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Subjects and Objects of the Embodied Gaze: Abbas Kiarostami and the Real of the Individual Perspective Cover

Subjects and Objects of the Embodied Gaze: Abbas Kiarostami and the Real of the Individual Perspective

By: Zsolt Gyenge  
Open Access
|Feb 2017

References

  1. Bergala, Alain. 2004. Abbas Kiarostami. Paris: Éditions Cahiers du Cinéma.
  2. Grønstad, Asbjørn. 2013. Abbas Kiarostami’s Shirin and the Aesthetics of Ethical Intimacy. Film Criticism vol. 37, no. 2 (Winter 2012/2013): 22–37.
  3. Király, Hajnal. 2010. Abbas Kiarostami and a New Wave of the Spectator. Acta Universitatis Sapientiae. Film and Media Studies. Vol 3: 133–142. http://www.acta.sapientia.ro/acta-film/C3/film3-9.pdf. Last accessed 12. 01. 2016.
  4. Lacan, Jacques. 1978. The Four Fundamental Concepts of Psychoanalysis. The Seminar of Jacques Lacan. Book XI. New York, London: W.W. Norton & Company.
  5. Levesque, Simon. 2013. Indéterminations narratives dans Copie conforme d’Abbas Kiarostami. Une critique des théories dualistes du signe considérées d’après la faculté de juger. [Narrative Indeterminations in Abbas Kiarostami’s Certified Copy. A Critique of Dualist Theories of Signe, Considered Based on the Faculty of Judgement.] Cygne noir no 1. http://www.revuecygnenoir.org/numero/article/indeterminations-narratives-dans-copie-conforme-kiarostami>. Last accessed 30. 06. 2016.
  6. McGowan, Todd. 2007. The Real Gaze. Film Theory after Lacan. Albany: State University of New York Press.10.1353/book5173
  7. Merleau-Ponty, Maurice, 2002 [1945]. Phenomenology of Perception. Translated by Smith, Colin. London: Routledge Classics.10.4324/9780203994610
  8. Merleau-Ponty, Maurice. 1964. Le visible et l’invisible. [The Visible and the Invisible.] Paris: Éditions Gallimard.
  9. Mulvey, Laura 2006. Death 24x a Second. Stillness and the Moving Image. London: Reaktion Books.
  10. Nancy, Jean-Luc. 2001. L’Évidence du film. Abbas Kiarostami. [The Evidence of Film: Abbas Kiarostami.] Bruxelles: Yves Gevaert Éditeur.
  11. Sabouraud, Frédéric. 2010. Abbas Kiarostami. Le cinéma revisité. [Abbas Kiarostami. Cinema Revisited.] Rennes: Presses Universitaires de Rennes.10.4000/books.pur.74283
  12. Sartre, Jean-Paul. 1978. Being and Nothingness. An Essay on Phenomenological Ontology. New York: Pocket Books.
  13. Shams, Sussan. 2011. Le cinéma d’Abbas Kiarostami. Un voyage vers l’Orient mystique. [The Cinema of Abbas Kiarostami. A Travel to the Mystique East.] Paris: L’Harmattan.
  14. Sontag, Susan 2005. On Photography. New York: Rosetta Books.
Language: English
Page range: 127 - 141
Published on: Feb 18, 2017
In partnership with: Paradigm Publishing Services
Publication frequency: 2 issues per year

© 2017 Zsolt Gyenge, published by Sapientia Hungarian University of Transylvania
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.