Abstract
A 1960s book on Gothic art has been painstakingly cut and spliced with images from Disney’s and Tim Burton’s Alice in Wonderland . Shockingly bright in his black-and-white environment, the March Hare peers out from behind pointed arches, while a pensive blue Caterpillar lounges among the crowds at Golgotha. Next to this, a beat-up hardback copy of Steven King’s The Stand has been transformed into a tome bound in stitched skin, scarred and bleeding, with a milky eye embedded in the cover. The next book is an old encyclopedia volume, whose pages have been folded and sprayed with adhesive to keep them open and stiff: across the fanned-out paper, the artist has stenciled a message: “PRINT IS DEAD.”
DOI: https://doi.org/10.21061/valib.v58i4.1233 | Journal eISSN: 2331-3331
Language: English
Published on: Dec 31, 2012
Published by: Virginia Tech Publishing
In partnership with: Paradigm Publishing Services
© 2012 Markye Barber, published by Virginia Tech Publishing
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.
