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New Model of Contemporary Kazakh Cinema – Artstream: Trends and Paradigms Cover

New Model of Contemporary Kazakh Cinema – Artstream: Trends and Paradigms

Open Access
|Mar 2025

Figures & Tables

Characteristic signs of the mainstream and art cinema in the film “Rebirth Island” by Rustem Abdrashev

Signs of art cinemaSigns of mainstream cinema
  • It is based on the poetry of Zharaskan Abdrashev

  • The author’s style and philosophy of the director using unusual editing, tempo, and colour correction

  • Focus on deep themes: first love, loyalty, moral maturity, violation of human rights

  • Strong symbolism and metaphors based on Abdrashev’s poetry, with character symbols

  • Mixing genres and experimenting with form, including parallel plots

  • The severity of social problems: denunciations, violation of personal freedoms, discrimination, environmental disasters

  • The destruction of the Soviet mentality and emphasised realism with documentary elements

  • Multicultural composition of the characters, the difference between urban and rural Kazakhs, Russians, Ukrainians

  • Discussion of national culture and its infringement, the tragedy of the Aral Sea

  • Widely acclaimed at film festivals and critics

  • Plot is built in a clear structural integrity, consistent, and easy for a wide audience to perceive

  • The chosen genre and thematic focus of the picture (drama, romance) is also suitable for perception by a wide audience

  • Fictional film techniques are used extensively

  • Techniques of Western films are often noticeable

  • Roles are played by professional actors

Characteristic features of the mainstream and art cinema in “The Elevator” by Nurtas Adambay

Features of art cinemaFeatures of mainstream cinema
  • Focus on the inner world of the characters. In-depth study of the personalities of the main characters and their relationships in a crisis

  • Limited space as a metaphor. The use of an elevator as an enclosed space for the study of social and psychological problems

  • Non-linear storytelling, the use of monologues to reveal the characters’ past and their motivations

  • The author’s approach. The personal vision of the director and the original script reflecting the unique style and philosophy of Adambay

  • Psychological depth. Study of the psychological state of characters who have become hostages of an extreme situation

  • Social criticism. Criticism of social norms and values through the prism of conflict between characters of different social status

  • Exciting plot and dynamic development of events, unexpected twists, and tense situations. Events unfolding in a confined space (elevator), but with a high degree of dynamics and intensity

  • Plot contains a lesson about the importance of human relationships and the impossibility of solving all problems with money

  • Presence of elements of a psychological thriller

  • Success of the film at Genrecelebration 2018 in Los Angeles testifies to the recognition by the mainstream audience

  • Professional and high-quality work

  • Big budget

  • Wide release

Characteristic signs of the mainstream and art cinema in the film “The Old Man” by Ermek Tursunov

Signs of art cinemaSigns of mainstream cinema
  • Inner world of the character

  • Slow pace and detailed study of the moments

  • Visual expressiveness: using the Kazakh steppe to create a visual series

  • Existential themes: loneliness, death, the search for meaning

  • Mixture of genres: drama, philosophy, historical epic

  • Critical acclaim, awards at festivals

  • Adaptation of Ernest Hemingway’s novel “The Old Man and the Sea.”

  • Part of the author’s trilogy

  • Non-professional actor in the title role

  • Unique style and novelty of the film language

  • Entourage and nature shots with a national flavour

  • “Humanisation” of nature, with the transformation of animals and even fog into characters

  • Inclusion of the events of the Great Patriotic War in the plot is aimed at attracting a wider audience due to historical interest

  • Charismatic main character

  • Presence of a conflict

  • Universal themes

  • Big budget

  • Wide release

  • Professional production, the use of expensive spectacular technological techniques

Characteristic signs of the mainstream and art cinema in the film “Balcony” by Kalykbek Salykov

Signs of art cinemaSigns of mainstream cinema
  • It is based on the poetry of Olzhas Suleimenov and his poem “Balcony”

  • A unique author’s style and philosophy, different from Soviet cinema, with unusual editing and tempo

  • Deep topics: personality cult, night arrests, denunciations, fear of being an “enemy of the people”

  • Symbolism: Solntselov as a “real human being” living outside of time

  • Genre experiments, tolgau elements in the screenplay (Kakisheva, 2015)

  • Experiments with form and content

  • Pronounced author’s viewpoint

  • Acute social problems, criticism of the Soviet system

  • Partial documentary, emphasised realism

  • The plot is built in a clear structural integrity, consistent and easy for a wide audience to perceive

  • The chosen genre and thematic focus of the painting is suitable for a wide audience

Characteristic signs of the mainstream and art cinema in the film “Lost” by Akan Satayev

Signs of art cinemaSigns of mainstream cinema
  • Mixture of genres: a mystical thriller and a philosophical parable

  • Plot forces the viewer to be in suspense all the time. Ending is unpredictable and ambiguous

  • There are only nine actors involved in the film, and the whole action takes place in the Kazakh steppe

  • Special time frame

  • Using music as a tool to create suspense

  • Philosophical and metaphorical subtext and message of the whole film

  • Elements of widely popular genres of thriller, detective, and drama are used

  • Professional production

  • Professional and famous actors

  • Use of special effects and expensive spectacular technological techniques

  • Wide release

  • Targeting a mass audience

  • Good box office receipts

  • Big budget

Characteristic signs of the mainstream and art cinema in the film “Walnut tree” by Yerlan Nurmakhanbetov

Signs of art cinemaSigns of mainstream cinema
  • Non-linear plot without main characters, reflecting the director’s concept

  • Atmospheric: directorial work on immersion in the life of the village, typical for art cinema

  • Depth of the characters

  • Satire for the analysis of everyday life and social norms

  • Authentic casting, including actors from local theatres and villagers

  • Yerlan Nurmukhambetov’s unique visual style with an emphasis on camera work and details, reducing the role of acting

  • Absence of traditional conflicts and dramatic peaks, the narrative of everyday life

  • Comedy and drama with elements of adventure and romance aimed at a wide audience

  • Linear plot with a happy ending

  • The use of popular motifs, such as bride kidnapping, makes the film close and understandable to a wide range of viewers

  • Presence of humour and funny situations designed to entertain the audience

  • Participation and success at international film festivals

Characteristic signs of the mainstream and art cinema in the film “Kash” by Aisultan Seitov

Features of art cinemaFeatures of mainstream cinema
  • The debut film of the music video maker with an original visual and restrained colour correction, accentuating doom with patches of warm tones for comfort and safety

  • The plot is about overcoming the animal nature, permeated with abstraction and symbolism, reflecting the realism of the 1930s

  • The archetype of the main character is an ordinary man fighting for survival

  • An authentically created world evokes a strong emotional reaction from the audience

  • The 4 by 3 format enhances the atmosphere of limitation and lack of freedom, being associated with the Soviet past

  • Suspense in the scenes is emphasised by the original musical accompaniment

  • The film touches on the theme of mass starvation, emphasising the engagement of art cinema in understanding historical and social issues

  • Professional and high-quality work

  • Big budget

  • Wide release

  • Theme is close to many residents of the country and resonates with feelings, enhancing empathy for the characters

  • Highly professional approach to decorations, costumes, and other visual identity

  • Story of the struggle and overcoming of personal and social trials has massive attractive potential

  • The film is designed to have a strong emotional impact on the viewer

  • Plot dynamics and tension, built according to the laws of Hollywood films. The presence of disturbing suspense scenes and musical accompaniment that enhance the viewing experience

Characteristic signs of the mainstream and art cinema in the film “Needle” by Rashid Nugmanov

Signs of art cinema Signs of mainstream cinema
  • Unique author’s style (elements of neorealism and expressive visualisation, unusual editing for Soviet films)

  • Focus on deep topics (drug addiction, alienation, and the search for meaning in life)

  • Symbolism and metaphor (for example, the needle as a symbol of addiction and pain)

  • Experiments with form (including a non-linear plot and non-standard cinematic techniques)

  • Author’s viewpoint

  • The music of the band “Kino” and Viktor Tsoy plays a significant role in creating the atmosphere of the film and its emotional impact on the viewer

  • “Needle” has had a significant impact on culture and has become a cult film, which is also a sign of the auteurism

  • Most of the actors involved in the film played themselves.

  • Acute social problems

  • Popularity among a wide audience

  • Famous cultural figure in the title role. Victor Tsoi, the leader of the “Kino” band, played the main role in the film, which attracted the attention of his many fans

  • Genre elements (thriller and crime movie elements)

  • Professional production

Language: English
Submitted on: Dec 16, 2024
Accepted on: Feb 18, 2025
Published on: Mar 18, 2025
Published by: Sciendo
In partnership with: Paradigm Publishing Services

© 2025 Dana Amirbekova, Baubek Nogerbek, Alma Aidar, Aidana Muratkyzy, Aibek Kudabayev, published by Sciendo
This work is licensed under the Creative Commons Attribution 4.0 License.