Abstract
This article explores discomfort as it relates to art. It proceeds from the author’s own framework of the ‘cracked art world’, bringing that model into conversation with the anthropology of affect. It identifies and explores three different ways in which affects of discomfort arise in art world encounters: discomfort from art, discomfort about art, and discomfort with (other) people. In exploring discomfort with (other) people, it focuses in particular on intercultural arts events, suggesting that these spaces produce affective ambivalence.