Peter May’s The Lewis Man and Rebecca Wait’s Our Fathers: A Scottish Gothic Reading of Island-Set Crime Fiction
Šárka Dvořáková
Between Genre, Parody, and Criticism: Gilbert Adair’s The Act of Roger Murgatroyd
Felicitas Mayer
“Just how dangerous is he?” Cormac McCarthy’s Hybridized Crime Fiction
Michael Pronko
Turning Tides, Changing Times: Sea in Evil Under the Sun and Journey to the South
Jiří Jelínek, Jana Jelínková
Workload control in a bottleneck-oriented flow shop with capacity adjustments
Aruna Prabhu, K Raghunandana, Ramakrishna Vikas Sadanand, Augustine B.V. Barboza
Why Do Shoppers Prefer M-Commerce? Discovering Key Drivers Based on a SEM–ANN Approach
Simona Vinerean, Carolina Țîmbalari, Alin Opreana
Review: Salman Rushdie’s Cacophonous Creativity
John McLeod
Postmodern Genre-Bending on Mainstream TV: A Case Study of Fargo Season 5
Angelika Reichmann
Review: Feminist Versions of Greek Tragedy in the Theater of Marina Carr
Mária Kurdi
The Folk Horror and Crime Fiction Hybrid in Heart of Darkness
Ruth Heholt
Volume 61 (2025): Issue 4 (December 2025)
