Have a personal or library account? Click to login
The music in the brain hemispheres Cover
By: Giulia Gizzi and  Elisabetta Albi  
Open Access
|Oct 2017

References

  1. 1. Bever TG, Chiarello RJ. Cerebral dominance in musicians and non-musicians. Science. 1974; 185:537-539.10.1126/science.185.4150.537
  2. 2. Li E, Weng X, Han Y, Wu S, Zhuang J, Chen C, Feng L, Zhang K. Asymmetry of brain functional activation: fMRI study under language and music stimulation. Chin Med J 2000; 113:154-158.
  3. 3. Sammler D, Koelsch S, Friederici AD. Are left fronto-temporal brain areas a prerequisite for normal music-syntactic processing? Cortex 2011; 47:659-673.
  4. 4. Osborne K, Gale A Bilateral EEG differentiation of stimuli. Biol Psychol 1976; 4:185-196.10.1016/0301-0511(76)90003-X
  5. 5. Bosnar-Puretić M, Roje-Bedeković M, Demarin V. The art: neuroscientific approach. Clin Croat 2009; 48:367-370
  6. 6. García-Casares N, Berthier Torres ML, Froudist Walsh S, González-Santos P. Model of music cognition and amusia. Neurologia 2013; 28:179-186.10.1016/j.nrl.2011.04.010
  7. 7. Ono K, Nakamura A, Yoshiyama K, Kinkori T, Bundo M, Kato T, Ito K. The effect of musical experience on hemispheric lateralization in musical feature processing. Neurosci Lett 2011; 496:141-145.10.1016/j.neulet.2011.04.002
  8. 8. Stewart L. Do musicians have different brains? Clin Med 2008; 8:304-308
  9. 9. Altenmüller EO. How many music centers are in the brain? Ann N Y Acad Sci 2001; 930:273-280.
  10. 10. Tudor L, Sikirić P, Tudor KI, Cambi-Sapunar L, Radonić V, Tudor M, Buca A, Carija R. Amusia and aphasia of Bolero’s creator--influence of the right hemisphere on music. Acta Med Croatica 2008; 62:309-316.
  11. 11. Hassler M. Functional cerebral asymmetries and cognitive abilities in musicians, painters, and controls. Brain Cogn 1990; 13:1-17.10.1016/0278-2626(90)90036-N
  12. 12. Dawson WJ. How and why musicians are different from nonmusicians: a bibliographic review. Med Probl Perform Art 2011; 26:65-78.10.21091/mppa.2011.2011
  13. 13. Stewart L. A neurocognitive approach to music reading. Ann N Y Acad Sci 2005;1060:377-386.10.1196/annals.1360.03216597789
  14. 14. Patston LL, Kirk IJ, Rolfe MH, Corballis MC, Tippett LJ. The unusual symmetry of musicians: musicians have equilateral interhemispheric transfer for visual information. Neuropsychologia 2007; 45:2059-2065.10.1016/j.neuropsychologia.2007.02.00117374388
  15. 15. Alfredson BB, Risberg J, Hagberg B, Gustafson L. Right temporal lobe activation when listening to emotionally significant music. Appl Neuropsychol 2004; 11:161-166.10.1207/s15324826an1103_415590350
  16. 16. Evers S, Dannert J, Rödding D, Rötter G, Ringelstein EB. The cerebral haemodynamics of music perception. A transcranial Doppler sonography study. Brain 1999; 122:75-85.10.1093/brain/122.1.7510050896
  17. 17. Jerde TA, Childs SK, Handy ST, Nagode JC, Pardo JV. Dissociable systems of working memory for rhythm and melody. Neuroimage 2011; 57:1572-1579.10.1016/j.neuroimage.2011.05.061
  18. 18. Vollmer-Haase J, Finke K, Hartje W, Bulla-Hellwig M. Hemispheric dominance in the processing of J.S. Bach fugues: a transcranial Doppler sonography (TCD) study with musicians. Neuropsychologia 1998; 36:857-867.10.1016/S0028-3932(98)00024-4
  19. 19. Groussard M, Viader F, Hubert V, Landeau B, Abbas A, Desgranges B, Eustache F, Platel H. Musical and verbal semantic memory: two distinct neural networks? Neuroimage 2010; 49:2764-1773.
  20. 20. Abecasis D, Brochard R, Del Río D, Dufour A, Ortiz T. Brain lateralization of metrical accenting in musicians. Ann N Y Acad Sci 2009; 1169:74-78 (PMID:19673756).10.1111/j.1749-6632.2009.04766.x19673756
  21. 21. Ross DA, Gore JC, Marks LE. Absolute pitch: music and beyond. Epilepsy Behav 2005; 7:578-601.10.1016/j.yebeh.2005.05.01916103017
  22. 22. Oechslin MS, Imfeld A, Loenneker T, Meyer M, Jäncke L. The plasticity of the superior longitudinal fasciculus as a function of musical expertise: a diffusion tensor imaging study. Front Hum Neurosci 2010; 3:76.10.3389/neuro.09.076.2009282118320161812
  23. 23. Crummer GC, Walton JP, Wayman JW, Hantz EC, Frisina RD. Neural processing of musical timbre by musicians, nonmusicians, and musicians possessing absolute pitch. J Acoust Soc Am 1994; 95:2720-2727.10.1121/1.4098408207143
  24. 24. Halpern AR. Cerebral substrates of musical imagery. Ann N Y Acad Sci 2001; 930:179-192.10.1111/j.1749-6632.2001.tb05733.x11458829
  25. 25. Bhattacharya J, Petsche H. Musicians and the gamma band: a secret affair? Neuroreport 2001; 12:371-374.10.1097/00001756-200102120-0003711209952
  26. 26. Tervaniemi M, Sannemann C, Noyranen M, Salonen J, Pihko E. Importance of the left auditory areas in chord discrimination in music experts as demonstrated by MEG. Eur J Neurosci 2011; 34:517-523.10.1111/j.1460-9568.2011.07765.x21714818
  27. 27. Ellis RJ, Norton AC, Overy K, Winner E, Alsop DC, Schlaug G. Differentiating maturational and training influences on fMRI activation during music processing. Neuroimage 2012; 60:1902-1912.10.1016/j.neuroimage.2012.01.138366632622348885
  28. 28. Koelsch S, Fritz T, Schulze K, Alsop D, Schlaug G. Adults and children processing music: an fMRI study. Neuroimage 2005; 25:1068-1076.10.1016/j.neuroimage.2004.12.050
  29. 29. Baeck E. The neural networks of music. Eur J Neurol 2002; 9:449-456.10.1046/j.1468-1331.2002.00439.x
  30. 30. Trainor LJ, Shahin AJ, Roberts LE. Understanding the benefits of musical training: effects on oscillatory brain activity Ann N Y Acad Sci 2009; 1169:133-142.10.1111/j.1749-6632.2009.04589.x
  31. 31. Bangert M, Schlaug G Specialization of the specialized in features of external human brain morphology. Eur J Neurosci 2006; 24:1832-1834.10.1111/j.1460-9568.2006.05031.x
  32. 32. Fujioka T, Ross B, Kakigi R, Pantev C, Trainor LJ One year of musical training affects development of auditory cortical-evoked fields in young children. Brain 2006; 129:2593-608.10.1093/brain/awl247
  33. 33. Schneider P, Scherg M, Dosch HG, Specht HJ, Gutschalk A, Rupp A Morphology of Heschl’s gyrus reflects enhanced activation in the auditory cortex of musicians. Nat Neurosci 2002; 5:688-694.10.1038/nn871
  34. 34. Schlaug G, Jäncke L, Huang Y, Staiger JF, Steinmetz H Increased corpus callosum size in musicians. Neuropsychologia 1995; 33:1047-1055.10.1016/0028-3932(95)00045-5
  35. 35. Abdul-Kareem IA, Stancak A, Parkes LM, Sluming V. Increased gray matter volume of left pars opercularis in male orchestral musicians correlate positively with years of musical performance. J Magn Reson Imaging 2011; 33: 24-32.10.1002/jmri.2239121182117
  36. 36. Midorikawa A. Amusia. Brain Nerve 2007; 59:865-870.
  37. 37. Berman IW. Musical functioning, speech lateralization and the amusias. S Afr Med J 1981; 59:78-81.
  38. 38. Schuppert M, Münte TF, Wieringa BM, Altenmüller E. Receptive amusia: evidence for cross-hemispheric neural networks underlying music processing strategies. Brain 2000; 123:546-559.10.1093/brain/123.3.54610686177
  39. 39. Brust JC Music and language: musical alexia and agraphia. Brain 1980; 103:367-392.10.1093/brain/103.2.3677397483
  40. 40. Tzortzis C, Goldblum MC, Dang M, Forette F, Boller F. Cortex. Absence of amusia and preserved naming of musical instruments in an aphasic composer. 2000; 36:227-242.10.1016/S0010-9452(08)70526-4
  41. 41. Mostafa M, Kotby MN, Barakah M, el-Sady S, Allosh T, Elshobary A, Saleh M. Dominant functions of right versus the left hemisphere. Acta Otolaryngol. 1989;107:479-48410.3109/000164889091275442474233
  42. 42. Särkämö T, Tervaniemi M, Laitinen S, Forsblom A, Soinila S, Mikkonen M, Autti T, Silvennoinen HM, Erkkilä J, Laine M, Peretz I, Hietanen M. Music listening enhances cognitive recovery and mood after middle cerebral artery stroke. Brain 2008; 131:866-876.10.1093/brain/awn01318287122
  43. 43. Vignolo LA. Music agnosia and auditory agnosia. Dissociations in stroke patients. Ann N Y Acad Sci 2003; 999:50-57.
Language: English
Page range: 259 - 263
Published on: Oct 27, 2017
Published by: European Biotechnology Thematic Network Association
In partnership with: Paradigm Publishing Services
Publication frequency: 4 issues per year

© 2017 Giulia Gizzi, Elisabetta Albi, published by European Biotechnology Thematic Network Association
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.