Abstract
James DeMonaco’s 2013 horror film The Purge, which imagines a near-future America in which a fascist government declares all crime (including murder) legal for one night a year, received generally bad reviews. Most reviewers overlooked how the film speaks to the relationship between desire and power in modern civilization...
Journal eISSN: 2162-8793
Language: English
Published on: Dec 3, 2016
Published by: Virginia Tech Publishing
In partnership with: Paradigm Publishing Services
© 2016 Judson Abraham, published by Virginia Tech Publishing
This work is licensed under the Creative Commons Attribution 4.0 License.