Have a personal or library account? Click to login
History, Cultural Memory and Intermediality in Radu Jude’s Aferim! Cover

History, Cultural Memory and Intermediality in Radu Jude’s Aferim!

By: Judit Pieldner  
Open Access
|Feb 2017

References

  1. Achim, Viorel. 2004. The Roma in Romanian History. Budapest: Central European University Press.
  2. Assmann, Jan. 2008. Communicative and Cultural Memory. In Cultural Memory Studies. An International and Interdisciplinary Handbook, eds. Astrid Erll and Ansgar Nünning, 109–118. Berlin and New York: Walter de Gruyter.10.1515/9783110207262.2.109
  3. Bolter, Jay David and Richard Grusin. 1999. Remediation. Understanding New Media. Cambridge, Massachusetts and London: The MIT Press.
  4. Davis, Natalie Zemon. 2000. Slaves on Screen: Film and Historical Vision. Cambridge, MA: Harvard University Press.
  5. Erll, Astrid. 2008. Literature, Film, and the Mediality of Cultural Memory. In Cultural Memory Studies. An International and Interdisciplinary Handbook, eds. Astrid Erll and Ansgar Nünning, 389–398. Berlin and New York: Walter de Gruyter.10.1515/9783110207262
  6. Ferencz-Flatz, Christian. 2015. Apendice: Aferim! – un film bine stricat. [Appendix: Aferim! – A Well Spoilt Film.] In Incursiuni fenomenologice în noul film românesc. [Phenomenological Incursions into New Romanian Cinema], 122–132. Cluj-Napoca: Editura Tact.
  7. Hoffman, Jordan. 2016. Aferim! Review: a Brutal Manhunt Loaded with Laughs. The Guardian January 20. https://www.theguardian.com/film/2016/jan/20/aferim-review-a-brutal-manhunt-loaded-with-laughs. Last accessed 20. 08. 2016.
  8. Lazăr, Veronica and Andrei Gorzo. 2014. Aferim! – ceva nou în cinemaul românesc [Aferim! – Something New in Romanian Cinema]. In Politicile filmului. Contribuţii la interpretarea cinemaului românesc contemporan [The Politics of Film. Contributions to the Interpretation of Contemporary Romanian Cinema], eds. Andrei Gorzo and Andrei State, 301–312. Cluj Napoca: Tact.
  9. Lowatt, Catherine. 1999. The Mioritic Space. Romanian National Identity in the Work of Lucian Blaga. Central Europe Review vol. 1, no. 18 http://www.ce-review.org/99/18/lovatt18.html. Last accessed 15. 08. 2016.
  10. Pethő, Ágnes. 2011. Cinema and Intermediality. The Passion for the In-Between. Newcastle upon Tyne: Cambridge Scholars Publishing.
  11. Skrodzka, Aga. 2012. Magic Realist Cinema in East Central Europe. Edinburgh: Edinburgh University Press.10.1515/9780748669349
  12. Vidal, Belén. 2012. Heritage Film: Nation, Genre and Representation. New York and Chichester: Columbia University Press.
  13. Xavier, Ismail. 2004. Historical Allegory. In A Companion to Film Theory, eds. Toby Miller and Robert Stam, 333–362. Oxford: Blackwell Publishing.10.1002/9780470998410.ch18
Language: English
Page range: 89 - 105
Published on: Feb 18, 2017
In partnership with: Paradigm Publishing Services
Publication frequency: 2 issues per year

© 2017 Judit Pieldner, published by Sapientia Hungarian University of Transylvania
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.