“Just how dangerous is he?” Cormac McCarthy’s Hybridized Crime Fiction
Michael Pronko
In True Crime We Trust: The Artifactuality of John Douglas and Mark Olshaker’s Mindhunter: Inside the FBI Elite Serial Crime Unit (2017) and Netflix’s Mindhunter (2017)
Emily Alice Farmer
Between Genre, Parody, and Criticism: Gilbert Adair’s The Act of Roger Murgatroyd
Felicitas Mayer
Volume 20 (2025): Issue 2 (December 2025)
Volume 2025 (2025): Issue 4 (December 2025)
Measuring Function-as-a-Service Performance in Different Cloud Platforms using an Application-Level Benchmark
Blend Hamiti, Besnik Selimi
Recurrent Trichophyton tonsurans Tinea in a Surgical Resident and Possible Links to the Workplace Conditions
Antonio Frankol, Olivia Toma, Eusebiu Crisan
Turning Tides, Changing Times: Sea in Evil Under the Sun and Journey to the South
Jiří Jelínek, Jana Jelínková
Peter May’s The Lewis Man and Rebecca Wait’s Our Fathers: A Scottish Gothic Reading of Island-Set Crime Fiction
Šárka Dvořáková
Analyzing Cross-Cultural Communication in Global Media – The Integration of Anglicisms into Media in Albanian Language
Ernest Ismeti, Arta Toçi
The Ranunculus auricomus L. complex (Ranunculaceae) in Croatia – validation of Ranunculus velebiticola
F. G. Dunkel
The Folk Horror and Crime Fiction Hybrid in Heart of Darkness
Ruth Heholt