Abstract
The paper discusses an artwork by Patriot Mukmin (b. 1987) from Indonesia in conversation with a poster photo of an exhibition by visual artists Jojakim Cortis and Adrian Sonderegger. Both images use perpetrator photographs to demystify their original function, whether as documentation, propaganda, or procedural images. The paper examines how the reappearance of perpetrator images from the 1965–66 anti-communist mass killings demand more in-depth scrutiny, particularly in a society where the culture of impunity is still strong, and perpetrator images continue to dominate the public sphere.
DOI: https://doi.org/10.21039/jpr.2.2.44 | Journal eISSN: 2514-7897
Language: English
Page range: 43 - 48
Published on: Sep 20, 2019
Published by: Winchester University Press
In partnership with: Paradigm Publishing Services
Keywords:
© 2019 Wulan Dirgantoro, published by Winchester University Press
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.
