The Folk Horror and Crime Fiction Hybrid in Heart of Darkness
Ruth Heholt
“Just how dangerous is he?” Cormac McCarthy’s Hybridized Crime Fiction
Michael Pronko
Between Genre, Parody, and Criticism: Gilbert Adair’s The Act of Roger Murgatroyd
Felicitas Mayer
Peter May’s The Lewis Man and Rebecca Wait’s Our Fathers: A Scottish Gothic Reading of Island-Set Crime Fiction
Šárka Dvořáková
Hard-Boiled Reinvestigations of African American History in Barbara Neely’s Blanche on the Lam (1992) and Blanche Among the Talented Tenth (1994)
Ágnes Zsófia Kovács
Issue Editors’ Notes;Introduction to Hybridization and Generic Experiments in Crime Narratives
Renáta Zsámba, Angelika Reichmann, Zsolt Győri
Transylvanian Teacher and Historian Avram Sădean (1880-1914)
Maria Alexandra Pantea
Use of the Topsis Method in Consumers’ Luxury Electric Vehicle Purchasing Decisions
Ümmü Saliha Eken İnan
Achieving Clinical Reliability in Suicide Risk Detection: A Low-Resource Benchmark of RoBERTa vs. DistilBERT
Stefania-Eliza Berghia, Adrian Barglazan
Ecological Landfills: Specialized Constructions for Sustainable Development
M.S. Mancia, N.Sz. Suba, Mihaela-Teodora Toadere, Gabriela A. Popoviciu
Wartime Knitting in Agatha Christie’s N or M?
Renáta Zsámba
Review: Past and Present in Edith Wharton’s Travel Writing
Tibor Glant