Unnatural Selection: Seeing Human Intelligence in Artificial Creations
By:
References
- Barnden, J. 2008. Metaphor and artificial intelligence: Why they matter to each other. In Gibbs, R. W., ed.,
The Cambridge Handbook of Metaphor and Thought . Cambridge, UK: Cambridge University Press. 311–338. - Brants, T., and Franz, A. 2006.
Web IT 5-gram database, Version 1 . The Linguistic Data Consortium. - Burroughs, W. S. 1963. The Cut-Up Method. In Jones, L., ed.,
The Moderns: An Anthology of New Writing in America . New York, NY: Corinth Books. - Carbonell, J. G. 1981. Metaphor: An inescapable phenomenon in natural language comprehension. Technical Report 2404, Carnegie Mellon Computer Science Department, Pittsburgh, PA.
- Chamberlain, W., and Etter, T. 1983.
The Policeman’s Beard is Half-Constructed: Computer Prose and Poetry . London, UK: Warner Books. - Dewey, C. 2014. What happens when @everyword ends?
The Wall Street Journal (Intersect column) May 23. - Duchamp, M. 1917. The Richard Mutt Case.
Blind Man 2:4–5. - Falkenhainer, B.; Forbus, K. D.; and Gentner, D. 1989. Structure-Mapping Engine: Algorithm and Examples.
Artificial Intelligence 41:1–63. - Fass, D. 1991. Met*: a method for discriminating metonymy and metaphor by computer.
Computational Linguistics 17(1):49–90. - Fellbaum, C., ed. 1998.
WordNet: An Electronic Lexical Database . Cambridge, MA: MIT Press. - Freud, S. 1919. Das Unheimliche. In
Collected Papers , volume XII. G.W. 229–268. - Gentner, D.; Falkenhainer, B.; and Skorstad, J. 1989. Metaphor: The Good, The Bad and the Ugly. In Wilks, Y., ed.,
Theoretical Issues in Natural Language Processing . Hillsdale, NJ: Lawrence Erlbaum Associates. - Gibson, W. 2005. God’s Little Toys.
Wired Magazine 13.07. - Giora, R.; Fein, O.; Kronrod, A.; Elnatan, I.; Shuval, N.; and Zur, A. 2004. Weapons of Mass Distraction: Optimal Innovation and Pleasure Ratings.
Metaphor and Symbol 19(2):115–141. - Glucksberg, S. 1998. Understanding metaphors.
Current Directions in Psychological Science 7:39–43. - Hughes, R. 1991.
The Shock of the New: Art and the century of change . London, UK: Thames and Hudson. - Hutton, J. 1982.
Aristotle’s Poetics . New York, NY: Norton. - Kazemi, D. 2015. TinySubversions.com. Web-site.
- Kuenzli, R. E., and Naumann, F. M. 1989.
Marcel Duchamp: artist of the century . Cambridge, MA: MIT Press. - Lakoff, G., and Johnson, M. 1980.
Metaphors We Live By . Chicago, Illinois: University of Chicago Press. - Lydenberg, R. 1987.
Word Cultures: Radical theory and practice in William S. Burroughs’ fictio . Chicago, Illinois: University of Illinois Press. - Magritte, R. 1929. Les Mots et les Images.
La Révolution surréaliste (12):32–33. - Martin, J. H. 1990.
A Computational Model of Metaphor Interpretation . San Diego, CA: Academic Press. - McKeganey, N. P. 1983. Cocktail party syndrome.
Sociology of Health and Illness 5(1):95–103. - Milic, L. T. 1971. The possible usefulness of computer poetry. In Wisbey, R., ed.,
The Computer in Literary and Linguistic Research , Publications of the Literary and Linguistic Computing Centre. Cambridge, UK: University of Cambridge. - Reddy, M. J. 1979. The conduit metaphor: A case of frame conflict in our language about language. In Ortony, A., ed.,
Metaphor and Thought . Cambridge, UK: Cambridge University Press. 284–310. - Schwartz, E. R. 1974. Characteristics of Speech and Language Developments in the child with Myelomeningocele and Hydrocephalus.
Journal of Speech and Hearing Disorders 39(4). - Searle, J. R. 1980. Mind, Brains and Programs.
Behavioral and Brain Sciences 3:417–457. - Sontag, S. 1966.
Against Interpretation and Other Essays . New York, NY: Farrar, Straus and Giroux. - Taylor, M. R. 2009.
Marcel Duchamp: Étant donnés (Philadelphia Museum of Art) . New Haven, Connecticut: Yale University Press. - Veale, T., and Alnajjar, K. 2015. Unweaving the Lexical Rainbow: Grounding Linguistic Creativity in Perceptual Semantics. In Ventura, D., ed.,
Proceedings of ICCC-2015, the 6th International Conference on Computational Creativity . Park City, UT: Association for Computational Creativity. - Veale, T., and Keane, M. T. 1997. The Competence of Sub-Optimal Structure Mapping on ‘Hard’ Analogies. In
Proceedings of IJCAI’97, the 15th International Joint Conference on Artificial Intelligence. Nagoya, Japan . San Mateo, CA: Morgan Kaufmann. - Veale, T., and Li, G. 2011. Creative Introspection and Knowledge Acquisition. In Burgard, W., and Roth, D., eds.,
Proceedings of the 25th AAAI Conference on Artificial Intelligence . San Francisco, CA: AAAI Press. - Veale, T., and Li, G. 2015. Distributed Divergent Creativity: Computational Creative Agents at Web Scale.
Cognitive Computation (May):1–12. - Veale, T. 2012.
Exploding the Creativity Myth: The Computational Foundations of Linguistic Creativity . London, UK: Bloomsbury. - Veale, T. 2014. Running With Scissors: Cut-Ups, Boundary Friction and Creative Reuse. In Lamontagne, L., and Plaza, E., eds.,
Proceedings of ICCBR-2014, the 22nd International Conference on Case-Based Reasoning . - Veale, T. 2015. Game of Tropes: Exploring the Placebo Effect in Computational Creativity. In Ventura, D., ed.,
Proceedings of ICCC-2015, the 6th International Conference on Computational Creativity . Park City, UT: Association for Computational Creativity. - Way, E. C. 1991.
Knowledge Representation and Metaphor . Studies in Cognitive systems. Amsterdam, the Netherlands: Kluwer Academic. - Wilks, Y. 1975. A preferential, pattern-seeking, semantics for natural language inference.
Artificial Intelligence 6(1):53–74. - Wilks, Y. 1978. Making Preferences More Active.
Artificial Intelligence 11(3):197–223.
DOI: https://doi.org/10.1515/jagi-2015-0002 | Journal eISSN: 1946-0163
Language: English
Page range: 5 - 20
Submitted on: May 17, 2015
Accepted on: Nov 19, 2015
Published on: Dec 30, 2015
Published by: Artificial General Intelligence Society
In partnership with: Paradigm Publishing Services
Publication frequency: 2 times per year
Keywords:
Related subjects:
© 2015 Tony Veale, published by Artificial General Intelligence Society
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.