Have a personal or library account? Click to login
For a Good Poet's Made, as Well as Born: The Relational Ontology of Shakespeare’s Genius Cover

For a Good Poet's Made, as Well as Born: The Relational Ontology of Shakespeare’s Genius

Open Access
|Sep 2018

References

  1. Bate, J. (1997). The genius of Shakespeare. London: Picador.
  2. Barthes, R. (1988). The death of the author (1977). Image, music, text. essays selected and translated by Stephen Heath, 142-48.
  3. Barzun, J. (1989). The paradoxes of creativity. The American Scholar, 337-351.
  4. Bone, D. (1989). The emptiness of genius: Aspects of Romanticism. In P. Murray, (Ed.) Genius: The history of an idea (pp. 113-128). Oxford: Blackwell.
  5. Clare, J. (2014). Shakespeare’s stage traffic. Cambridge: Cambridge University Press.10.1017/CBO9781139626934
  6. Csikszentmihalyi, M., Getzels, J. W., & Kahn, S. P. (1984). Talent and achievement: A longitudinal study of artists (project report). University of Chicago.
  7. Csikszentmihalyi, M. (1998). Genius : A systems perspective. In R. Steptoe (Ed.) Genius and the mind: Studies of creativity and temperament in the historical record (pp. 39-67). Oxford: Oxford University Press.
  8. Csikszentmihalyi, M. (1999) Implications of a systems perspective for the study of creativity, In R. J. Sternberg (Ed.), Handbook of creativity (p. 313-335). Cambridge: Cambridge University Press.10.1017/CBO9780511807916.018
  9. Csikszentmihalyi, M., & Sawyer, K. (1995) Creative insight: The social dimension of a solitary moment. In The systems model of creativity: The collected works of Mihaly Csikszentmihalyi (pp. 73-98). Netherlands: Springer10.1007/978-94-017-9085-7_7
  10. Csikszentmihalyi, M. (2015). The systems model of creativity: The collected works of Mihaly Csikszentmihalyi. Springer: Netherlands.
  11. Crane, M. T. (2014). Framing authority: Sayings, self, and society in sixteenth-century England. Princeton NJ: Princeton University Press.
  12. Dahl, M. (2016). Authors of the mind. Journal of Early Modern Studies, 5, 157-173.
  13. Eco, U. (1989). The open work (A. Cancogni, Trans.). Cambridge: Harvard University Press. (Original work published 1962).
  14. Eliot, T. S. (1919) reprinted in Eliot, T.S. (1982). Tradition and the individual talent. Perspecta, 19, 36-42.10.2307/1567048
  15. Engeström, Y. (2001). Expansive learning at work: Toward an activity theoretical reconceptualization. Journal of education and work, 14, 133-156.10.1080/13639080020028747
  16. Ericsson, K. A., Krampe, R. T., & Tesch-Römer, C. (1993). The role of deliberate practice in the acquisition of expert performance. Psychological Review, 100, 363.10.1037/0033-295X.100.3.363
  17. Fischer, G., Giaccardi, E., Eden, H., Sugimoto, M., & Ye, Y. (2005). Beyond binary choices: Integrating individual and social creativity. International Journal of Human- Computer Studies, 63, 482-512.10.1016/j.ijhcs.2005.04.014
  18. Florio, J. (1603). Montaigne’s Essays retrieved from https://scholarsbank.uoregon.edu/xmlui/bitstream/handle/1794/766/Emerson.pdf?sequence=1.
  19. Glăveanu, V. P. (2010). Paradigms in the study of creativity: Introducing the perspective of cultural psychology. New Ideas in Psychology, 28, 79-93.10.1016/j.newideapsych.2009.07.007
  20. Glăveanu, V. P. (2014). Distributed creativity: Thinking outside the box of the creative individual. Cham/Heidelberger: Springer International Publishing.10.1007/978-3-319-05434-6
  21. Glăveanu, V. P. (2015). The status of the social in creativity studies and the pitfalls of dichotomic thinking. Creativity. Theories-Research-Applications, 2, 102-119.10.1515/ctra-2015-0016
  22. Glăveanu, V. P. (2018). Epilogue: Creativity as immersed detachment, Journal of Creative Behaviour.10.1002/jocb.242
  23. Jowett, J. (2013) Shakespeare as collaborator. In P. Edmonson and S. Wells (Eds.), Shakespeare beyond doubt (pp. 88-100). Cambridge: Cambridge University Press.10.1017/CBO9781139084352.011
  24. Kearney, R. (1988). The wake of imagination: Ideas of creativity in Western culture. London: Hutchinson.
  25. Malafouris, L. (2008). Between brains, bodies and things: tectonoetic awareness and the extended self. Philosophical Transactions of the Royal Society of London B: Biological Sciences, 363, 1993-2002.
  26. Malafouris, L. (2015). Metaplasticity and the primacy of material engagement. Time and Mind, 8, 351-371.10.1080/1751696X.2015.1111564
  27. March, P.L. (2017). Playing with clay and the uncertainty of agency. A Material Engagement Theory perspective. Phenomenology and the Cognitive Sciences, 1-19.
  28. Mardock, J. & Rasmussen, E. (2013). What does textual evidence reveal about the author? In P. Edmonson and S. Wells (Eds.), Shakespeare beyond doubt (pp. 111-121). Cambridge: Cambridge University Press.
  29. Masten, J. (1997). Textual intercourse: Collaboration, authorship, and sexualities in Renaissance drama. Cambridge: Cambridge University Press.
  30. Men, W., Falk, D., Sun, T., Chen, W., Li, J., Yin, D., Zang, L. & Fan, M. (2014). The corpus callosum of Albert Einstein‘s brain: Another clue to his high intelligence? Brain, 137, 268.10.1093/brain/awt252
  31. Montuori, A., & Purser, R. E. (1995). Deconstructing the lone genius myth: Toward a contextual view of creativity. Journal of Humanistic Psychology, 35, 69-112.10.1177/00221678950353005
  32. Muir, K. (2014). Sources of Shakespeare's plays. London: Routledge.10.4324/9781315823959
  33. Nuttall, A. D. (2007). Shakespeare the thinker. New Haven, CT: Yale University Press.
  34. Petersen, L.B. (2016). Between authorship and oral transmission: Negotiating the attribution of authorial, oral and collective style markers in Early Modern playtexts. Journal of Early Modern Studies, 5, 277-306.
  35. Plutarch. (1909). Shakespeare’s Plutarch: Vol 2. Ed. C.F. Tucker Brooke, New York: Duffield and Company. Retrieved from http://oll.libertyfund.org/titles/1843.
  36. Potter, L. (2014). Shakespeare and other men of the theater. Shakespeare Quarterly,65, 455-469.10.1353/shq.2014.0044
  37. Rosso, O. A., Craig, H., & Moscato, P. (2009). Shakespeare and other English Renaissance authors as characterized by Information Theory complexity quantifiers. Physica A: Statistical Mechanics and its Applications, 388, 916-926.10.1016/j.physa.2008.11.018
  38. Runco, M., & Jaeger, G. (2012). The standard definition of creativity. Creativity Research Journal, 24, 92-96.10.1080/10400419.2012.650092
  39. Shakespeare, W. (1997). Antony and Cleopatra. In S. Greenblatt (Ed.) The Norton Shakespeare (pp 2619-2708). New York: Norton. (Original work 1606-7).
  40. Simonton, D. K., Taylor, K., & Cassandro, V. J. (1998). The creative genius of William Shakespeare: Historiometric analyses of his plays and sonnets. In R. Steptoe (Ed.), Genius and the mind: Studies of creativity and temperament in the historical record, (pp 167-192). Oxford: Oxford University Press.
  41. Simonton, D. K. (2004). Thematic content and political context in Shakespeare's dramatic output, with implications for authorship and chronology controversies. Empirical Studies of the Arts, 22, 201-213.10.2190/EQDP-MK0K-DFCK-MA8F
  42. Simonton, D. K. (2010). Creativity in highly eminent individuals. In J. Kaufman & R. Sternberg (Eds.) The Cambridge handbook of creativity (pp.174-188). Cambridge: Cambridge University Press.
  43. Steptoe, R. (Ed.) (1998) Genius and the mind: Studies of creativity and temperament in the historical record. Oxford: Oxford University Press.10.1093/acprof:oso/9780198523734.001.0001
  44. Sternberg, R. J. (1996). Costs of expertise. In K. A. Ericsson (Ed.), The road to excellence: The acquisition of expert performance in the arts and sciences, sports, and games (pp. 347-354). Mahwah, NJ: Erlbaum.
  45. Weisberg, R. (1986). Creativity: Genius and other myths. New York: W.H. Freeman.
  46. Weisberg, R. (1993). Creativity: Beyond the myth of genius. New York: W.H. Freeman.
  47. Weisberg, R. (2006). Creativity understanding innovation in problem solving, science, invention, and the arts. Hoboken, NJ: John Wiley & Sons.
  48. Wells, S. (2006). Shakespeare and Co.: Christopher Marlowe, Thomas Dekker, Ben Jonson, Thomas Middleton, John Fletcher, and the other players in his story. London: Penguin.
  49. Williams, W.P. (2018). [Review of Taylor, G. and Egan, G. (Eds), The New Oxford Shakespeare: Authorship companion. Oxford and New York: Oxford University Press.] In Notes and Queries, 263, 131-134.
Language: English
Page range: 26 - 40
Submitted on: May 24, 2018
|
Accepted on: Aug 25, 2018
|
Published on: Sep 25, 2018
In partnership with: Paradigm Publishing Services
Publication frequency: 2 issues per year

© 2018 Wendy Ross, Frédéric Vallée-Tourangeau, published by University of Białystok
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.