Abstract
The genesis of the Warsaw Autumn Festival was fraught with both potential and real complications. Musical life in Poland at the end of the first postwar decade was in a state of flux, if not turmoil, as ideological disagreements and material complications contributed to an atmosphere of dismay and distrust among musicians and authorities. This paper provides insight into the context in which the Festival’s organizers were operating, particularly the shortcomings of musical life in mid-decade that threatened to derail the Festival before it even began.