“Next Unto the Gods My Life Shall Be Spent in Contemplation of Him”: Margaret Cavendish’s Dramatised Widowhood in Bell in Campo (I&II)

[1] ¹I would like to kindly acknowledge that the research for this paper was supported by a grant of the National Science Centre, Poland, project number 2014/13/B/H52/00488, “Embodied sites of memory? Investigations into the definitions and representations of old age and ageing in English drama between 1660 and 1750”. I would also like to thank the two anonymous reviewers for their insightful comments and advice on the paper.