Pasticcio and Pleasure. L’abbandono di Armida (Venice 1729)
Markuszewska, Aneta
Handel’s Pasticci between Music History and Current Music Practice at the Handel Festival in Halle
Birnbaum, Clemens
Scipione impasticciato: Performing, Researching and Reviving London operas from 1730–1731
Strohm, Reinhard
Hasse's Siroe, Thirty Years Later: A Veritable Work in Progress
Mellace, Raffaele
Polski Rocznik Muzykologiczny
Projects to Revive National Music in Warsaw in 1919–1926
Dziadek, Magdalena
Chopin, Polish National Culture and the Question of “Racial Purity”: Zofia Lissa’s Voice in the Debate over Racial Issues in the 1930s
Tuchowski, Andrzej
Editorial
Lindstedt, Iwona
Karol Szymanowski’s Vision of New Polish Music
Kominek, Mieczysław
National Icon and Cultural Ambassador: Zoltán Kodály in the Musical Life of State Socialist Hungary
Péteri, Lóránt
Permanent Values and Variability in Janáček´s Opinions on National and Regional Identity in Relation to Music
Procházková, Jarmila
A New Home Leads to Compositional Evolution: Roman Palester’s Preludes for Piano (1954)
Parham, Blake