References
- Aaberg, C. (1999). The Sounds of Radio: On Radio as an Auditive Means of Communication. Stockholm, Sweden: Stockholm University.
- Abel, R., & Altman, R. (Eds.). (2001). The Sounds of Early Cinema. Bloomington: Indiana University Press.
- Albrecht, R. (2004). Mediating the Muse: A Communications Approach to Media, Music, and Cultural Change. Creskill, NJ: Hampton Press.
- Alten, S. R. (2002). Audio in Media (6th ed.). Belmont, CA: Wadsworth.
- Altman, R. (1986). Television/Sound. In T. Modleski (Ed.), Studies in Entertainment. Bloomington: Indiana University Press.
- Altman, R. (2004). Silent Film Sound. New York: Columbia University Press.
- Altman, R. (Ed.). (1992). Sound Theory / Sound Practice. New York: Routledge.
- Anderson, B. (1991). Imagined Communities: Reflections on the Origin and Spread of Nationalism (2nd ed.). London: Verso.
- Ansell, G. (2004). Soweto Blues: Jazz, Popular Music, and Politics in South Africa. New York: Continuum.
- Appadurai, A. (1996). Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press.
- Attali, J. (1985). Noise: The Political Economy of Music. Minneapolis: University of Minnesota Press.
- Audi, R. (Ed.). (1996). The Cambridge Dictionary of Philosophy (Reprinted ed.). Cambridge: Cambridge University Press.
- Austin, J. L. (1962). How to Do Things with Words. Oxford: Oxford University Press.
- Bailey, P. (1996). Breaking the Sound Barrier: A Historian Listens to Noise. Body & Society, 2(2), 49-66.10.1177/1357034X96002002003
- Barbosa, A., & Kaltenbrunner, M. (2002). Public Sound Objects: A Shared Musical Space on the Web. Paper presented at the Second International Conference on WEB Delivering of Music (WEDELMUSIC’02).10.1109/WDM.2002.1176188
- Barnes, S. H. (1988). Muzak. The Hidden Messages in Music: A Social Psychology of Culture. Lewiston, NY: The Edwin Mellen Press.
- Baron-Cohen, S., & Harrison, J. E. (Eds.). (1997). Synaesthesia: Classic and Contemporary Readings. Oxford: Blackwell.
- Barthes, R. (1977). The Grain of the Voice. In R. Barthes (Ed.), Image, Music, Text (pp. 179-189). London: Fontana. (Orig. publ. 1972).
- Baumann, M. P., & Fujie, L. (Eds.). (1999). Special Issue: Hearing and Listening in Cultural Contexts (Vol. 41(1)): The World of Music.
- Becker, H. (1982). Art Worlds. Berkeley, CA: University of California Press.
- Benjamin, W. (1977). The Work of Art in the Age of Mechanical Reproduction. In J. Curran, M. Gurevitch & J. Woollacott (Eds.), Mass Communication and Society. London: Edward Arnold. (Orig. publ. 1936).
- Bergeron, K., & Bohlman, P. V. (Eds.). (1992). Disciplining Music: Musicology and Its Canons. Chicago: University of Chicago Press.
- Biagioli, M. (Ed.). (1999). The Science Studies Reader. New York: Routledge.
- Biocca, F. (1990). Media and Perceptual Shifts: Early Radio and the Clash of Musical Cultures. Journal of Popular Culture, 24(2), 1-15.10.1111/j.0022-3840.1990.2402_1.x
- Birdwhistell, R. L. (1971). Kinesics and Context: Essays on Body-Motion Communication. London: Penguin.10.9783/9780812201284
- Boden, M. A. (Ed.). (1996). Artifical Intelligence. San Diego, CA: Academic Press.
- Bolter, J. D. (1991). Writing Space: The Computer, Hypertext, and the History of Writing. Hillsdale, NJ: Lawrence Erlbaum.
- Bolter, J. D., & Grusin, R. (1999). Remediation: Understanding New Media. Cambridge, MA: MIT Press.
- Bonds, M. E. (1991). Wordless Rhetoric: Musical Form and the Metaphor of Oration. Cambridge, MA: Harvard University Press.10.4159/harvard.9780674733411
- Born, G. (1995). Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avantgarde. Berkeley, CA: University of California Press.10.1525/9780520916845
- Born, G. (Ed.). (2000). Western Music and Its Others: Difference, Representation, and Appropriation in Music. Berkeley, CA: University of California Press.
- Bourdieu, P. (1984). Distinction. Cambridge, MA: Harvard University Press. (Orig. publ. 1979).
- Bourdieu, P. (1988). Homo Academicus. Stanford: Stanford University Press.
- Bradbury, R. (1976). Fahrenheit 451. London: Granada. (Orig. publ. 1954).
- Bregman, A. S. (1990). Auditory Scene Analysis: The Perceptual Organization of Sound. Cambridge, MA: MIT Press.10.7551/mitpress/1486.001.0001
- Brodkey, L. (1987). Academic Writing as Social Practice. Philadelphia, PA: Temple University Press.
- Bull, M. (2000). Sounding Out the City: Personal Stereos and the Management of Everyday Life. Oxford: Berg.
- Bull, M., & Back, L. (Eds.). (2003). The Auditory Culture Reader. Oxford: Berg.
- Bunt, L. (1994). Music Therapy: An Art Beyond Words. London: Routledge.
- Burnett, C., Fend, M., & Gouk, P. (Eds.). (1991). The Second Sense: Studies in Hearing and Musical Judgment from Antiquity to the Seventeenth Century. London: Warburg Institute.
- Cantril, H., & Allport, G. W. (1971). The Psychology of Radio. New York: Arno Press. (Orig. publ. 1935).
- Carroll, N. (1988). Mystifying Movies: Fads and Fallacies in Contemporary Film Theory. New York: Columbia University Press.10.7312/carr92070
- Cerquiglini, B. (1999). In Praise of the Variant: A Critical History of Philology. London: The Johns Hopkins University Press.
- Chanan, M. (1995). Repeated Takes: A Short History of Recording and Its Effects on Music. London: Verso.
- Chion, M. (1994). Audio-Vision: Sound on Screen. New York: Columbia University Press.
- Chion, M. (1999). The Voice in Cinema. New York: Columbia University Press.
- Chomsky, N. (1965). Aspects of the Theory of Syntax. Cambridge, MA: MIT Press.
- Christensen, T. (Ed.). (2002). The Cambridge History of Music Theory. Cambridge: Cambridge University Press.
- Clarke, D. S. (1990). Sources of Semiotic. Carbondale, IL: Southern Illinois University Press.
- Classen, C. (1993). Worlds of Sense: Exploring the Senses in History and Across Cultures. London: Routledge.
- Clayton, M., Herbert, T., & Middleton, R. (Eds.). (2003). The Cultural Study of Music: A Critical Introduction. London: Routledge.
- Cohen, E. L., & Willis, C. (2004). One Nation under Radio: Digital and Public Memory after September 11. New Media & Society, 6(5), 591-610.10.1177/146144804047082
- Cook, N. (1998). Analyzing Musical Multimedia. Oxford: Oxford University Press.10.1093/oso/9780198165897.001.0001
- Cook, N., & Everist, M. (Eds.). (1999). Rethinking Music. Oxford: Oxford University Press.10.1093/oso/9780198790037.001.0001
- Corbin, A. (1998). Village Bells: Sound and Meaning in the 19th-Century French Countryside. New York: Columbia University Press.
- Corner, J. (2002). Sounds Real: Music and Documentary. Popular Music, 21(3), 357-366.10.1017/S0261143002002234
- Crafts, S. D., Cavicchi, D., & Keil, C. (1993). My Music. Hanover, NH: Wesleyan University Press.
- Crisell, A. (1994). Understanding Radio (2nd ed.). London: Routledge.
- Crisell, A. (Ed.). (2004). More than a Music Box: Radio Cultures and Communities in a Multi-Media World. New York: Berghahn.
- Cumming, N. (2000). The Sonic Self: Musical Subjectivity and Signification. Bloomington: Indiana University Press.
- Cytowic, R. E. (1989). Synaesthesia: A Union of the Senses. New York: Springer.10.1007/978-1-4612-3542-2
- Dahlhaus, C. (1982a). Esthetics of Music. Cambridge: Cambridge University Press. (Orig. publ. 1967).
- Dahlhaus, C. (1982b). Foundations of Music History. Cambridge: Cambridge University Press. (Orig. publ. 1967).
- Deibert, R. J. (1997). Parchment, Printing, and Hypermedia: Communication in World Order Transformation. New York: Columbia University Press.
- DeNora, T. (2000). Music in Everyday Life. Cambridge: Cambridge University Press.10.1017/CBO9780511489433
- Derrida, J. (1976). Of Grammatology. Baltimore, MD: Johns Hopkins University Press. (Orig. publ. 1967).
- Deutsch, D. (Ed.). (1999). The Psychology of Music. New York: Academic Press.
- Douglas, S. J. (1999). Listening In: Radio and the American Imagination. Minneapolis: University of Minnesota Press.
- Dunaway, D. K., & Baum, W. K. (Eds.). (1996). Oral History: An Interdisciplinary Anthology (2nd ed.). Walnut Creek, CA: Alta Mira Press.
- Eisenstein, E. L. (1979). The Printing Press as an Agent of Change: Communication and Cultural Transformation in Early-Modern Europe. Cambridge: Cambridge University Press.
- Erlmann, V. (Ed.). (2004). Hearing Cultures: Essays on Sound, Listening, and Modernity. Oxford: Berg.
- Eyerman, R., & Jamison, A. (1998). Music and Social Movements: Mobilizing Traditions in the Twentieth Century. Cambridge: Cambridge University Press.10.1017/CBO9780511628139
- Feld, S. (1990). Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression (2nd ed.). Philadelphia, PA: University of Pennsylvania Press.
- Fielding, N. G., & Lee, R. M. (1998). Computer Analysis and Qualitative Research. London: Sage.
- Finnegan, R. (1989). The Hidden Musicians: Music-Making in an English Town. Cambridge: Cambridge University Press.
- Finnemann, N. O. (1999). Thought, Sign, and Machine: The Computer Reconsidered. Retrieved December 15, 1999, from http://www.hum.au.dk/ckulturf/DOCS/PUB/nof/TSM
- Finnemann, N. O. (2005). The Cultural Grammar of the Internet. In K. B. Jensen (Ed.), Interface://Culture - The World Wide Web as Political Resource and Aesthetic Form. Copenhagen: Forlaget Samfundslitteratur/ NORDICOM.
- Forsyth, M. (1985). Buildings for Music: The Architect, the Musician, and the Listener from the Seventeenth Century to the Present Day. Cambridge: Cambridge University Press.
- Friberg, J., & Gärdenfors, D. (2004). Audio Games: New Perspectives on Game Audio. Paper presented at the ACE04: Advances in Computer Entertainment Technology Conference, Singapore.
- Frith, S. (1996). Performing Rites: On the Value of Popular Music. Oxford: Oxford University Press.10.1093/oso/9780198163329.001.0001
- Frith, S., & Goodwin, A. (Eds.). (1990). On Record. London and New York: Routledge.
- Garofalo, R. (Ed.). (1992). Rockin’ the Boat: Mass Music and Mass Movements. Boston, MA: South End Press.
- Gauntlett, D., & Horsley, R. (Eds.). (2004). Web.Studies (2nd ed.). London: Edward Arnold.
- Gay, P. d., Hall, S., Janes, L., Mackay, H., & Negus, K. (1997). Doing Cultural Studies: The Story of the Sony Walkman. London: Sage.
- Gena, P., & Strom, C. (2001). A Physiological Approach to DNA Music. Paper presented at the 4th Computers in Art and Design Education Conference, Glasgow.
- Gibson, J. J. (1979). The Ecological Approach to Perception. London: Houghton-Mifflin.
- Giddens, A. (1984). The Constitution of Society. Berkeley, CA: University of California Press.
- Gilbert, G. N., & Mulkay, M. (1984). Opening Pandora’s Box: A Sociological Analysis of Scientists’ Discourse. Cambridge: Cambridge University Press.
- Goehr, L. (1992). The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. Oxford: Clarendon.
- Goody, J. (1987). The Interface between the Written and the Oral. Cambridge: Cambridge University Press.
- Goody, J., & Watt, I. (1963). The Consequences of Literacy. Comparative Studies in Society and History, 5, 304-345.10.1017/S0010417500001730
- Gordon, R. (2003). Convergence Defined. Retrieved October 24, 2005, from http://www.ojr.org/ojr/business/1068686368.php
- Greene, R. (2003). Internet Art. London: Thames & Hudson.
- Gumpert, G., & Cathcart, R. (Eds.). (1986). Inter/Media: Interpersonal Communication in a Media World. New York: Oxford University Press.
- Hall, E. T. (1969). The Hidden Dimension. Garden City, NY: Anchor.
- Hall, E. T. (1971). The Silent Language. Garden City, NY: Anchor.
- Halliday, M. A. K. (2004). Lexicology and Corpus Linguistics: An Introduction. London: Continuum.
- Handel, S. (1991). Listening: An Introduction to the Perception of Auditory Events. Cambridge, MA: MIT Press.
- Hargreaves, D. J., & North, A. C. (Eds.). (1997). The Social Psychology of Music. Oxford: Oxford University Press.10.1093/oso/9780198523840.001.0001
- Harvey, D. (1989). The Condition of Postmodernity. Oxford: Blackwell.
- Hatten, R. S. (1994). Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation. Bloomington, IN: Indiana University Press.
- Havelock, E. A. (1963). Preface to Plato. Oxford: Blackwell.10.4159/9780674038431
- Hawkins, S. (2002). Settling the Pop Score: Pop Texts and Identity Politics. Aldershot, UK: Ashgate.
- Hendy, D. (2000). Radio in the Global Age. Cambridge: Polity.
- Hennion, A. (1997). Baroque and Rock: Music, Mediators, and Musical Taste. Poetics, 24, 415-435.10.1016/S0304-422X(97)00005-3
- Hesmondhalgh, D., & Negus, K. (Eds.). (2002). Popular Music Studies. London: Edward Arnold.
- Hilmes, M., & Loviglio, J. (Eds.). (2002). Radio Reader: Essays in the Cultural History of Radio. New York: Routledge.
- Hodges, D. (Ed.). (1996). Handbook of Music Psychology. San Antonio, TX: IMR Press.
- Howes, D. (Ed.). (1991). The Varieties of Sensory Experience: A Sourcebook in the Anthropology of the Senses. Toronto: University of Toronto Press.
- Humphreys, L. (2005). Cellphones in Public: Social Interactions in a Wireless Area. New Media & Society, 7(6), 810-833.10.1177/1461444805058164
- Hutchby, I. (2001). Conversation and Technology: From the Telephone to the Internet. Cambridge: Polity.
- Ihde, D. (1976). Listening and Voice: A Phenomenology of Sound. Athens, OH: Ohio University Press.
- Innis, H. A. (1951). The Bias of Communication. Toronto: University of Toronto Press.
- Innis, H. A. (1972). Empire and Communications. Toronto: University of Toronto Press. (Orig. publ. 1950).
- James, J. (1995). The Music of the Spheres: Music, Science, and the Natural Order of the Universe. London: Abacus.
- Jarviluoma, H. (Ed.). (1994). Soundscapes: Essays on Vroom and Moo. Tampere, Finland: Tampere University.
- Jauss, H. R. (1982). Toward an Aesthetic of Reception. Brighton, UK: Harvester Press.
- Jeffrey, P. (1992). Re-Envisioning Past Musical Cultures: Ethnomusicology in the Study of Gregorian Chant. Chicago: University of Chicago Press.
- Jensen, K. B. (2002a). The humanities in media and communication research. In K. B. Jensen (Ed.), A Handbook of Media and Communication Research: Qualitative and Quantitative Methodologies. London: Routledge.
- Jensen, K. B. (2002b). Introduction: The State of Convergence in Media and Communication Research. In K. B. Jensen (Ed.), A Handbook of Media and Communication Research: Qualitative and Quantitative Methodologies. London: Routledge.
- Jensen, K. B., & Helles, R. (in press). The Silent Web: A Qualitative Analysis of Sound as Information and Communication in Websites. In M. Consalvo & C. Haythornswaite (Eds.), Internet Research Annual (Vol. 4). Oxford: Berg.
- Johnson, J. (2002). Who Needs Classical Music? Cultural Choice and Musical Value. Oxford: Oxford University Press.10.1093/acprof:oso/9780195146813.001.0001
- Johnson, J. H. (1995). Listening in Paris: A Cultural History. Berkeley, CA: University of California Press.10.1525/9780520918238
- Jones, S. G. (1992). Rock Formation: Music, Technology, and Mass Communication. Newbury Park, CA: Sage.
- Jones, S. G. (Ed.). (1998). Cybersociety 2.0. Thousand Oaks, CA: Sage.
- Jones, S. G. (Ed.). (2002). Pop Music and the Press. Philadelphia, PA: Temple University Press.
- Juslin, P. N., & Sloboda, J. (Eds.). (2001). Music and Emotion: Theory and Research. Oxford: Oxford University Press.10.1093/oso/9780192631886.001.0001
- Kahn, D. (1999). Noise, Water, Meat: A History of Sound in the Arts. Cambridge, MA: MIT Press.10.7551/mitpress/5030.001.0001
- Kalinak, K. (1992). Settling the Score: Music and the Classical Hollywood Film. Madison, WI: University of Wisconsin Press.
- Kassabian, A. (2001). Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music. New York: Routledge.
- Katz, J. E., & Aakhus, M. (Eds.). (2002). Perpetual Contact: Mobile Communication, Private Talk, Public Performance. Cambridge: Cambridge University Press.10.1017/CBO9780511489471
- Katz, R. (1986). Divining the Powers of Music: Aesthetic Theory and the Origins of Opera. New York: Pendragon Press.
- Kay, A., & Goldberg, A. (1999). Personal Dynamic Media. In P. A. Mayer (Ed.), Computer Media and Communication: A Reader (pp. 111-119). Oxford: Oxford University Press. (Orig. publ. 1977).
- Keil, C. (1966). Urban Blues. Chicago: Chicago University Press.
- Kennedy, G. A. (1980). Classical Rhetoric and Its Christian and Secular Tradition from Ancient to Modern Times. Chapel Hill, NC: University of North Carolina Press.
- Kerman, J. (1985). Contemplating Music: Challenges to Musicology. Cambridge, MA: Harvard University Press.
- Kingsbury, H. (1988). Music, Talent, and Performance: A Conservatory Cultural System. Philadelphia, PA: Temple University Press.
- Kozloff, S. (2000). Overhearing Film Dialogue. Berkeley, CA: University of California Press.10.1525/9780520924024
- Kramer, L. (2002). Musical Meaning: Toward a Critical History. Berkeley, CA: University of California Press.
- Labov, W. (1972). The Logic of Non-standard English. In P. P. Giglioli (Ed.), Language and Social Context. Harmondsworth, UK: Penguin. (Orig. publ. 1969).
- Langer, S. K. (1957). Philosophy in a New Key: A Study in the Symbolism of Reason, Rite, and Art (3rd ed.). Cambridge, MA: Harvard University Press.
- Lanza, J. (1994). Elevator Music: A Surreal History of Muzak, Easy-Listening, and Other Mood-Song. New York: Picador.
- Leeuwen, T. v. (1999). Speech, Music, Sound. London: Macmillan.10.1007/978-1-349-27700-1
- Leppert, R. (1993). The Sight of Sound: Music, Representation, and the History of the Body. Berkeley, CA: University of California Press.
- Lerdahl, F., & Jackendoff, R. (1983). A Generative Theory of Tonal Music. Cambridge, MA: MIT Press.
- Levy, M. (Ed.). (1993). Symposium: Virtual Reality: A Communication Perspective (Vol. 43(4)): Journal of Communication.
- Leyshon, A., Webb, P., French, S., Thrift, N., & Crewe, L. (2005). On the Reproduction of the Musical Economy after the Internet. Media, Culture & Society, 27(2), 177-209.10.1177/0163443705050468
- Lievrouw, L., & Livingstone, S. (Eds.). (2002). Handbook of New Media: Social Shaping and Social Consequences. London: Sage.
- Ling, R. (2004). The Mobile Connection: The Cell Phone’s Impact on Society. Amsterdam: Elsevier.
- Longhurst, B. (1995). Popular Music and Society. Cambridge: Polity.
- Lyytinen, K., & Yoo, Y. (2002). Issues and Challenges in Ubiquitous Computing. Communications of the ACM, 45(12), 63-65.
- Manuel, P. (1988). Popular Musics of the Non-Western World: An Introductory Survey. New York: Oxford University Press.
- Martin, P. J. (1995). Sounds and Society: Themes in the Sociology of Music. Manchester: Manchester University Press.
- Marx, L. (1964). The Machine in the Garden: Technology and the Pastoral Ideal in America. New York: Oxford University Press.
- McAdams, S., & Bigand, E. (Eds.). (1993). Thinking in Sound: The Cognitive Psychology of Human Audition. Oxford: Clarendon Press.
- McClary, S. (1991). Feminine Endings: Music, Gender, and Sexuality. Minneapolis: University of Minnesota Press.
- McClary, S. (2000). Conventional Wisdom: The Content of Musical Form. Berkeley, CA: University of California Press.10.1525/california/9780520221062.001.0001
- McLuhan, M. (1964). Understanding Media. New York: McGraw-Hill.
- McLuhan, M., & Fiore, Q. (1967). The Medium is the Massage: An Inventory of Effects. Toronto: Bantham Books.
- McQuail, D. (2005). McQuail’s Mass Communication Theory (5th ed.). London: Sage.
- Megarry, T. (1995). Society in Prehistory: The Origins of Human Culture. London: Macmillan.10.1007/978-1-349-24248-1
- Meyer, L. B. (1956). Emotion and Meaning in Music. Chicago: University of Chicago Press.
- Meyrowitz, J. (1985). No Sense of Place: The Impact of Electronic Media on Social Behavior. New York: Oxford University Press.
- Meyrowitz, J. (1994). Medium Theory. In D. Crowley & D. Mitchell (Eds.), Communication Theory Today. Cambridge: Polity Press.
- Middleton, R. (1990). Studying Popular Music. Milton Keynes, UK: Open University Press.
- Middleton, R. (Ed.). (2002). Reading Pop: Approaches to Textual Analysis in Popular Music. Oxford: Oxford University Press.
- Millard, A. (1995). America on Record: A History of Recorded Sound. Cambridge: Cambridge University Press.
- Nattiez, J.-J. (1990). Music and Discourse: Toward a Semiology of Music. Princeton, NJ: Princeton University Press.
- Negus, K. (1992). Producing Pop: Culture and Conflict in the Popular Music Industry. London: Edward Arnold.
- Negus, K., & Street, J. (2002). Introduction to ‘Music and Television’ Special Issue. Popular Music, 21(3), 245-248.10.1017/S0261143002002167
- Nettl, B. (1992). Mozart and the Ethnomusicological Study of Western Culture: An Essay in Four Movements. In K. Bergeron & P. V. Bohlman (Eds.), Disciplining Music: Musicology and Its Canons. Chicago: University of Chicago Press.
- Nettl, B. (1995). Heartland Excursions: Ethnomusicological Reflections on Schools of Music. Urbana, IL: University of Illinois Press.
- Nettl, B., & Bohlman, P. V. (Eds.). (1991). Comparative Musicology and Anthropology of Music: Essays in the History of Ethnomusicology. Chicago: University of Chicago Press.
- Nott, J. J. (2002). Music for the People: Popular Music and Dance in Interwar Britain. Oxford: Oxford University Press.
- Nyre, L. (2003). Fidelity Matters: Sound Media and Realism in the Twentieth Century. Volda, Norway: Volda University College.
- Olender, M. (1992). The Languages of Paradise: Race, Religion, and Philology in the Nineteenth Century. Cambridge, MA: Harvard University Press.
- Ong, W. (1982). Orality and Literacy. London: Methuen.10.4324/9780203328064
- Ostwald, P. F. (1973). The Semiotics of Human Sound. The Hague: Mouton.10.1515/9783110812626
- Partridge, D. (1991). A New Guide to Artificial Intelligence. Norwood, NJ: Ablex.
- Paul, C. (2003). Digital Art. London: Thames & Hudson.
- Perelman, C. (1979). The New Rhetoric and the Humanities. Dordrecht, The Netherlands: Reidel.10.1007/978-94-009-9482-9
- Peters, J. D. (1999). Speaking into the Air: A History of the Idea of Communication. Chicago: University of Chicago Press.10.7208/chicago/9780226922638.001.0001
- Peterson, R. A., & Kern, R. M. (1996). Changing Highbrow Taste: From Snob to Omnivore. American Sociological Review, 61(5), 900-907.10.2307/2096460
- Phillips, L., & Winther Jørgensen, M. (2002). Discourse Analysis as Theory and Method. London: Sage.10.4135/9781412983921
- Pittam, J. (1994). Voice in Social Interaction: An Interdisciplinary Approach. Thousand Oaks, CA: Sage.
- Plomp, R. (2002). The Intelligent Ear: On the Nature of Sound Perception. Mahwah, NJ: Lawrence Erlbaum.
- Posner, R., Robering, K., & Sebeok, T. A. (Eds.). (1997-98). Semiotics: A Handbook of the Sign-Theoretic Foundations of Nature and Culture. Berlin: Walter de Gruyter.
- Postman, N. (1985). Amusing Ourselves to Death. New York: Viking.
- Potter, J. (1998). Vocal Authority: Singing Style and Ideology. Cambridge: Cambridge University Press.10.1017/CBO9780511470226
- Rogers, E. M. (1999). Anatomy of Two Subdisciplines of Communication Study. Human Communication Research, 25(4), 618-631.10.1111/j.1468-2958.1999.tb00465.x
- Roszak, T. (1969). The Making of a Counter Culture: Reflections on the Technocratic Society and Its Youthful Opposition. Garden City, NY: Doubleday.
- Saussure, F. d. (1959). Course in General Linguistics. London: Peter Owen. (Orig. publ. 1916).
- Scannell, P. (Ed.). (1991). Broadcast Talk. London: Sage.
- Scannell, P., & Cardiff, D. (1991). A Social History of British Broadcasting: 1922-1939 Serving the Nation (Vol. 1). Oxford: Blackwell.
- Schafer, R. M. (1977). The Tuning of the World. New York: Alfred A. Knopf.
- Schneider, S. K. (1994). Concert Song as Seen: Kinesthetic Aspects of Musical Interpretation. Stuyvesant, NY: Pendragon Press.
- Schütz, A. (1976a). Fragments on the Phenomenology of Music. Music and Man, 2, 5-71. (Orig. publ. 1944).10.1080/01411897608574487
- Schütz, A. (1976b). Making Music Together: A Study in Social Relationship. In Collected Papers (Vol. 2). The Hague: Martinus Nijhoff. (Orig. publ. 1951).10.1007/978-94-010-1340-6_8
- Scott, D. B. (Ed.). (2000). Music, Culture, and Society: A Reader. Oxford: Oxford University Press.
- Scribner, S., & Cole, M. (1981). The Psychology of Literacy. Cambridge, MA: Harvard University Press.10.4159/harvard.9780674433014
- Searle, J. R. (1969). Speech Acts. London: Cambridge University Press.10.1017/CBO9781139173438
- Shaw-Miller, S. (2002). Visible Deeds of Music: Art and Music from Wagner to Cage. New Haven, CT: Yale University Press.10.12987/yale/9780300083743.001.0001
- Shuker, R. (2001). Understanding Popular Music. London: Routledge.
- Simon, H. W. (Ed.). (1989). Rhetoric in the Human Sciences. London: Sage.
- Sloboda, J. (1985). The Musical Mind: The Cognitive Psychology of Music. Oxford: Clarendon Press.
- Small, C. (1987). Performance as Ritual: Sketch for an Enquiry into the True Nature of a Symphony Concert. In A. L. White (Ed.), Lost in Music: Culture, Style, and the Musical Event. London: Routledge & Kegan Paul.
- Smith, B. R. (1999). The Acoustic World of Early Modern England: Attending to the O-Factor. Chicago: University of Chicago Press.
- Smith, M. M. (2001). Listening to Nineteenth-Century America. Chapel Hill, NC: University of North Carolina Press.
- Solie, R. A. (Ed.). (1991). Musicology and Difference: Gender and Sexuality in Music Scholarship. Berkeley, CA: University of California Press.
- Southworth, M. (1969). The Sonic Environment of Cities. Environment and Behavior, 1(1), 49-70.10.1177/001391656900100104
- Stacey, J. (1994). Star Gazing: Hollywood Cinema and Female Spectatorship. London: Routledge.
- Stam, R., Burgoyne, R., & Flitterman-Lewis, S. (1992). New Vocabularies in Film Semiotics. London: Routledge.
- Starr, L., & Waterman, C. (2003). American Popular Music: From Minstrelsy to MTV. New York: Oxford University Press.
- Sterne, J. (2003). The Audible Past: Cultural Origins of Sound Reproduction. Durham, NC: Duke University Press.
- Stockburger, A. (2003). The Game Environment from an Auditory Perspective. Paper presented at the Level Up: Digital Games Research Conference, Utrecht.
- Subotnik, R. R. (1991). Developing Variations: Style and Ideology in Western Music. Minneapolis: University of Minnesota Press.
- Tagg, P. (1979). Kojak. 50 Seconds of Television Music: Towards the Analysis of Affect in Popular Music. Gothenburg, Sweden: University of Gothenburg.
- Tagg, P., & Clarida, B. (2003). Ten Little Title Tunes: Towards a Musicology of the Mass Media. New York: The Mass Media Music Scholars’ Press.
- Tarasti, E. (1994). A Theory of Musical Semiotics. Bloomington, IN: Indiana University Press.
- Thompson, E. (2002). The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America. Cambridge, MA: MIT Press.
- Thompson, E. P. (1991). Customs in Common. London: Merlin.
- Toop, D. (1995). Ocean of Sound: Aether Talk, Ambient Sound, and Imaginary Worlds. London: Serpent’s Tail.
- Treitler, L. (Ed.). (1998). Strunk’s Source Readings in Music History (Revised ed.). New York: Norton.
- Truax, B. (1995). Sound in Context: Acoustic Communication and Soundscape Research at Simon Fraser University. Retrieved January 15, 2004, from http://interact.uoregon.edu/MediaLit/WFAE/readings/Truaxcontext.html10.1121/1.412535
- Truax, B. (2001). Acoustic Communication (2nd ed.). Westport, CT: Ablex.
- Watzlawick, P., Beavin, J. H., & Jackson, D. D. (1967). Pragmatics of Human Communication: A Study of Interactional Patterns, Pathologies, and Paradoxes. New York: Norton.
- Weber, M. (1958). The Rational and Social Foundations of Music. New York: Southern Illinois University Press. (Orig. publ. 1921).
- Wegman, R. C. (Ed.). (1998). Special Issue: Music as Heard (Vol. 82(3-4)): The Musical Quarterly.
- Wetherell, M., Taylor, S., & Yates, S. (Eds.). (2001). Discourse Theory and Practice: A Reader. London: Sage.
- White, A. L. (Ed.). (1987). Lost in Music: Culture, Style, and the Musical Event. London: Routledge & Kegan Paul.
- Whiteley, S., Bennett, A., & Hawkins, S. (Eds.). (2004). Music, Space, and Place: Popular Music and Cultural Identity. Aldershot, UK: Ashgate.
- Wigram, T., Saperston, B., & West, R. (Eds.). (1995). The Art and Science of Music Therapy: A Handbook. Chur, Switzerland: Harwood.
- Williams, D., Caplan, S., & Xiong, L. (2005). Can You Hear Me Now? The Impact of Voice in Online Communities. Paper presented at the Internet Research 6.0 Conference, Chicago, USA.
- Wittgenstein, L. (1958). Philosophical Investigations. London: Macmillan.