References
- Arnheim, Rudolf 1969. Visual Thinking. Berkeley, Los Angeles: University of California Press.
- Aumont, Jacques 1989. L’oeil interminable: cinema et peinture. Paris: Librarie Séguier.
- Bazin, André 1967. What Is Cinema? Vol. I. Ed. and trans. Hugh Gray. Los Angeles: University of California Press.
- Bénézet, Delphine 2014. The Cinema of Agnès Varda: Resistance and Eclecticism. London: Wallflower Press.
- Birdwhistell, Ray L. 1970. Kinesics and Context: Essays on Body Motion Communication. Philadelphia: University of Pennsylvania Press.
- Biro, Yvette 2008. Turbulence and Flow in Film: The Rhythmic Design. Bloomington, Indianapolis: Indiana University Press.
- Bonitzer, Pascal 1985. Décadrage. Cinéma et peinture. Paris: Editions de L’Etoile.
- Bordwell, David 1997. On the History of Film Style. Cambridge: Harvard University Press.
- Bronowski, Jacob 1978. The Visionary Eye: Essays in the Arts, Literature and Science. Eds. Piero E. Ariotti, Rita Bronowski. Massachusetts: MIT Press.
- Bruno, Giuliana 2002. Atlas of Emotion: Journeys in Art, Architecture, and Film. New York: Verso.
- Burnett, Ron 1995. Cultures of Vision: Images, Media & the Imaginary. Bloomington, Indianapolis: Indiana University Press.
- Castro, Teresa 2010. ‘Mapping the City through Film: From “Topophilia” to Urban Mapscapes’. - Richard Koeck, Les Roberts (eds.), The City and the Moving Image: Urban Projections. Basingstoke: Palgrave Macmillan, 144-155.
- De Certeau, Michel 1984. The Practice of Everyday Life. Trans. Steven Rendall. Berkeley: University of California Press.
- Hochberg, Julian 1978. Perception (Foundations of Modern Psychology). 2nd ed. Englewood Cliffs: Prentice-Hall.
- Hollander, Anne 1989. Moving Pictures. New York: Alfred A. Knopf.
- Lefebvre, Henri 1991. The Production of Space. Trans. Donald Nicholson-Smith. Oxford: Basil Blackwell.
- Merleau-Ponty, Maurice 1962. The Phenomenology of Perception. Trans. Colin Smith. London: Routledge.
- Mitry, Jean 1988. The Aesthetics and Psychology of the Cinema. Trans. Christopher King. London: Athlone Press.
- Nora, Pierre 1996. Realms of Memory: Rethinking the French Past. Trans. Arthur Goldhammer, ed. Lawrence D. Kritzman. New York: Columbia University Press.
- Pallasmaa, Juhani 2005. ‘Spaces of Melancholy and Hope: The Logic of Place and Image in the Films of Aki Kaurismäki’. - Arkkitehti 5, 22-33.
- Perkins, D. N. 1981. The Mind’s Best Work. Cambridge: Harvard University Press.
- Persson, Per 2003. Understanding Cinema: A Psychological Theory of Moving Imagery. Cambridge: Cambridge University Press.
- Peucker, Brigitte 1995. Incorporating Images: Film and the Rival Arts. Princeton: Princeton University Press.
- Rascaroli, Laura 2009. The Personal Camera: Subjective Cinema and Essay Film. London, New York: Wallfl ower Press.
- Roemer, Michael 1964. ‘The Surfaces of Reality’. - Film Quarterly 18, 1, 15-22.
- Roskill, Mark 1989. The Interpretation of Pictures. Amherst: University of Massachusetts Press.
- Ross, Christine 2012. The Past Is the Present; It’s the Future Too: The Temporal Turn in Contemporary Art. New York, London: Bloomsbury.
- Schrader, Paul 1972. Transcendental Style in Film: Ozu, Bresson, Dreyer. Berkeley: University of California Press.
- Thompson, Kristin; Bordwell, David 2003. Film History: An Introduction. 2nd ed. New York: McGraw-Hill.
- Valkola, Jarmo 1993. Perceiving the Visual in Cinema: Semantic Approaches to Film Form and Meaning. Jyväskylä Studies in the Arts 42. Jyväskylä: University of Jyväskylä.
- Valkola, Jarmo 2000. Aesthetic & Cognitive Perceptualism: Signs, Symbols and Concepts in Art Educational Context. Jyväskylä: University of Jyväskylä.
- Valkola, Jarmo 2003a. Interpretation of the Images: A Cognitive and Media Cultural Perspective on the Theory and Aesthetics of Audiovisual Narration. Reports from Jyväskylä Polytechnic 18. Jyväskylä: Jyväskylä Polytechnic.
- Valkola, Jarmo 2003b. ‘L’esthétique visuelle de Béla Tarr’. Trans. Kristian Feigelson, Jean-Yves Malherbe. - Kristian Feigelson, Jarmo Valkola (eds.), Le temps et l’histoire: Cinéma Hongrois. Théorème 7. Paris: Sorbonne Nouvelle Press, 181-190.
- Valkola, Jarmo 2004. Cognition and Visuality. Jyväskylä: University of Jyväskylä, Faculty of Humanities.
- Valkola, Jarmo 2007. Visual Media Narration: Theory and Analysis. Jyväskylä: Publications of Jyväskylä University of Applied Sciences.
- Valkola, Jarmo 2012. Thoughts on Images: A Philosophical Evaluation. Bucharest: Zeta Books.
- Von Bagh, Peter 2007. Aki Kaurismäki. Helsinki: WSOY.
- Ward, Joseph Anthony 1985. American Silences: The Realism of James Agee, Walker Evans and Edward Hopper. Baton Rouge: Louisiana State University Press
DOI: https://doi.org/10.1515/bsmr-2015-0023 | Journal eISSN: 2346-5522
Language: English
Page range: 44 - 63
Published on: Dec 5, 2015
Published by: Tallinn University Baltic Film, Media, Arts and Communication School
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year
Related subjects:
© 2015 Jarmo Valkola, published by Tallinn University Baltic Film, Media, Arts and Communication School
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.