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Die orthodoxe Kirchenmusik als ein bedeutendes Erbe von Byzanz und ihre moderne Rezeption im Westen am Beispiel des „Byzantinischen Kantorenchores München“ Cover

Die orthodoxe Kirchenmusik als ein bedeutendes Erbe von Byzanz und ihre moderne Rezeption im Westen am Beispiel des „Byzantinischen Kantorenchores München“

Open Access
|Jan 2016

Abstract

The Byzantine Music was created within the liturgical life of Orthodoxy and has been developed accordingly in the Eastern Church Worship. Together with the hymnography the Byzantine Music in Orthodoxy has from the beginning taken a central place, especially since there is absolutely no orthodox worship without psalmodic accompaniment. It is one of the most notable achievements in the Byzantine era, for which in the last decades also in Western Europe a great interest is awakened.

DOI: https://doi.org/10.1515/ress-2015-0033 | Journal eISSN: 2359-8107 | Journal ISSN: 2359-8093
Language: English, German
Page range: 447 - 459
Published on: Jan 6, 2016
In partnership with: Paradigm Publishing Services
Publication frequency: 3 issues per year

© 2016 Konstantin Nikolakopoulos, published by Lucian Blaga University of Sibiu
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.