Number 13 / Part I. Music. 6. Requiem by Karl Jenkins. An Analytical Approach to The Interweaving of Various Traditions in Music

References

1. Amblard, J. (2013). Postmodernisme. In N. Donin & L. Feneyrou: Théories de la composition musicale au XX siècle (2nd vol., pp. 1387-1424). Lyon: Symétrie, pp. 1387-1424.
Search in Google Scholar Back to article
2. Dediu, D. (2004). Fenomene muzicale ale contemporaneităţii: muzica britanică şi finlandeză. In Radicalizare şi guerilla (pp. 168-176) Bucureşti: Editura muzicală.
Search in Google Scholar Back to article
3. Jenkins, K. (2016). Retrieved from http://www.karljenkins.com.
Search in Google Scholar Back to article
4. Nyman, M. (1993). Against Intellectual Compelxity in Music, Postmodernism. A Reader. (Under the direction of Thomas Docherty, pp. 206-213). New York: Columbia University Press.
Search in Google Scholar Back to article
5. Sandu Dediu,V. (2010). Muzica postmodernă. In Dicţionar de termeni muzicali (pp. 443-444). Bucureşti: Editura Enciclopedică.
Search in Google Scholar Back to article
6. Pop, A. (2004). Recviemul ca tradiţie şi semnificaţie. In: Recviemul românesc (pp. 15-26). Cluj-Napoca: Editura MediaMusica.
Search in Google Scholar Back to article