Editorial; Contents
Two Soviet Animated Films for Children with Music by Dmitri Shostakovich
Babulewicz, Katarzyna
Ideas of the Musica Antiqua Europae Orientalis festivals and congresses as creative inspiration as exemplified by Romuald Twardowski’s works
Kłaput-Wiśniewska, Aleksandra
Volume 22 (2024): Issue 1 (December 2024)
The role of Polish musicians in shaping the Ukrainian school of composition in the 19th and early 20th centuries
Kijanowska-Kamińska, Luba
The Actors’ Boycott During Polish Martial Law: A Case Study in the Politics of Listening as Collective Action
Bohlman, Andrea F.
“Newcomers” and “natives”: composers in Polish Zielona Góra (1945–2023)
Literska, Barbara
The wartime experiences of Zygmunt Mycielski and the Polish post-war reality as illustrated by Mycielski’s letters to Nadia Boulanger (1939–1960): reading notes
Suchowiejko, Renata
The compositional output of Paweł Klecki, Jan Krenz and Stanisław Skrowaczewski in a historical perspective
Szoka, Marta
Back from obscurity: Emil Łapczyński (1837–1863). Concert artist, composer, insurgent
Wilczek-Krupa, Maria
Is notational “fingerprint” still possible? A few comments on the idiomaticity of the 20th-century notation
Kowalska-Zając, Ewa
Zofia Lissa’s participation in attempts to define formalism and realism in music in the 1940s and 1950s. Using the category of musical expression to create patterns of division
Zymer, Izabela