in Georg Kaiser’s ‘Von morgens bis mitternachts.’The Modern Language Review vol. 83, no. 2: 364–374.