References
- Andersen, Mads & Sundet, Vilde Schanke (2017). Digitising youth fiction: A comparative analysis of two Nordic approaches. Forthcoming.
- Banks, Mark (2007). The politics of cultural work. Basingstoke: Palgrave Macmillan.
- Born, Georgina (2005). Uncertain vision: Birt, Dyke and the reinvention of the BBC. London: Vintage.
- Bruun, Hanne (2011). Dansk tv-satire: Underholdning med kant [Danish TV satire: Eentertainment with an edge]. Copenhagen: Books on Demand.
- Bruun, Hanne (2014). Eksklusive informanter: Om forskningsinterviewet som redskab i produktionsanalysen [Exclusive informants: About the research interview as a tool in production analysis]. Nordicom-Information, 36(1): 29–45.
- Caldwell, John Thornton (2008). Production culture: Industrial reflexivity and critical practice in film and television. North Carolina: Duke University Press.
- Csikszentmihalyi, Mihaly (1988). Society, culture and person: A systems view of creativity, pp. 325–339 in Sternberg, Robert J. (ed.) The nature of creativity: contemporary psychological perspectives. Cambridge: Cambridge University Press.
- Csikszentmihalyi, Mihaly (1991). Commentary. Human Development, 34(1): 32–34 doi:10.1159/000277030
- Cunningham, Stuart (2009). Trojan horse or Rorschach blot? Creative industries discourse around the world. International Journal of Cultural Policy, 15(4): 375–386. doi:10.1080/10286630902977501
- Draper, Jimmy (2014). Theorizing creative agency through ‘discerned savvy’: A tool for the critical study of media industries. Media, Culture & Society, 36(8): 1118–1133.
- Ellis, John (2000). Seeing things: television in the age of uncertainty. London: Tauris.
- Frandsen, Kirsten (2007). Produktionsanalyse: Teoretiske og metodiske problemstillinger [Production analysis: Theoretical and methodological issues], pp. 23–54 in Frandsen, Kirsten & Bruun, Hanne (eds.). Tv-produktion – nye vilkår [TV production – new conditions]. Frederiksberg: Samfundslitteratur.
- Frandsen, Kirsten, & Bruun, Hanne (2007). TV-produktion i konkurrence [TV production in competition], pp. 7–20 in Frandsen, Kirsten & Bruun, Hanne (eds.). Tv-produktion – nye vilkår [TV production – new conditions]. Frederiksberg: Samfundslitteratur.
- Hammersley, Martyn, & Atkinson, Paul (1995). Ethnography: Principles in practice. London: Routledge.
- Harris, Martin & Wegg-Prosser, Victoria (1998). The BBC and producer choice: A study of public service broadcasting and managerial change. Wide Angle – A Quarterly Journal of Film History, Theory, Criticism, and Practice, 20(2): 150–163.
- Havens, Timothy, & Lotz, Amanda D. (2016). Understanding media industries. Oxford: Oxford University Press.
- Heiselberg, Lene, & Høy Svenningsen, Uffe (2016). Streamingtjenester vinder fortsat terræn [Streaming services continue to gain terrain], pp. 22–29 in Medieudviklingen 2016 [The media development 2016]. Copenhagen: Danmarks Radio.
- Hesmondhalgh, David (2013). The cultural industries. London: SAGE.
- Knudsen, Henrik Gregor & Birk, Mette (2016). Flow er stærkest, men streaming mærkes [Flow is strongest, but streaming is felt], pp. 6–11 in Medieudviklingen 2016 [The media development 2016]. Copenhagen: Danmarks Radio.
- Kvale, Steinar & Brinkmann, Svend (2015). Interview: Det kvalitative forskningsinterview som håndværk [Interview: Tthe qualitative research interview as a craft]. Copenhagen: Hans Reitzel.
- Laclau, Ernesto & Mouffe, Chantal (2001). Hegemony and socialist strategy: towards a radical democratic politics. London: Verso.
- Ludvigsen, Jacob (2015). Anton 90. Soundvenue.dk, 27 December 2015 [online ]. Available at <
http://soundvenue.com/film/2015/12/anton-90-177501 >. [Accessed 1 May 2017]. - Mayer, Vicki; Banks, Miranda J. & Caldwell, John Thornton (2009). Production studies: cultural studies of media industries. New York: Routledge.
- McIntyre, Phillip (2012). Creativity and cultural production: issues for media practice. Basingstoke: Palgrave Macmillan.
- Meza, Ed (2017). Netflix invests nearly $2 billion in European productions, promises more. Variety.com, 1 March 2017 [online]. Available at <
www.variety.com/2017/biz/global/reed-hastings-netflix-berlin-100-million-subscribers-1201999745/ >. [Accessed 1 May 2017]. - Redvall, Eva Novrup (2010). Manuskriptskrivning som kreativ proces: De kreative samarbejder bag manuskriptskrivning i dansk spillefilm [Screenwriting as a creative process: The creative cooperations behind screenwriting in Danish cinema]. Copenhagen: Københavns Universitet.
- Redvall, Eva Novrup (2011). Dogmer for tv-drama: Om brugen af one vision, den dobbelte historie og crossover i DR’s søndagsdramatik [Dogmas for TV drama: About the use of one vision, the double story and crossover in DR’s Sunday dramas]. Kosmorama: Tidsskrift for filmkunst og filmkultur, 248: 180–198.
- Runco, Mark A. & Jaeger, Garrett J. (2012). The standard definition of creativity. Creativity Research Journal, 24(1): 92–96. doi:10.1080/10400419.2012.650092
- Schein, Edgar H. (1994). Organisationskultur og ledelse [Organisational culture and leadership]. Copenhagen: Valmuen
- Søndergaard, Henrik (2003). Programfladestyring og organisationsforandringer i nordisk public service-fjernsyn [Scheduling strategies and organisational changes in Nordic public service television]. MedieKultur, 19(35): 5–22
- Taylor, Stephanie (2013). The lived experience of a contemporary creative identification, pp. 175–184 in Chan, Janet & Thomas, Kerry (eds.). Handbook of research on creativity. Cheltenham: Edward Elgar Publishing Ltd.
- Taylor, Stephanie & Littleton, Karen (2012). Contemporary identities of creativity and creative work. Farnham: Ashgate.
- Tunstall, Jeremy (1993). Television producers. London: Routledge.
- Westmeyer, Hans (1998). The social construction and psychological assessment of creativity. High Ability Studies, 9(1): 11–21. doi:10.1080/1359813980090102
- Yde, Katrine Hornstrup (2016). Veloplagt komedieserie på DR3 viser ungdommen uden for voldene. Politiken.dk. 2 January 2016 [online]. Available at <
http://politiken.dk/kultur/filmogtv/tvanmeldelser/art5604955/Veloplagt-komedieserie-p%C3%A5-DR3-viser-ungdommen-uden-for-voldene >. [Accessed 1 May 2017]. - Ytreberg, Espen (2000). Tekstproduksjonsstudier som medievitenskapelig forskningsområde [Text production studies as a media studies research area]. Nordicom Information, 2: 51–60.
- Zoellner, Anna (2015). Detachment, pride, critique: Professional identity in independant factual television production in Great Britain and Germany, pp. 150–163 in Banks, Miranda J.; Conor, Bridget & Mayer, Vicki (eds.). Production studies, the sequel!: Cultural studies of global media industries. New York: Routledge.