Have a personal or library account? Click to login
On the Topics and Style of Soviet Animated Films Cover

On the Topics and Style of Soviet Animated Films

By: Ülo Pikkov  
Open Access
|Jan 2017

References

  1. Ajanović, Midhat 2004. Animation and Realism. http://www.ajan.se/index.php?option=com_content&task=view&id=30&Itemid=36 (13 March 2016).
  2. Amidi, Amid 2006. Cartoon Modern: Style and Design in Fifties Animation. San Francisco: Chronicle Books.
  3. Асенин, Сергей 1986. Мир мультфильма. Идеи и образы мультипликационного кино социалистических стран. Москва: Искусство.
  4. Bendazzi, Giannalberto 1994. Cartoons: One Hundred Years of Cinema Animation. London: John Libbey.
  5. Bendazzi, Giannalberto 2015. Animation: A World History. Volume I: Foundations – The Golden Age. Boca Raton: CRC Press.10.4324/9781315720746
  6. Bendazzi, Giannalberto 2016. Animation: A World History. Volume III: Contemporary Times. Boca Raton: CRC Press.10.4324/9781315720746
  7. Beumers, Birgit 2007. ‘Comforting Creatures in Children’s Cartoons’. – Marina Balina, Larissa Rudova (eds.), Russian Children’s Literature and Culture. New York, Oxon: Routledge, 153–172.
  8. Брумберг, Зинаида 1979. ‘Любимая работа’. – Жизнь в кино. Ветераны о себе и своих товарищах. Вып. 2. Москва: Искусство, 20–23.
  9. Dorfman, Ariel; Mattelart, Armand 1992. How to Read Donald Duck: Imperialist Ideology in the Disney Comic. 3rd ed. S.l.: I.G. Editions.
  10. Fadina, Nadezda 2016. Fairytale Women: Gender Politics in Soviet and Post-Soviet Animated Adaptations of Russian National Fairytales. PhD thesis, University of Bedfordshire. http://uobrep.openrepository.com/uobrep/handle/10547/603530 (29 March 2016).
  11. Furniss, Maureen 2007. Art in Motion: Animation Aesthetics. London: John Libbey.
  12. Gareeva, Anna 2013. ‘Vyacheslav Kotenochkin’s Nu, pogodi! Soviet Animation and the Characteristics That Make It Particular to Its Alternative Modernist Context’. http://www.academia.edu/11697038/Vyacheslav_Kotenochkin_s_Nu_pogodi_Soviet_animation_and_the_characteristics_that_make_it_particular_to_its_alternative_modernist_context (23 March 2016).
  13. Hames, Peter 2008. The Cinema of Jan Švankmajer: Dark Alchemy. London: Wallflower Press.
  14. Haynes, John 2003. New Soviet Man: Gender and Masculinity in Stalinist Soviet Cinema. Manchester: Manchester University Press.
  15. Ходатаев, Николай 1936. ‘Искусство мультипликации’. – Мультипликационный фильм. Сборник. Москва: Кинофотоиздат, 15–99.
  16. Хржановский, Андрей 1983. ‘Верность избранному пути’. – Сергей Асенин (ed.), Мудрость вымысла. Мастера мультипликации о себе и своем искусстве. Москва: Искусство, 196–200.
  17. Iordanova, Dina 2003. Cinema of the Other Europe: The Industry and Artistry of East Central European Film. London, New York: Wallflower Press.
  18. Иванов-Вано, Иван 1950. Рисованный фильм. Москва: Госкиноиздат. http://risfilm.narod.ru/ (23 March 2016).
  19. Иванов-Вано, Иван 1962. Советское мультипликационное кино. Москва: Знание.
  20. Капков, Сергей (ed.) 2007. Энциклопедия отечественной мультипликации. Москва: Алгоритм.
  21. Kelly, Catriona 2007. Children’s World: Growing up in Russia, 1890–1991. New Haven, London: Yale University Press.
  22. Kiik, Silvia 2006. ‘Avo Paistiku võitlused võimude, tsensuuri ja Goskinoga I–III’. – Teater. Muusika. Kino 4, 75–83; 5, 97–107; 6, 90–97.
  23. Kirt, Liina 1984. ‘Priit Pärn: “Olen tegutsev pessimist”’. – Noorus 12, 16.
  24. Kitson, Clare 2005. Yuri Norstein and Tale of Tales: An Animator’s Journey. Eastleigh: John Libbey.
  25. Kononenko, Natalie 2011. ‘The Politics of Innocence: Soviet and Post-Soviet Animation on Folklore Topics’. – Journal of American Folklore 124, 494, 272–294.10.5406/jamerfolk.124.494.0272
  26. Laaniste, Mari 2008. ‘Pushing the Limits: Priit Pärn’s Animated Cartoons and Soviet Cinema Censorship’. – Eva Näripea, Andreas Trossek (eds.), Via Transversa: Lost Cinema of the Former Eastern Bloc. Tallinn: Estonian Academy of Arts, 47–55.
  27. Lotman, Jurij 1976. Semiotics of Cinema. Trans. Mark E. Suino. Ann Arbor: University of Michigan Press.
  28. MacFadyen, David 2005. Yellow Crocodiles and Blue Oranges: Russian Animated Film since World War Two. Montreal: McGill-Queen’s University Press.10.1515/9780773572720
  29. Mole, Richard 2012. The Baltic States from the Soviet Union to the European Union: Identity, Discourse and Power in the Post-Communist Transition of Estonia, Latvia and Lithuania. London, New York: Routledge.
  30. Moritz, William 1997. ‘Narrative Strategies for Resistance and Protest in Eastern European Animation’. – Jayne Pilling (ed.), A Reader in Animation Studies. Sydney: John Libbey, 38–47.
  31. Норштейн, Юрий 1988. ‘Движение стиля.“Лабораторные записи”’. – Искусство кино 10, 104–116.
  32. Pikkov, Ülo 2010. Animasophy: Theoretical Writings on the Animated Film. Trans. Eva Näripea. Tallinn: Estonian Academy of Arts.
  33. Пироженко, Ольга 2004a. ‘История в картинках. Гендерные репрезентации в советской анимации’. – Гендерные исследования 12, 139–151.
  34. Пироженко, Ольга 2004b. ‘Мама, Папа, Я. (Ре)конструкция советской семьи в сериале “Простоквашино”’. – Такая, 19 November. http://takaya.eu/texts/essay/prost/ (29 March 2016).
  35. Pontieri, Laura 2012. Soviet Animation and the Thaw of the 1960s: Not Only for Children. Herst: John Libbey.
  36. Roberts, Graham 2007. ‘Dream Factory and Film Factory: The Soviet Response to Hollywood 1917–1947’. – Paul Cooke (ed.), World Cinema’s ‘Dialogues’ with Hollywood. Basingstoke, New York: Palgrave Macmillan, 35–51.10.1057/9780230223189_3
  37. Stites, Richard 1992. Russian Popular Culture: Entertainment and Society since 1900. Cambridge: Cambridge University Press.
  38. Trossek, Andreas 2008. ‘When Did It Get Political? Soviet Film Bureaucracy and Estonian Hand-drawn Animation’. – Eva Näripea, Andreas Trossek (eds.), Via Transversa: Lost Cinema of the Former Eastern Bloc. Tallinn: Estonian Academy of Arts, 31–45.
  39. Trossek, Andreas 2011. ‘Tumeda animatsiooni surm Euroopas: Priit Pärna “Hotell E”’ / ‘The Death of Dark Animation in Europe: Priit Pärn’s Hotel E’. – Kunsti-teaduslikke Uurimusi 20, 3–4, 97–123.
  40. Wells, Paul 1998. Understanding Animation. London: Routledge.
Language: English
Page range: 16 - 37
Published on: Jan 23, 2017
Published by: Tallinn University Baltic Film, Media, Arts and Communication School
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year

© 2017 Ülo Pikkov, published by Tallinn University Baltic Film, Media, Arts and Communication School
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.