Have a personal or library account? Click to login
On the Links between Caricatures and Animated Films in Communist Eastern Europe Cover

On the Links between Caricatures and Animated Films in Communist Eastern Europe

By: Ülo Pikkov  
Open Access
|Dec 2017

References

  1. Ajanović, Midhat n.d. ‘Animation and Realism’. - Midhat Ajanović. http://www.ajan.se/index.php?option=com_content&task=view&id=30&Itemid=36 (1 October 2017).
  2. Barrier, Michael 1999. Hollywood Cartoons: American Animation in Its Golden Age. Oxford: Oxford University Press.10.1093/oso/9780195037593.001.0001
  3. Bendazzi, Giannalberto 1994. Cartoons: One Hundred Years of Cinema Animation. London: John Libbey.
  4. Cavalier, Stephen 2011. The World History of Animation. Berkeley: University of California Press.
  5. Cochran, Robert 1989. ‘“What Courage!”: Romanian “Our Leader” Jokes’. - The Journal of American Folklore 102, 405, 259-274.10.2307/540637
  6. Crafton, Donald 1984. Before Mickey: The Animated Film, 1898-1928. Cambridge, MA; London: MIT Press.
  7. Crafton, Donald 1990. Emile Cohl, Caricature, and Film. Princeton: Princeton University Press.
  8. Davies, Christie 2010. ‘Jokes as the Truth about Soviet Socialism’. - Folklore: Electronic Journal of Folklore 46. http://www.folklore.ee/folklore/vol46/davies.pdf (1 October 2017).10.7592/FEJF2010.46.davies
  9. Davies, Christie 2011. Jokes and Targets. Bloomington, Indianapolis: Indiana University Press.
  10. Goldstein, Robert Justin 2000. ‘Introduction’. - Robert Justin Goldstein (ed.), The War for the Public Mind: Political Censorship in Nineteenth-Century Europe. Westport, London: Praeger, 1-34.10.5040/9798216033615.0004
  11. Hong, Nathaniel 2010. ‘Mow ‘em All Down Grandma: The “Weapon” of Humor in Two Danish World War II Occupation Scrapbooks’. - Humor: International Journal of Humor Research 23, 1, 27-64.10.1515/humr.2010.002
  12. Iordanova, Dina 2003. Cinema of the Other Europe: The Industry and Artistry of East Central European Film. London, New York: Wallflower Press.
  13. Kiik, Silvia 2006. ‘Avo Paistiku võitlused võimu, tsensuuri ja Goskinoga II’. - Teater. Muusika. Kino 5, 97-107.
  14. Klimova, Olga 2013. Soviet Youth Films under Brezhnev: Watching Between the Lines. PhD thesis. University of Pittsburgh. http://d-scholarship.pitt.edu/19634/1/
  15. Klimova_ETD_2013.pdf (1 October 2017). Klots, Anatoliy n.d. ‘Depicting the Trickster: Soviet Animation and Russian Folktales’. https://jsis.washington.edu/wordpress/wp-content/uploads/sites/13/2016/05/Klots.pdf (1 October 2017).
  16. Krikmann, Arvo 2002. ‘Sissejuhatavat huumorist ja rahvanaljast: ained, mõisted, teooriad’. - Keel ja Kirjandus 12, 833-847.
  17. Lombardi-Satriani, Luigi 1974. ‘Folklore as Culture of Contestation’. - Journal of the Folklore Institute 11, 1/2, 99-121.10.2307/3813943
  18. Loseff, Lev 1984. On the Beneficence of Censorship: Aesopian Language in Modern Russian Literature. München: Verlag Otto Sagner in Kommission.10.3726/b12837
  19. Lutz, Edwin Georg 1926. Animated Cartoons: How They Are Made, Their Origin and Development. New York: Charles Scribner’s Sons. https://archive.org/details/cu31924075701304 (1 October 2017).
  20. Obrdlik, Antonin J. 1942. ‘“Gallows Humor” - A Sociological Phenomenon’. - American Journal of Sociology 47, 5, 709-716.10.1086/219002
  21. Orosz, Anna Ida 2017. ‘Protest in Motion: Discover How Political Animations Thrived Behind the Iron Curtain’. - The Calvert Journal, 19 April. http://www.calvertjournal.com/articles/show/8114/animation-communism-neweast-soviet-censorship (1 October 2017).
  22. Pikkov, Ülo 2010. Animasophy: Theoretical Writings on the Animated Film. Tallinn: Estonian Academy of Arts.
  23. Pi-Sunyer, Oriol 1977. ‘Political Humor in a Dictatorial State: The Case of Spain’. - Ethnohistory 24, 2, 179-190.10.2307/481742
  24. Rees, A. L. 1999. A History of Experimental Film and Video: From the Canonical Avant-Garde to Contemporary British Practices. London: British Film Institute.
  25. Solomon, Charles 1987. The Art of the Animated Image: An Anthology. Los Angeles: The American Film Institute.
  26. Tőke, Lilla 2008. ‘Idiots on the Ball: Švejkism as a Survival Strategy in the East European Imaginary’. - Eva Näripea, Andreas Trossek (eds.), Via Transversa: Lost Cinema of the Former Eastern Bloc. Tallinn: Estonian Academy of Arts, 157-175.
  27. Tõnson, Margit 2013. ‘Kolm põlvepikkust maailmaparandajat’. - Eesti Ekspress, 27 September. http://ekspress.delfi.ee/kuum/kolm-polvepikkustmaailmaparandajat?id=66791253 (15 October 2017).
  28. Trossek, Andreas 2006. ‘Rein Raamatu ja Priit Pärna joonisfilmid nõukogude võimudiskursuses. Ambivalents kui allasurutu dominantne kultuurikood totalitarismis’ / ‘Animated Films of Rein Raamat and Priit Pärn in the Discourse of Soviet Power: Ambivalence as the Dominant Cultural Code of the Oppressed in Totalitarianism’. - Kunstiteaduslikke Uurimusi 15, 4, 102-128.
  29. Trossek, Andreas 2008. ‘When Did It Get Political? Soviet Film Bureaucracy and Estonian Hand-Drawn Animation’. - Eva Näripea, Andreas Trossek (eds.), Via Transversa: Lost Cinema of the Former Eastern Bloc. Tallinn: Estonian Academy of Arts, 31-45.
  30. Vseviov, David; Belobrovtseva, Irina; Danilevskij, Aleksander 2013. Vaenlase kuju. Eesti kuvand Nõukogude karikatuuris 1920.-1940. aastatel. Tallinn: Valgus.
  31. Wells, Paul 1998. Understanding Animation. London: Routledge.
  32. Wells, Paul 2012. ‘Laughter Is Ten Times More Powerful Than a Scream: The Case of Animated Comedy’. - Andrew Horton, Joanna E. Rapf (eds.), A Companion to Film Comedy. Malden, Oxford: John Wiley & Sons, 497-520.10.1002/9781118327821.ch23
  33. Wright, Thomas 1875. A History of Caricature and Grotesque. London: Chatto and Windus. https://ia601408.us.archive.org/34/items/historyofcaricat-00wrig/historyofcaricat00wrig.pdf (1 October 2017).
Language: English
Page range: 28 - 41
Published on: Dec 29, 2017
Published by: Tallinn University Baltic Film, Media, Arts and Communication School
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year

© 2017 Ülo Pikkov, published by Tallinn University Baltic Film, Media, Arts and Communication School
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.