Abstract
In this article, Heather Gumbert uses archival and contemporary writing to reflect on and historicize discussion of the significance of imported programming in Europe in the 1960s, especially in the German Democratic Republic. Imported programming was a cornerstone of the television schedules of national broadcasters, particularly in “television poor” eastern European countries, with implications for the ways in which those broadcasters could shape the visions projected to their audiences.
DOI: https://doi.org/10.18146/2213-0969.2014.jethc055 | Journal eISSN: 2213-0969
Language: English
Page range: 50 - 59
Published on: Jun 24, 2014
Published by: Sound & Vision
In partnership with: Paradigm Publishing Services
© 2014 Heather Gumbert, published by Sound & Vision
This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 License.