References
- Agamben, Giorgio, 1998. Homo Sacer: Sovereing Power and Bare Life. Stanford, California: Stanford University Press.
- Baron, Jaimie, 2014. The Archive Effect: Found Footage and the Audiovisual Experience of History. New York: Routledge.
- Belisle, Brooke, 2014. Depth Readings: Ken Jacobs’s Digital, Stereographic Films. Cinema Journal vol. 53, no. 2 (Winter): 1–26.
- Bolter, Jay David and Richard Grusin. 1999. Remediation: Understanding New Media. Cambridge, Massachusetts: The MIT Press.
- Castro, Eduardo Viveiros de. 2002. A inconstância da alma selvage [The Inconstancy of the Indian Soul]. São Paulo: Cosac & Naify.
- Derrida, Jacques, 1995. Mal d’archive: une impression freudienne [Archive Fever: A Freudian Impression]. Paris: Gailée.
- Didi-Hubermann, Georges, 2002. L’image survivante. Histoire de l’art e temps de fantômes selon Aby Warburg [The Surviving Image: History of Art and Phantoms of Time According to Aby Warburg]. Paris: Minuit.
- Gunning, Tom, 1989. Films that Tell Time: the Paradoxes of the Cinema of Ken Jacobs. In Film that Tell Time: a Ken Jacobs Retrospective, ed. David Schwartz, 3–11. New York: American Museum of Moving Image.
- Marks, Laura. 2010. Enfoldment and Infinity: an Islamic Genealogy of New Media Art. Cambridge, Massachusetts: The MIT Press.
- Mondazain, Marie-José. 2003. Le commerce des regards [The Trade of Looks]. Paris: Éditions du Seuil.
- Pierson, Michele. 2011. Ken Jacobs – a Half Century of Cinema. In Optic Antics: the Cinema of Ken Jacobs, eds. Michele Pierson, David E. James and Paul Arthur, 3–25. Oxford: Oxford University Press.
- Røssask, Eivind. 2011. Acts of Delay: The Play between Stilness and Motion in Tom, Tom, the Piper’s son. In Optic Antics: the Cinema of Ken Jacobs, eds. Michele Pierson, David E. James and Paul Arthur, 96–107. Oxford: Oxford University Press.
- Sarlo, Beatriz. 2007. Tempo Passado: cultura da memória e guinada subjetiva [Time Past: Culture of Memory and Subjective Turn]. São Paulo: Companhia das Letras.
- Spiegelman, Art. 2008. Breakdowns: Portrait of the Artist as a Young %@&*! New York: Pantheon.
- Wark, McKenzie 2004. A Hacker Manifest. Cambridge, Massachusetts and London: Harvard University Press.