Abstract
This article uses Stephen King’s 1990, uncut release of his famous 1978 horror novel The Stand to reveal the ways the contemporary horror genre implements the language of pandemics and contagious disease to promote ableist ideas about disability. The horror novel villainizes an antagonist as a central function of its plot. When the antagonist is an airborne disease that inflicts disability and death upon its victims, the novel can be a site of production for what I term “disability panic,” a fear and disgust at the possibility of becoming disabled, and a contempt for those who already are. This article argues that The Stand calls attention to how stereotypes and misconceptions around illness-induced disability form in times of crisis. This article merges genre studies in horror, disability language, and rhetoric of disease in literature to uncover how King reveals that the language of the horror novel can contribute to a cultural fear and hatred of disability. This novel, though written decades ago, mimics the language of corona virus disease 2019 in current popular media. This article demonstrates how fear of airborne disease in a horror novel can increase fear of real-life pandemics and contribute to ableist views of those suffering from illness-related disability.