Performing Power in Early Renaissance Italy: Princely Image and Consensus in Political Treatises

This article investigates how the idea of performing power becomes crucial in Italian Renaissance political thought. The analysis focuses on two pre-Machiavellian mirrors for princes written in the second half of the fifteenth century in the kingdom of Naples, under the Aragonese monarchy: Giovanni Pontano’s De principe (1465) and Giuniano Maio’s De maiestate (1492), respectively in Neo-Latin and the vernacular. These are the first Italian political treatises where the concept of majesty is systematically theorized and is linked with the practical aspects of the art of governing and the performance of power. In particular, the whole second part of Pontano’s text defines and illustrates the virtue of majesty as coinciding with the “external” image of princely rulership and with all concrete strategies deployed by the prince to gain consensus. This concept is recovered and emphasized in Maio’s De maiestate, the first treatise entirely devoted to this key aspect of kingship, to the extent that the figure of ideal princeps is encapsulated in the all-encompassing notion of majesty, the virtue that becomes the most important royal attribute. Thus, this new theory of statecraft, with a specific focus on the image that the ruler is able to give to his subjects and on the importance of the people’s consent, displays the emergence of a blossoming idea of political realism, which is specific to this age and context and would develop in more mature forms in the following century.