Have a personal or library account? Click to login
Looking West: Understanding Socio-Political Allegories and Art References in Contemporary Romanian Cinema Cover

Looking West: Understanding Socio-Political Allegories and Art References in Contemporary Romanian Cinema

By: Hajnal Király  
Open Access
|Sep 2016

References

  1. Bachelard, Gaston. 1961. Poétique de l’espace. Paris: Presses Universitaires de France.
  2. Bhabha, Homi. 1994. Of Mimicri and Man. The Ambivalence of Colonial Discourse. In The Location of Culture, 85–93. London: Routledge.
  3. Boia, Lucian. 2012. De ce este România altfel? [Why is Romania Different?] Bucureşti: Humanitas.
  4. Deleuze, Gilles. 2004. Francis Bacon: The Logic of Sensation. London, New York: Continuum.
  5. Gorzo, Andrei. 2012. Lucruri care nu pot fi spuse altfel: un mod de a gândi cinemaul, de la André Bazin la Cristi Puiu. [Things That Cannot Be Said in a Different Way: A Way of Thinking Cinema, from André Bazin to Cristi Puiu.] Bucureşti: Humanitas.
  6. Jacobs, Steven. 2011. Framing Pictures. Films and the Visual Arts. Edinburgh: Edinburgh University Press.10.3366/edinburgh/9780748640171.001.0001
  7. Kitschelt, Herbert. 2003. Postcommunist Regime Diversity. In Capitalism and Democracy in Central and Eastern Europe, eds. Grzegorz Ekiert and Stephen E. Hanson, 49–86. Cambridge: Cambridge University Press.
  8. Lazăr, Veronica and Andrei Gorzo. 2014. Aferim! – ceva nou în cinemaul românesc Porumboiu [Aferim! – Something New in the Romanian Cinema]. In Politicile filmului. Contribuţii la interpretarea cinemaului românesc contemporan [The Politics of Film. Contributions to the Interpretation of Contemporary Romanian Cinema], eds. Andrei Gorzo and Andrei State, 301–312. Cluj Napoca: Tact.
  9. Lyotard, Jean-François. 2011. Discourse, Figure. Minneapolis, London: University of Minnesota Press.
  10. Pethő, Ágnes. 2015. Between Absorption, Abstraction and Exhibition. Inflections of the Cinematic Tableau in the Films of Corneliu Porumboiu, Roy Andersson, and Joanna Hogg. Acta Universitatis Sapientiae: Film and Media Studies vol. 11: 39–76.10.1515/ausfm-2015-0015
  11. Pop, Doru. 2010. The Grammar of the New Romanian Cinema. Acta Universitatis Sapientiae: Film and Media Studies vol. 3: 19–40.
  12. Popa, Diana. 2011. Probing the Body – Political and Medical (Empty) Authority in the New Romanian Cinema. Acta Universitatis Sapientiae: Film and Media Studies vol. 4: 115–129.
  13. Rajevsky, Irina O. 2005. Intermediality, Intertextuality, and Remediation. A Literary Perspective on Intermediality. Intermedialités no. 6. Automne: 43–64.
  14. Rodowick, D. N. 2001. Reading the Figural, or, Philosophy after the New Media. Durham and London: Duke University Press.10.1215/9780822380764
  15. Schrader, Paul. 1988. Transcendental Style in Film. Ozu, Bresson, Dryer. New York: Da Capo Press.
  16. State, Andrei. 2014. Realismele lui Corneliu Porumboiu [The Realisms of Corneliu Porumboiu]. In Politicile filmului. Contribuţii la interpretarea cinemaului românesc contemporan [The Politics of Film. Contributions to the Interpretation of Contemporary Romanian Cinema], eds. Andrei Gorzo and Andrei State, 74–87. Cluj Napoca: Tact.
  17. Trifonova, Temenuga. 2015. Contemporary Bulgarian Cinema: From Allegorical Expressionism to Declined National Cinema. In East, West and Centre. Reframing Post-1989 European Cinema, eds. Michael Gott and Todd Herzog, 127–146. Edinburgh: Edinburgh University Press.10.3366/edinburgh/9780748694150.003.0008
  18. Xavier, Ismail. 2004. Historical Allegory. In A Companion to Film Theory, eds. Robert Stam and Toby Miller, 333–362. Oxford: Blackwell Publishing.10.1002/9780470998410.ch18
Language: English
Page range: 67 - 86
Published on: Sep 24, 2016
In partnership with: Paradigm Publishing Services
Publication frequency: 2 issues per year

© 2016 Hajnal Király, published by Sapientia Hungarian University of Transylvania
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.