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Green Hell: Detention, art, and activism in an English landscape Cover

Green Hell: Detention, art, and activism in an English landscape

Open Access
|Sep 2022

Figures & Tables

Figure 1

Talking to Boochani on Manus after watching Remain in Lincoln (Matt Snellin, 2019).

Figure 2a

Davis’ first map imagining the performative interventions.

Figure 2b, c, d, e

Testing the route to the IRC in November 2019, Mansions of the Future curatorial team (Photographs, Colette Griffith, 2019).

Figure 3a, b, c

Walking to Morton Hall in Spring via Doddington Hall (courtesy Hollie L.S. Morgan, 2020).

Figure 4

At the Perimeter Fence (Courtesy Manuchehr 2018).

Figure 5a

Narumar/Detainee behind the wire, here. (Credit: Manuchehr 2018).

Figure 5b

Narumar outside the wire after release. (Credit: Manucher 2019).

Figure 6

Photograph of Boochani at Mansions of the Future, Lincoln, Artist Hoda Afshar (Credit Matt Snellin 2019).

Figures 7a, b, c, d

Screenshots: A poetic record. It Takes a Decade (2020), Natasha Davis (with Jane Olson).

Figure 8

Olson dances in clogs at Doddington Hall (Davis, 2020).

DOI: https://doi.org/10.16993/rl.81 | Journal eISSN: 2002-0104
Language: English
Page range: 2 - 2
Submitted on: Oct 27, 2021
Accepted on: Aug 4, 2022
Published on: Sep 8, 2022
Published by: Stockholm University Press
In partnership with: Paradigm Publishing Services

© 2022 Stephanie Hemelryk Donald, Kaya Davies Hayon, published by Stockholm University Press
This work is licensed under the Creative Commons Attribution 4.0 License.