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Moving Pictures in Motion: Methods of Geographical Analysis and Visualisation in Comparative Research on Local Film Exhibition Using a Case Study of Brno and Ghent in 1952 Cover

Moving Pictures in Motion: Methods of Geographical Analysis and Visualisation in Comparative Research on Local Film Exhibition Using a Case Study of Brno and Ghent in 1952

Open Access
|Nov 2020

Figures & Tables

Figure 1

Spatial structure of the cinema network in Brno in 1952 with information on the availability of the cinema programmes.

Figure 2

Spatial structure of the cinema network in Antwerp in 1952 with information on the availability of the cinema programmes.

Figure 3

Spatial structure of the cinema network in Ghent in 1952 with information on the availability of the cinema programmes.

Table 1

Tabular visualisation of the results of the quantitative analysis of the film trajectories and cinema hierarchies, with the final categorisation of cinemas in the far-right column. The percentage represents the frequency of appearance in each position of the trajectory (share of each position in the total number of screened films in each cinema). For cinemas with names in red, we do not have collected programmes for the whole year 1952.

Table 2

Tabular visualisation of the results of the quantitative analysis of the film trajectories and cinema hierarchies, with the final categorisation of cinemas in the far-right column. The percentage represents the frequency of appearance in each position of the trajectory (share of each position in the total number of screened films in each cinema). For cinemas with names in red, we do not have collected programmes for the whole year 1952.

Figure 4

Spatial arrangement of the cinema categories in Brno.

Figure 5

Spatial arrangement of the cinema categories in Ghent.

Figure 6

A network of cinemas in Brno showing their mutual relationship based on the similarities of the film offers. The thicker the line connecting two cinemas, the more similarities can be found in their film offers.

Figure 7

A network of cinemas in Ghent showing their mutual relationship based on the similarities of the film offers. The thicker the line connecting two cinemas, the more the same films were shown in both cinemas.

Table 3. 

Distribution of films based on the length of their trajectories expressed by the number of cinemas they exchanged with.

Number of cinemasBrnoGhent
1 cinema32.17 %43.08 %
2–5 cinemas47.54 %46.00 %
6–10 cinemas16.39 %9.85 %
>10 cinemas3.89 %1.08 %
Total number of films in circulation488650
Table 4

Time schedules of five exceptionally long screened films in Brno in 1952.56

Table 5

Time schedules of five exceptionally long screened films in Ghent in 1952.

DOI: https://doi.org/10.18146/tmg.672 | Journal eISSN: 2213-7653
Language: English
Page range: 1 - 39
Published on: Nov 12, 2020
Published by: Sound & Vision
In partnership with: Paradigm Publishing Services

© 2020 Terézia Porubčanská, Philippe Meers, Daniel Biltereyst, published by Sound & Vision
This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 License.