Abstract
This paper uses the series Vicious (2013–2016), which aired on the British network ITV and the American noncommercial network PBS, as a case study in transatlantic reception for LGBTQ content. I draw on critical reception for the series, the star personae of lead actors Derek Jacobi and Ian McKellen, and studies of American perceptions of British masculinities. The varied reception for the series, understood through the networks’ economic models and cultural constructions of masculinities, reveals how notions of “quality” and “social progress” change as canned television travels to different national contexts.
DOI: https://doi.org/10.18146/view.218 | Journal eISSN: 2213-0969
Language: English
Page range: 134 - 145
Published on: Aug 31, 2020
Published by: Sound & Vision
In partnership with: Paradigm Publishing Services
© 2020 Bridget Kies, published by Sound & Vision
This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 License.
