Issue Editors’ Notes;Introduction to Hybridization and Generic Experiments in Crime Narratives
Renáta Zsámba, Angelika Reichmann, Zsolt Győri
Hard-Boiled Reinvestigations of African American History in Barbara Neely’s Blanche on the Lam (1992) and Blanche Among the Talented Tenth (1994)
Ágnes Zsófia Kovács
Snakes on a Page: Re-reading Monstrosity and Vulnerability in Selected Contemporary Fiction
Jessica Murray
Non-Occupational Dermatological Diseases with Significant Professional Impact: Severe Hidradenitis Suppurativa as a Case-Based Illustration
Maria Visan, Constantin Caruntu, Emma Gheorghe, Fatima Husein
The Influence of Tax Governance on Tax Morale in Algeria: A Field Study
Nadia Abderrahim, Ismail Boughazi, Ismail Morad
Analyzing Cross-Cultural Communication in Global Media – The Integration of Anglicisms into Media in Albanian Language
Ernest Ismeti, Arta Toçi
Occupational Stress and Burnout Syndrome in a Group of Resident Physicians
Radu Marek Colonescu, Florina Georgeta Popescu
Between Genre, Parody, and Criticism: Gilbert Adair’s The Act of Roger Murgatroyd
Felicitas Mayer
Turning Tides, Changing Times: Sea in Evil Under the Sun and Journey to the South
Jiří Jelínek, Jana Jelínková
Peter May’s The Lewis Man and Rebecca Wait’s Our Fathers: A Scottish Gothic Reading of Island-Set Crime Fiction
Šárka Dvořáková
“Just how dangerous is he?” Cormac McCarthy’s Hybridized Crime Fiction
Michael Pronko
In True Crime We Trust: The Artifactuality of John Douglas and Mark Olshaker’s Mindhunter: Inside the FBI Elite Serial Crime Unit (2017) and Netflix’s Mindhunter (2017)
Emily Alice Farmer