Pasticcio, Arrangement, or Adaptation? Georg Philipp Telemann's Pasticcio Judith Based on Fortunato Chelleri's dramma per musica Innocenza difesa
zur Nieden, Gesa
Scipione impasticciato: Performing, Researching and Reviving London operas from 1730–1731
Strohm, Reinhard
Between Opera and Oratorio. The Pasticcio Oratorios in Prague and Brno ca 1720–1760
Spáčilová, Jana
‘Per desiderio di farsi onore’: Singers and the Adaptation of Arias in Italian drammi per musica of the Early Eighteenth-Century Italy
Desler, Anne
Polski Rocznik Muzykologiczny
A New Home Leads to Compositional Evolution: Roman Palester’s Preludes for Piano (1954)
Parham, Blake
“Let Us Create a Modern Lithuania!” Confrontations of National Identity with Modernity in the Lithuanian Music Modernisation Discourse of the 1930s
Stanevičiūtė, Rūta
Polish National Publishing Initiatives after 1918
Sieradz, Małgorzata
Music in the Polish-Jewish Theatre in the First Decades of the 20th Century in the Light of Surviving Sources
Jaczyński, Michał
The Ballets of Eugeniusz Morawski in the Context of the Search for Polish National Identity
Łapeta, Oskar
Volume 18 (2021): Issue 1 (December 2021)
Permanent Values and Variability in Janáček´s Opinions on National and Regional Identity in Relation to Music
Procházková, Jarmila