The Ballets of Eugeniusz Morawski in the Context of the Search for Polish National Identity
Łapeta, Oskar
Music in the Polish-Jewish Theatre in the First Decades of the 20th Century in the Light of Surviving Sources
Jaczyński, Michał
“Let Us Create a Modern Lithuania!” Confrontations of National Identity with Modernity in the Lithuanian Music Modernisation Discourse of the 1930s
Stanevičiūtė, Rūta
A New Home Leads to Compositional Evolution: Roman Palester’s Preludes for Piano (1954)
Parham, Blake
Chopin, Polish National Culture and the Question of “Racial Purity”: Zofia Lissa’s Voice in the Debate over Racial Issues in the 1930s
Tuchowski, Andrzej
Volume 18 (2021): Issue 1 (December 2021)
Where Is My Home? The Czech National Anthem: its Problems, Controversies, and Strengths
Velek, Viktor
Italian 17th- and 18th-Century Dramatic Works with Music, Written for the Clothing and Profession Ceremonies, with Special Reference to Compositions Based on the Book of Judith
Ryszka-Komarnicka, Anna
More on the Music of Giuseppe Torti (before 1752–after 1780)
Bieńkowska, Irena
How to Impress the Public: Farinelli's Venetian Debut in 1728–1729
Over, Berthold
In the Shadow of the Lost Crown. ‘Oppressed Innocence’ in the Operas Dedicated to Maria Clementina Sobieska in Rome (1720–1730)
Markuszewska, Aneta
Paul Hindemith's Symphonic Metamorphosis of Themes by Carl Maria von Weber for Orchestra: A Historical and Analytical Perspective
Jones, Daniel A.