Have a personal or library account? Click to login

The Vertigo of the Single Image: From the Classic Narrative “Glitch” to the Post-Cinematic Adaptations of Paintings

Open Access
|Jun 2014

References

  1. Agamben, Giorgio. 2011. Nymphs. In Releasing the Image. From Literature to New Media, eds. Jacques Khalip and Robert Mitchell, 60-83. Stanford: Stanford University Press.
  2. Barthes, Roland. 1974 [1970]. S/Z. New York: Hill and Wang.
  3. Barthes, Roland. 2010 [1980]. Camera Lucida. New York: Hill and Wang.
  4. Belting, Hans. 2005. Image, Medium, Body: A New Approach to Iconology. Critical Inquiry, No. 31 (Winter): 302-319.
  5. Bonitzer, Pascal. 1985. Décadrages: peinture et cinema. Paris: Cahiers du cinema.
  6. Bordwell, David. 1985. Narration in the Fiction Film. Madison, Wisconsin: The University of Wisconsin Press.
  7. Dalle Vacche, Angela. 1996. Cinema and Painting: How Art is Used in Film. Austin: University of Texas Press.
  8. Deleuze, Gilles and Félix Guattari. 2004 [1980]. Thousand Plateaus: Capitalism and Schizophrenia. London: Continuum International Publishing Group.
  9. Dupriez, Bernard. 1991 [1984]. A Dictionary of Literary Devices. Toronto: Toronto University Press.10.3138/9781442670303
  10. Elsaesser, Thomas. 2002. Mirror, Muse, Medusa: Experiment Perilous. Senses of Cinema, Issue 18, January/February. http://archive.sensesofcinema.com/contents/01/18/perilous.html Felleman, Susan. 2006. Art in the Cinematic Imagination. Austin: University of Texas Press.
  11. Gaudreault, André. 1997 [1984]. Film, Narrative, Narration. The Cinema of the Lumière Brothers. In Early Cinema. Space, Frame, Narrative, ed. Thomas Elsaesser, 68-75. London: British Film Institute.10.5040/9781838710170.0010
  12. Gaudreault, André. 2009 [1988]. From Plato to Lumière. Narration and Monstration in Literature and Cinema. Toronto, Buffalo, London: University of Toronto Press.10.3138/9781442688148
  13. Genette, Gérard. 1997. Paratexts: Thresholds of Interpretation. Cambridge: Cambridge University Press.10.1017/CBO9780511549373
  14. Gunning, Tom. 2000 [1990]. The Cinema of Attraction: Early Film, Its Spectator, and the Avant-Garde.” In Film and Theory: An Anthology, eds. Robert Stam and Toby Miller, 229-235. Oxford: Blackwell Publishers.
  15. Heath, Stephen. 1986. Narrative Space. In Narrative, Apparatus, Ideology, ed. Philip Rosen, 379-420. New York: Columbia University Press.
  16. Metz, Christian. 1991 [1971]. Film Language: A Semiotics of Cinema. Chicago: University of Chicago Press.
  17. Mitchell, W. J. T. 1994. Picture Theory. Essays on Verbal and Visual Representation. Chicago and London: University of Chigaco Press.
  18. Mulvey, Laura. 1975. Visual Pleasure and Narrative Cinema. Screen 16.3 Autumn, 6-18.
  19. Mulvey, Laura. 2006. Death 24 x a Second. Stillness and the Moving Image. London: Reaktion Books.
  20. Paech. Joachim. 2000. “Artwork - Text - Medium. Steps en Route to Intermedialitv. ” <http://www.uni-konstanz.de/FuF/Philo/LitWiss/MedienWiss/> Texte/in term .html
  21. Pethő, Agnes. 2010. Intermediary as Metalepsis in the “Cinecriture” of Agnes Varda. Acta Universitatis Sapientiae. Film and Media Studies, Vol. 3: 69-95.
  22. Pethő, Agnes. 2011. Cinema and Intermediality: The Passion for the In-Between. Newcastle upon Tyne: Cambridge Scholars Publishing.
  23. Peucker, Brigitte. 2002. Filmic Tableau Vivant, Vermeer, Intermediality and the Real. In Rites of Realism. Essays on Corporeal Cinema, ed. Ivonne Margulies, 294-315. Durham: Duke University Press.10.2307/j.ctv123x744.17
  24. Rajewsky, Irina O. 2005. Intermediality, Intertextuality, and Remediation: A Literary Perspective on Intermediality. Intermedialites, No 6. automne: 43-64.
  25. Ryan. Marie-Lame. 2005. On the Theoretical Foundations of Transmedial Narratologv. In Narratology beyond Literary Criticism. Mediality, Disciplinarity, ed. Jan Christoph Meister, 1-25. Berlin: Walter de Gruyter.10.1515/9783110201840.1
  26. Ryan. Marie-Laure. 2006. Avatars of Story. Minneapolis: University of Minnesota Press.
  27. Ryan. Marie-Laure and Marina Grishakova, eds. 2010. Intermediality and Storytelling. Berlin. New York: Walter de Gruyter.
  28. Senkevitch, Tatiana. 2012. The Gesture of Extension. Posing (as) Las Meninas in Velazquez and Eve Sussman. Image and Narrative Vol. 13. No. 3: 17-34.
  29. Tarnay, Laszlo. 2003. Magritte es Paradzsanov. [Magritte and Paradjanov] In Koztes kepek. A filmelbeszeles szmterei [Images in-between. Scenes of Filmic Narration], ed. Agnes Petho, 173-183. Cluj-Napoca: Scientia.
  30. Strauven, Wanda, ed. 2006. The Cinema of Attractions Reloaded. Amsterdam: Amsterdam University Press.10.5117/9789053569443
  31. Verstraten, Peter. 2009. Between Attraction and Story: Rethinking Narrativity in Cinema. In Narratology in the Age of Cross-Disciplinary Narrative Research. eds. Sandra Heinen and Roy Sommer. 154-170. Berlin, New York: Walter de Gruyter.
  32. Vidal, Belen. 2012a. Figuring the Past. Period Film and the Mannerist Aesthetic. Amsterdm, Amsterdam University Press.10.26530/OAPEN_426536
  33. Vidal, Belen. 2012b. The Heritage Film: Nation. Genre, and Representation. New York, Chichester, West Sussex: Columbia University Press.
  34. Wolf, Vemer. 2002. Intermediality Revisited. Reflections on Word and Music Relations in the Context of a General Typology of Intermediality. In Word and Music Studies: Essays in Honor of Steven Paul Scher and on Cultural Identity and Musical Stage, eds. Steven Paul Scher, Suzanne M. Lodato, Suzanne Aspden. Walter Bernhart. 13-35. Amsterdam, New York: Rodopi. 10.1163/9789004334069_003
Language: English
Page range: 65 - 90
Published on: Jun 4, 2014
Published by: Sapientia Hungarian University of Transylvania
In partnership with: Paradigm Publishing Services
Publication frequency: 2 times per year

© 2014 Ágnes Pethő, published by Sapientia Hungarian University of Transylvania
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.