Abstract
A sporting spectacle is an important cultural event, essentially influencing social and individual lives. In spite of this, there does not yet exist a monograph that analyzes, describes, and explains sporting performance from the point of view of aleatorism as part of the theory of sport and physical culture. Unfortunately, no monograph has developed this issue in a multi-aspectual, holistic, culturological, and philosophical way, dealing with its axiological values (aesthetic and praxeological). This applies to the relations between this phenomenon and the mechanisms that bring about the development and growth of interest in the social dimension.
Generally, the theory of aleatorism has been applied in analyzing the phenomena of physics, music, and theatrical spectacle.
The one relatively well-developed theory of performance is that of theatre spectacle. The above does not mean that the author aims to appreciate a sporting performance due to its links with theatre. He points to one of many possible aspects of a sporting spectacle, which are the assumptions of an aleatory nature included in its structure, plan, and the tactics of the game.