References
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- Drakulić, Aleksandra Mindoljević. CRITICAL REFLECTIONS FOR UNDERSTANDING THE COMPLEXITY OF PSYCHODRAMATIC THEORY. Psychiatria Danubina, 2014; Vol. 26, No. 1, pp 12-19
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- Ramen Sharma and Dr. Preety Chaudhary,Common Themes and Techniques of Postmodern Literature of Shakespeare, International Journal of Educational Planning & Administration. Volume 1, Number 2 (2011), pp. 189-198
- Raymond, Saner, Postmodern Theater: A Manifestation of Chaos Theory CSEND Geneva, 12th February 2001
- René Descartes, “Meditations on First Philosophy,” in The Philosophical Writings of Descartes, vol. 2, trans. John Cottingham, Robert Stoothoff, and Dugald Murdoch (Cambridge: Cambridge University Press, 1984), Taken from and cited from Metatheatre and Authentication through Metonymic Compression in John Mighton’s Possible Worlds Stephenson, Jenn.Theatre Journal, Volume 58, Number 1, March 2006, pp. 73-93
- Samuel Beckett’s Endgame. Studia Anglica Posnaniensia xxvii, 1994
- Shiels, P. Beckett’s Victors: Guests without Qualities. PhD Dissertation. Florida State University, 2005, p.119
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- Stephenson, Jenn. Metatheatre and Authentication through Metonymic Compression in John Mighton’s Possible Worlds.Theatre Journal, Volume 58, Number 1, March 2006, pp. 73-93 (Article)P. 76)
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- William W. Demastes, Theatre of Chaos: Beyond Absurdism into Orderly Disorder (Cambridge: Cambridge University Press, 1998), xv.taken from Metatheatre and Authentication through Metonymic Compression in John Mighton’s Possible Worlds Stephenson, Jenn. Theatre Journal, Volume 58, Number 1, March 2006, pp. 73-93